Between two capitals

This travel book is by the author of A Hundred Days Between Sky and Sea. This is Klink's account of a figure-of-eight solo voyage from Brazil to the South Pole, across to Cape Town; then up to the North Pole and finally, after 22 months at sea, back to Brazil.. Bloomsbury. London. Año 1995. 1ª edición

Paul Young ‎– Between Two Fires (COL 468329 2) (CD, Album) (D:NM / C:NM) Paul Young ‎– Between Two Fires (COL 468329 2) (CD, Album) (D:NM / C:NM) Envíos económicos, con opción de tarifa plana. Máxima seriedad. (Se aceptarán ofertas serias, en función del número de items comprados) Disco usado, pero en buen estado.  

WIRE TRAIN BETWEEN TWO WORLDS WIRE TRAIN BETWEEN TWO WORLDS LP 2ª MANO CBS S 26670 EDICION ESPAÑOLA AÑO 1986 LA FUNDA ESTA NUEVA Y LP MUY POCAS Y SUPERFICIALES SEÑALES DE USO COMO NUEVO

VINILO DJ BOLO & URI ”BETWEEN TWO” VINILO DJ BOLO & URI ”BETWEEN TWO” Este vinilo perteneció a la colección particular de un Dj. Como podemos ver en la galleta, hay una pegatina que describe ciertos movimientos que el Dj empleaba para pinchar en las discotecas.

I sticker Abbath Immortal Between Two Worlds pegatina I sticker Abbath Immortal Between Two Worlds pegatina Minimum amount of the order: 3 € Pedido mínimo: 3 €

Vinilo de Bolo & Uri Between two Tema clásico Edición original. En perfecto estado. VG+ Vinilos siempre puestos a punto con limpiador profesional previo a venta. Envíos a toda España certificado y descuentos por packs. Pagos por transferencia,Wallapop y PayPal TAGS: Remember. Máquina. Dance. Vinilo. Temazo

The Byrds ‎– Two Tea For Two CD original 1991 Great Dane Records The Byrds ‎– Two Tea For Two CD original 1991 Great Dane Records THE BYRDS Two Tea For Two CD, original del año 1991 en el label "Great Dane Records" Recorded at the Boston Tea Party February 22, 1969. 1 You Ain't Going Nowhere Written-By – Dylan*2:59 2 He Was A Friend Of Mine Arranged By – McGuinn* Written-By [Uncredited] – Traditional 3:24 3 Old Blue Trad. Arranged By – McGuinn*Written-By – Traditional 3:30 4 Long Black Veil Arranged By – McGuinn* Written-By [Uncredited] – Danny Dill, Marijohn Wilkin 3:24 5 Goin' Back Written-By – Goffin / King* 3:47 6 Get Out Of My Life, Woman Written-By – Allen Toussaint 3:20 7 The Ballad Of Easy Rider Written-By – McGuinn* 2:46 8 Jesus Is Just Alright Written-By – A. Reynolds* 3:41 9 Tulsa Country Written-By – P. Polland* 3:25 10 Mr. Spaceman Written-By – McGuinn* 3:21 11 Sing Me Back Home Written-By – Haggard* 3:13 12 This Wheel's On Fire Written-By – Dylan*, Danko* 4:41 13 Lay Lady Lay Written-By – Dylan* 3:17 14 Time Between Written-By – Hillman* 2:15 15 Take A City Bride Written-By – McGuinn* 2:16 16 It's All Over Now Baby Blue Written-By – Dylan* 4:02 17 Come Back Baby Número de Catálogo: GDR CD 9112 Estado: Excelente

ANGEL CITY (TWO MINUTE WARNING) 1984 LP33 MCA RECORDS ANGEL CITY (TWO MINUTE WARNING) 1984 LP33 MCA RECORDS A1 Underground   A2 Look The Other Way   A3 Between The Eyes   A4 Front Page News   A5 Be With You   B1 Small Price   B2 Poem / Walking To Babylon   B3 Sticky Little Bitch   B4 Razor's Edge   B5 Gonna Leave You

Key Specifications: - Recording formats: 4096X2160, 50P 4096X2160, 25P 3840X2160, 50P 3840X2160, 25P 1920X1080, 50P 1920X1080, 25P - Two XQD memory card slots, relay recording between two XQD cards. - High quality audio recording (24bit, 48kHz) (2 XLR inputs with 48V phantom) - Sony G-Lens with 20x zoom - Dimensions: 189 x 193 x 362 mm - Weight: 2.4kg

SHELLEYAN ORPHAN - CENTURY FLOWER LP NUEVOS MEDIOS 89 INDIE ROCK SHELLEYAN ORPHAN - CENTURY FLOWER LP NUEVOS MEDIOS 89 INDIE ROCK VG++/EX, + INNER A1 Shatter   A2 Timeblind   A3 Tar Baby   A4 Self   A5 Summer Flies   B1 The Silent Day   B2 Century Flower   B3 Amanita Muscaria   B4 Between Two Waves   B5 A Few Small Hours

URIAH HEEP - TEL AVIV, ISRAEL, Performing Arts Center - 28 January 2013 (2 CD) DOUBLE CD BOOTLEG - NOt SILVER, inedito - unpublished tracklist: CD1 01. Against the Odds 02. Overload 03. Traveller in Time 04. Sunrise 05. All My Life 06. I'm Ready 07. Between Two Worlds 08. Stealin' CD2 09. Nail on the Head 10. Into the Wild 11. Gypsy 12. July Morning 13. Lady in Black Encore: 14. Free'n'Easy 15. Easy Livin' Total time: 1:26:33

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

LED ZEPPELIN - CODA LED ZEPPELIN - CODA Presence, In Through The Out Door, and Coda have been remastered for 2015 by guitarist and producer Jimmy Page and are accompanied by companion audio comprised of previously unreleased music related to the original release.The appropriately titled Coda was Led Zeppelin s final album of studio recordings. Released in 1982, it was comprised of eight unreleased tracks recorded between 1970 and 1978. It peaked at #6 on the album charts and has been certified platinum in the U.S. The reissue campaign ends with a double-barrel blast of Led. Coda will be the only Led Zeppelin deluxe edition to include two companion discs, featuring 15 tracks recorded between 1968 and 1974. The oldest song in the collection is also perhaps the most interesting. The frenetic blues jam Sugar Mama was recorded in 1968 at Olympic Studios during sessions for the band s eponymous debut. The song was completed but never officially released until now. Baby Come On Home from the same session is also included in the set. Also included is the previously unreleased St. Tristan s Sword, a rollicking instrumental recorded during the Led Zeppelin III sessions in 1970. Coda is available in the following formats:Single CD Remastered original album. Coda will be packaged in a gatefold card wallet.Deluxe Edition (3CD) Remastered album, plus two discs of unreleased companion audio.Single LP Remastered album on 180-gram vinyl, packaged in a sleeve that replicates the LP s first pressing in exacting detail.Deluxe Edition Vinyl Remastered album and unreleased companion audio on 2 180-gram vinyl LPs.Digital Download Remastered album and companion audio will both be available.Super Deluxe Boxed Set This collection includes Remastered album on CD in vinyl replica sleeve, Companion audio on CD in card wallet, Remastered album on 180-gram vinyl in a sleeve replicating first pressing, Companion audio on 180-gram vinyl, High-def au

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

MCCARTNEY PAUL - EGYPT STATION (GATE) (LTD) (DL MCCARTNEY PAUL - EGYPT STATION (GATE) (LTD) (DL 180g Double Vinyl, unique tri-gatefold packaging with 16 tracks (14 songs + 2 instrumentals). Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters). Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.” True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.