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CHRISPIAN ST. PETERS - YOU WERE ON MY MIND - LP DECCA ALEMANIA 1971 - JIMMY PAGE CHRISPIAN ST. PETERS - YOU WERE ON MY MIND - LP DECCA ALEMANIA 1971 - JIMMY PAGE

DWIGHT TWILLEY BAND -I´M ON FIRE - YOU WERE SO WARM - AÑO 1976 - SHELTER -RefM1E4BoEs47D DWIGHT TWILLEY BAND -I´M ON FIRE - YOU WERE SO WARM - AÑO 1976 - SHELTER -RefM1E4BoEs47D DWIGHT TWILLEY BAND -I´M ON FIRE - YOU WERE SO WARM - AÑO 1976 - SHELTER   NO TENGO EL ESTUCHE ORIGINAL, ASI QUE LO VENDO ASI SUELTO      -RefM1E4BoEs47D

DREAM COMMAND (COMSAT ANGELS) - FIRE ON THE MOON DREAM COMMAND (COMSAT ANGELS) - FIRE ON THE MOON Discográfica:   Demon Demon Records is delighted to present the reissue programme of the albums by THE COMSAT ANGELS originally recorded between 1980-'90 on vinyl. These albums prove beyond all reasonable doubt that while commercial recognition may have eluded the Sheffield-based quartet, they still accumulated one of the most enviable, enduring and unsung catalogues known to rock. This series begins with the trio of iconic, post-punk era LPs the Comsats recorded for Polydor - WAITING FOR A MIRACLE; SLEEP NO MORE and FICTION); and also CHASING SHADOWS coupled with FIRE ON THE MOON (the latter recorded while the Comsat Angels were known as Dream Command), which were both originally released by Island Records. All these expanded editions come with bonus second discs, plus booklets with, lyrics, rare photos and detailed liner notes by Tim Peacock (Record Collector) with participation from Steve Fellows. The little-known FIRE ON THE MOON was recorded while the Comsats were briefly known as Dream Command, a move encouraged by the label in an attempt to circumvent issues with the band name in the USA. The album was only ever released in the USAand the Netherlands, and quickly deleted. A real lost album for Comsat Angels fans

If I Were The Boss * cd * LAS CANCIONES DE BRUCE SPRINGSTEEN * PRECINTADO * RARE!! If I Were The Boss * cd * LAS CANCIONES DE BRUCE SPRINGSTEEN * PRECINTADO * RARE!! No, no se han juntado ahora para hacer un homenaje a nadie. Algunas de las versiones que aparecen en el disco tienen mas de 30 años y la que menos, diez. Grupos clásicos como Manfred Mann s Earth Band, The Hollies, Big Country, Status Quo o Patti Smith intuyeron que aquellos temas algún día elevarían a su autor a la categoría de mito y quisieron adelantarse. Hay que escucharlos como lo que son, grandes temas interpretados por grandes artistas, sin caer nunca en la trampa de las comparaciones. Disco imprescindible.  Precintado de fábrica Track Listings 1. If I Were The Priest - Clarke, Allan 2. Spirits In The Night - Manfred Mann's Earth Band 3. Growin' Up - Alvin Stardust 4. For You - Kihn, Greg 5. Blinded By The Light - Manfred Mann's Earth Band 6. Fever - Ford, Dean 7. Sandy (4th Of July Asbury Park) - Hollies 8. He's The One - Rhonda 9. Born To Run - Clarke, Allan 10. Fire - Shakin' Stevens 11. Rendezvous - Kihn, Greg 12. Because The Night - Smith, Patti 13. Factory - Flying Pickets 14. Cadillac Ranch - Status Quo 15. Ties That Bind - Eddie & The Hot Rods 16. From Small Things (Big Things Will Come) - Edmunds, Dave 17. I'm Going Down - Chorus, Dawn & the Bluetits 18. I'm On Fire - Big Country 19. Dancing In The Dark - Clark, Louis & The London Philharmonic Orchestra 20. I'm On Fire - Big Country 21. Dancing In The Dark - Clark, Louis & The London Philharmonic Orchestra

NEW KIDS ON THE BLOCK - MERRY MERRY CHRISTMAS (GREEN NEW KIDS ON THE BLOCK - MERRY MERRY CHRISTMAS (GREEN Discográfica:   Real Gone Music When this album came out in 1989, the New Kids on the Block were so huge that a spoken-word album featuring them reciting 'Twas the Night Before Christmas probably would have gone platinum. But to the credit of the 'Boys and their producer Maurice Starr, they didn't turn in a mere tree ornament with Merry, Merry Christmas; instead, they put together a completely charming entry in the venerable pop music tradition of Christmas music albums (and it went double platinum). Among the original compositions, This One's for the Children was deservedly a Top Ten hit and Funky, Funky Xmas was a silly but spirited hoot, while the versions of White Christmas, Little Drummer Boy, and The Christmas Song were admirable additions to the Christmas canon. Our green vinyl pressing features the original inner sleeve and is limited to 1000 copies merry, merry Christmas

Pink Floyd Wish You Were Here (Reedición LP-Vinilo) Nuevo y precintado envió certificado España 3 € Pink Floyd Wish You Were Here (Reedición LP-Vinilo) Nuevo y precintado envió certificado España 3 € Después de haber estado un largo periodo fuera de circulación, vuelve a estar en stock el álbum 'Wish You Were Here' en formato vinilo 180 gramos y nuevamente remasterizado por James Guthrie, Joel Plante y Bernie Grundman. Se trata del noveno álbum de estudio de la consagrada banda británica Pink Floyd, lanzado originalmente en 1975 e inspirado en el material que compusieron durante su gira europea de 1974 y que grabaron en los Abbey Road Studios de Londres. Su temática explora la ausencia, la industria musical y los problemas mentales del anterior miembro de la banda Syd Barrett. Canciones: Shine On You Crazy Diamond, Pts. 1-5 (2011 Remastered Version) Welcome To The Machine (2011 Remastered Version) Have A Cigar (2011 Remastered Version) Wish You Were Here (2011 Remastered Version)

SINGLE / EP. DWIGHT TWILLEY BAND. I'M ON FIRE (ESTOY EN FUEGO) YOU WERE SO WARM. 1976 SINGLE / EP. DWIGHT TWILLEY BAND. I'M ON FIRE (ESTOY EN FUEGO) YOU WERE SO WARM. 1976 PEDIDO MÍNIMO: 6€ MARCAS DE SUPERFICIE EN EL VINILO    

Incluye: Shine on you crazy diamond (Part one), Welcome to The Machine, Have a cigar, Wish you were here y Shine on you crazy diamond (Part two). Atiendo whatsapp

THE BAND * 2LP *And Then There Were Four: FM Broadcast, Chicago 1983 * Gatefold * Precintado THE BAND * 2LP *And Then There Were Four: FM Broadcast, Chicago 1983 * Gatefold * Precintado Doble disco de vinilo en una edición de lujo que contiene el histórico concierto en vivo de la reunión de The Band en 1983 que se grabó en Chicago con todos los miembros originales, excepto Robbie Robertson. La carpeta es gatefold (desplegable) y está precintado de fábrica. Edición limitada a pocas copias. DISCO 1 CARA A A1 Up On Cripple Creek A2 The Shape I'm In A3 It Makes No Difference DISCO 1 CARA B B1 Milk Cow Boogie B2 Mystery Train B3 King Harvest (Has Surely Come) B4 Java Blues DISCO 2 CARA C C1 I Shall Be Released C2 Rag Mama Rag C3 Long Black Veil DISCO 2 CARA D D1 (I Don't Want To) Hang Up My Rock And Roll Shoes D2 The Weight D3 Ophelia

The Original Animals* ‎– Before We Were So Rudely Interrupted, UK 1977 Barn Records The Original Animals* ‎– Before We Were So Rudely Interrupted, UK 1977 Barn Records Lista de pistas A1 Brother Bill (The Last Clean Shirt)   A2 It's All Over Now, Baby Blue   A3 Fire On The Sun   A4 As The Crow Flies   A5 Please Send Me Someone To Love   B1 Many Rivers To Cross   B2 Just A Little Bit   B3 Riverside County   B4 Lonely Avenue   B5 The Fool

The Original Animals ‎– Before We Were So Rudely Interrupted, Scandinavia 1977 Barn Records The Original Animals ‎– Before We Were So Rudely Interrupted, Scandinavia 1977 Barn Records Lista de pistas A1 Brother Bill (The Last Clean Shirt)   A2 It's All Over Now, Baby Blue   A3 Fire On The Sun   A4 As The Crow Flies   A5 Please Send Me Someone To Love   B1 Many Rivers To Cross   B2 Just A Little Bit   B3 Riverside County   B4 Lonely Avenue   B5 The Fool

RIGHT ON NOW! SOUNDS OF NORTHE - RIGHT ON NOW! SOUNDS OF NORTHE RIGHT ON NOW! SOUNDS OF NORTHE - RIGHT ON NOW! SOUNDS OF NORTHE Discográfica:   ORG Music Gangway! Open the dance floor! This record is sure to get you on your feet. From Ike & Tina to Bettye LaVette, your Cuban heeled soles are sure to be worn through by the end of side B. This essential collection of rare northern soul tracks was curated from catalogs like Calla, Atco, Loma, and Jubilee. The tracks were remastered for vinyl at Infrasonic Mastering. The album is being pressed at Pallas in Germany, on a white, red, and blue swirl color vinyl, exclusively for Record Store Day 2018.

RIVER CITY PEOPLE - WALKING ON ICE - MAXI VINILO ORIGINAL 1989 PRIMERA EDICION EMI UK RIVER CITY PEOPLE - WALKING ON ICE - MAXI VINILO ORIGINAL 1989 PRIMERA EDICION EMI UK Cuando uno bebe de influencias musicales durante toda una década corre el riesgo de que, en su madurez o mejor momento, su música ya esté fuera de moda. Algo así le ocurrió a un grupazo de nombre River City People. La década de los ochenta fue extraña. Mucha música y mucha experimentación con las nuevas tecnologías que se reproducían por momentos, algunos de ellos efímeros... En esa maraña musical podía salir a la luz casi cualquier cosa. Y ese inmenso bosque camufló la música que siempre existió y ha ido evolucionando poco a poco hasta nuestros días. Es ese pop folk, estilo Edie Brickell and the New Bohemians, 10.000 Maniacs... A esa fiesta se apuntó River City People con dos trabajos estupendos: "Say Something Good" del año 1989 y " This Is The World" del 1991, demostrando estar en la línea de los anteriores grupos nombrados... Pero los inicios de los noventa vivieron un fenómeno Grunge que lo inundó todo. Un fenómeno musical interesante, que aportó mucho a la música, pero que fagocitó todo el pop y parte del rock a su paso. Entre los damnificados, esos grupos de pop folk estilo RCP. El sonido sucio del Grunge, de una generacion desencantada, no dejaba lugar a las melodías folkies que versionaba el California Dreamin '... Eso, y los problemas internos del grupo, por supuesto, terminaron con la carrera de un grupo que tenía muy buenas hechuras, con temas de muchísima calidad como " Walking on Ice " y un discazo impresionante como Say Something God...   Del primer trabajo salio esta maravillosa cancion que fue single,  WALKING ON ICE, aqui esta la version extendida de 12". Pistas: A Walking On Ice (Extended Version)   4:55  B1 Black   3:26  B2 Huskisson Street (Revisited)   3:06  River City People were a folk rock quartet formed in Liverpool, England in 1986,by vocalist Siobhan Maher, guitarist Tim Speed, his drummer brother Paul Speed, and bassist Dave Snell. Siobhan, Tim and Dave had both been with Liverpool Band "Peep Show" until summer 1987 - at one point both bands co-existed. The group appeared on Channel 4's The Chart Show and soon afterward signed with EMI, releasing their debut single "(What's Wrong With) Dreaming?" in mid 1989. Their album Say Something Good followed a few months later, recorded in Los Angeles and produced by legendary producer Don Gehman. In the summer of 1990, the band scored their biggest hit with a cover of The Mamas & the Papas' "California Dreamin'". This was a double A-side with "Carry the Blame". "This is the World" followed in late 1991, but the group disbanded shortly after. Maher then teamed with ex-Bangle Debbi Peterson in the duo Kindred Spirit, releasing a self-titled 1995 album on Capitol Records. She released a solo album in 2002 called Immigrant Flower.    

STRUT - TIME MOVES ON STRUT - TIME MOVES ON Discográfica:   Demon Records Limited 180gm heavyweight vinyl LP pressing with printed inner sleeve. Disco-funk classic by new Jersey group Strutt, who were signed to the Brunswick label. The album's title track 'Time Moves On' went all the way to number on the disco chart in 1976. Other highlights include dance floor classic 'Front Row Romeo' and soul ballads 'We've Come A Long Way Baby' And 'If Wishing Made It So'.

THE HULLABALLOOS - On Hullabaloo 1965, 1º LP, BEAT, GARAGE ROCK, RARA ORG EDT USA, EXC THE HULLABALLOOS - On Hullabaloo 1965, 1º LP, BEAT, GARAGE ROCK, RARA ORG EDT USA, EXC ESTUPENDA EDIC. ORIG. DE ESTA EXCELENTE BANDA DE LA LLAMADA British Invasion bands     su Nombre correspondia a la ciudad desde la que se formaron (Hull, Inglaterra), los Hullaballoos nacen en 1965 y tuvo una breve carrera en la que disfrutaron de un mayor éxito en los EE.UU. que en su tierra natal. GRUESA CARPETA CON LIGERO DESGASTE,SEÑALA DE DESCATOLOGACION La banda fue producido por Hugo y Luigi y apareció en la televisión de Estados Unidos, sobre todo,. Su pelo largo, teñido de rubio, con tal impacto visual en los Estados Unidos como parte de la primera ola de la invasión británica. el grupo finalmente se disolvió debido a problemas de gestión en 1966. Los Hullaballoos tenían todo a su favor. Grandes canciones, carisma, cabello rubio decolorado y sonrisas más ancha que la cintura de un elefante. También llegaron desde el Reino Unido, que en ese entonces, era un billete instantáneo para el éxito. Compuesto por Rick Knight, Andrew Wooton, Geoffrey Mortimer y Harold Dunn, los Hullaballoos atraído la atención de Columbia Records en 1964, donde entregaron un único, una cubierta de Buddy Holly de “Voy a amo demasiado.” The New York etiqueta de ruleta basado pronto se enteró de estos chicos tiernos y delicados, y les ofreció un trato. Aunque los Hullaballoos Nunca escalado las alturas comerciales como muchos de sus contemporáneos, tambien tubieron su momnento en aquellos mediados de los 60... Su música fue bien concebido y, ciertamente, a la par con el mejor trabajo de Gerry and the Pacemakers, los ermitaños de Herman, Freddie y los soñadores y Billy J. Kramer y los Dakota. A1 I Won't Turn Away Now 2:05 A2 Rave On 1:50 A3 I Got This Feeling 2:05 A4 Better Change Your Ways 2:03 A5 You Were There 2:33 A6 Never Ever Will I 2:04 B1 Learning The Game 1:50 B2 Don't Stop 2:00 B3 My Heart Keeps Telling Me 2:20 B4 That'll Be The Day 2:06 B5 Don't Cha Know 2:30 B6 It's About That Time 2:03

STATUS QUO - ON THE LEVEL (COLV) STATUS QUO - ON THE LEVEL (COLV) Discográfica:   Culture Factory This package includes: 1 transulcent orange LP. OBI (side spine), Single jacket with one pocket, printed inner sleeve and orginial record labels. On The Level is the eighth Status Quo studio album. It features Francis Rossi, Richard Parfitt, Alan Lancaster and John Coghlan. Released in February 1975, the album entered the chart at #1. All tracks were written or co-written by the group including Robert Keith Young, except 'Bye Bye Johnny', written by Chuck Berry.

Shine on your crazy Diamond vinilo en perfecto estado peoducido en 1975

WISCONSIN VINYL COLLECTIVE - WISCONSIN VINYL COLLECTIVE WISCONSIN VINYL COLLECTIVE - WISCONSIN VINYL COLLECTIVE Discográfica:   Stone After Stone Records Limited Edition 1000 Copies. Wisconsin Vinyl Collective - Volume Two is a limited run, vinyl-exclusive collection of previously unreleased songs from artists with strong Wisconsin connections, including: Violent Femmes, PHOX, Horseshoes and Hand Grenades, Tundra Blood, Peridot, Boom Forest, J Council, Zack Pietrini Band, Brett Newski, and Sarah Vos (of Dead Horses). We are pleased to partner with Keep Wisconsin Warm/Cool Fund, the non-profit benefactor of Wisconsin Vinyl Collective. SPONSORED BY: Heat For Heroes, Tundraland, Stone Arch Brewing, Good City Brewing, Gibson Music Hall, Mile of Music, Broadjam, Hamtone Audio, Vince Padilla Photography, Sooper Dooper, MarxUn Promotions, and Noon Thirty Design. Every LP comes with a free digital download of the album. Wisconsin Vinyl Collective is doing what we were doing when we started Smart Studios 30 years ago--providing a way for Wisconsin musical artists to get their music heard by as many people as possible. Our first records at Smart were on vinyl, and it's fitting and an honor to be part of the WVC effort. Butch Vig - Producer, WVC Mentor, Emperors of Wyoming

THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado       THE CRANBERRIES IN THE END Limited Edition Picture vinyl LP New and Sealed     DESCRIPCIÓN: UK 2019   BMG ‎538469071     La génesis de ‘In The End’ comenzó en mayo de 2017, mientras la banda estaba de gira. Para el invierno de 2017, Noel y Dolores habían escrito y presentado las once canciones que finalmente aparecerían en el álbum. En llegar a un acuerdo con la trágica muerte de Dolores, Noel, Mike y Fergal escucharon las canciones y, con el apoyo de la familia de Dolores, quisieron honrar a su amiga fallecida, completando el disco.   El álbum es un merecido homenaje a su compañera de banda y amiga y, lo más importante, una colección de canciones potentes que pueden ocupar su lugar con cualquiera de los anteriores  seis álbumes deThe Cranberries.     • Fotodisco LP vinilo.   • Edición limitada.   • Doble carpeta (gatefold).   • Funda interior impresa con todas las letras, fotos y notas.   • Nuevo y Precintado de fábrica.     DESCRIPTION: UK 2019      BMG ‎538469071     The genesis of ‘In The End’ began in May 2017 while the band were on tour. By winter of 2017 Noel and Dolores had written and demoed the eleven songs which would eventually appear on the album. In coming to terms with her tragic passing Noel, Mike and Fergal listened to the songs and, with the support of Dolores’ family, wanted to honor their close friend, and collaborator by completing the record.   The album is a strong goodbye from the band to their fans, a fitting tribute to their bandmate and friend and, most importantly, a collection of powerful songs that can take their rightful place with The Cranberries’ previous six records.     • Picture Vinyl LP.   • Limited edition.   • Gatefold jacket.   • Printed inner sleeve with all lyrics and photos.   • New and factory sealed.       Track Listing:   SIDE A 1. ALL OVER NOW   2. LOST   3. WAKE ME WHEN IT'S OVER   4. A PLACE I KNOW   5. CATCH ME IF YOU CAN    SIDE B 1. GOT IT   2. ILLUSION   3. CRAZY HEART   4. SUMMER SONG   5. THE PRESSURE   6. IN THE END     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)  

Cassete: Breakfast & music: 16 canciones clásicas: Soul, Rock & Roll, baladas Cassete: Breakfast & music: 16 canciones clásicas: Soul, Rock & Roll, baladas Cassete: Breakfast & music: 16 canciones Es la de la foto. Buen estado. Canciones: Rock around the clock, Love is in the air, Sweet Nothing´s, Boom,boom, boom, boom, Ruby don´t take your love to town, Chirpy, chirpy, cheep, cheep, Breaking up is hard to do, It never rains in southern California, School days, Sweet home Alabama, California dreaming, Shake, rattle and roll, Let´s live for today, You were on my mind, Tutti frutti, What a wonderful world,.... - Gastos de envío: Exactamente lo que cobre correos por envío (sin ofertas de Todocolección) - Envío normalmente certificado, o bien posibilidad de no certificado si el comprador asume el riesgo de la pérdida. - Posibilidad de recogida en mano en Valladolid para evitar los gastos de envío - Pago previo al envío del artículo. - Aceptado pago por transferencia, ingreso en cuenta bancaria, o bizum. No contrareembolso. PAypal si el comprador asume comisiones, pero preferiblemente no. Tengo otros artículos similares en venta.

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.  

Cactus (3) ‎– 'Ot 'N' Sweaty -LP- Cactus (3) ‎– 'Ot 'N' Sweaty -LP-   More images Cactus (3)  – 'Ot 'N' Sweaty Label: Atlantic  – ATC 50013,  ATCO Records  – 50 013 B,  ATCO Records  – 50 013 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Europe Released: Genre: Rock Style: Hard Rock,  Rock & Roll Tracklist A1   Swim 4:40 A2   Bad Mother Boogie 4:55 A3   Our Lil Rock-N-Roll Thing 6:25 B1   Bad Stuff 3:08 B2   Bringing Me Down 5:27 B3   Bedroom Mazurka 4:33 B4   Telling You 5:10 B5   Underneath The Arches 0:30   Companies, etc. Phonographic Copyright ℗  –  Atlantic Recording Corporation Copyright ©  –  Atlantic Recording Corporation Record Company  –  Atco Record Company  –  Warner Communications Recorded At  –  Mar Y Sol Festival Recorded By  –  Wally Heider Recording Recorded At  –  Mediasound Recorded At  –  Electric Lady Studios Recorded At  –  Atlantic Studios Recorded At  –  Advantage Sound Remixed At  –  Electric Lady Studios Lacquer Cut at  –  Tonstudio Pfanz Made By  –  WEA Musik GmbH Distributed By  –  WEA Filipacchi Music Credits Arranged By  –  Cactus (3) Art Direction, Design  –  Richard Mantel Artwork [Cover Art]  –  David Willardson Bass, Backing Vocals [Background Vocals]  –  Tim Bogert Drums, Percussion, Backing Vocals [Background Vocals]  –  Carmine Appice Engineer [Assistant Engineers At Electric Lady Studios]  –  Bernie Kirsh,  Buzz Richmond,  Dick Shapiro Engineer [Recording Engineer At Advantage Sound]  –  Jim Vickers Engineer [Recording Engineer At Atlantic Recording Studios]  –  Joel Kerr Engineer [Recording Engineer At Electric Lady Studios]  –  Dave Palmer (2)  (tracks: B2 & B3) Engineer [Recording Engineer At Media Sound]  –  Michael DeLugg  (tracks: B1, B4 & B5) Engineer [Recording Engineers At The Mar Y Sol Festival]  –  Jimmy Douglass  (tracks: A1 to A3),  Ray Thompson  (tracks: A1 to A3),  Tom Scott (7)  (tracks: A1 to A3) Guitar  –  Werner Fritzschings Lacquer Cut By  –  PF * Lead Vocals  –  Peter French Organ, Piano, Electric Piano  –  Duane Hitchings Photography By [Back Cover Photos]  –  David Gahr Photography By [Inside Liner Photos]  –  David Gahr,  Jeffrey Mayer,  Wendy Lombardi * Producer  –  Geoffrey Haslam Recorded By  –  Wally Heider  (tracks: A1 to A3) Remix [Re-mixed At Electric Lady Studios]  –  Geoffrey Haslam Notes Glossy gatefold with white polylined inner sleeve. Similar to  Cactus (3) - 'Ot 'N' Sweaty  but right society is GEMA/BIEM. 1st cat. no. ATC 50013 on labels 2nd cat. no. 50 013 B on spine 3rd cat. no. 50 013 on sleeve Title variation on front cover: ON STAGE IN PUERTO RICO AND IN THE STUDIO 'OT 'N' SWEATY Side One was recorded live at the Mar Y Sol Festival in Puerto Rico on April 3, 1972. Recorded by Wally Heider Remote Unit Tracks B1, B4 and B5 were recorded at Media Sound, New York, N.Y. Tracks B2 and B3 were recorded at Electric Lady Studios, New York, N.Y. Additional recording at Atlantic Recording Studios, New York, N.Y. and at Advantage Sound, New York, N.Y. Re-mixed at Electric Lady Studios, New York, N.Y. Derived from Matrix / Runout code: On A-side lacquer processing was made at Tonstudio Pfanz [PF]. On sleeve: ATCO RECORDS 1841 BROADWAY, NEW YORK, NEW YORK 10023 DIVISION OF ATLANTIC RECORDING CORPORATION ℗ © 1972 Atlantic Recording Corporation Made in Germany by WEA Musik GmbH (//') A Warner Communications Company Barcode and Other Identifiers Matrix / Runout (Label A): (50013-A) Matrix / Runout (Label B): (50013-B) Matrix / Runout (Runout A, etched): WEA - 50013-A D PF 8 Λ4 "D" Matrix / Runout (Runout B, etched): ST-C -722578-B 5000Λ3-BXHTIGP GL PR Other (US cat. no.): (SD 7011) Rights Society (Labels, boxed): GEMA/ BIEM Rights Society (Sleeve inside, publishing): ASCAP Price Code (France, boxed): WE|3⑥1 Other (Cover back bottom right, debossed): //' logo

GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL Discográfica:   Omnivore Recordings There are few names woven more tightly into the fabric of American music, politics, and history than Woody Guthrie. In 1952, Guthrie wrote and recorded a song at home titled ''I Don't Like The Way This World's A-Treatin' Me.'' The track appears on vinyl for the first time on a limited edition 10'' of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco's Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy in 2000. If those two tracks weren't enough, I Don't Like The Way This World's Treatin' Me includes two versions of ''Beech Haven Ain't My Home'' (aka ''Old Man Trump''), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician's Collective's Ryan Harvey combined them, with music composed by Johnny Irion (husband and musical partner of Woody's granddaughter Sarah Lee Guthrie). This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against The Machine/Auidoslave), and another from Irion's band U.S. Elevator. Available exclusively for Record Store Day as a 10'' EP, I Don't Like The Way This World's A-Treatin' Me is not only an historic, but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album's notes: ''These songs were mostly written well over half a century ago, but they are songs for our times to be sure.'' It is truly time for this music to be heard. KEY SELLING POINTS * Limited edition vinyl pressing for Record Store Day. * Features the first official release of Guthrie's 1952 demo on vinyl, plus a version with new accompaniment from Jeff Tweedy (Wilco)

FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC ULTRA RARO albun..!!!.. SOLIDA EDICION ORIGINAL CON VINILO EN EXC ESTADO.. GRUESA CARPETA QUE CONTIENE EL ORG ENCARTE DEL SELLO REPRISE-BIZARRE EN GRAN ESTADO Y SIN CODIGOS DE BARRA, VINILO EN EXC CONDICION !! GRAN COPIA   A1 Alice Cooper - Titanic Overture Producer, Written-By - Alice Cooper 1:09   A2 Captain Beefheart And His Magic Band - The Blimp (Mousetrapreplica) Producer - Frank Zappa Written-By - Don Van Vliet 2:04   A3 Judy Henske And Jerry Yester - Horses On A Stick Producer - Jerry Yester, Zal Yanovsky 2:10   A4 Tim Buckley - I Must Have Been Blind Producer, Written-By - Tim Buckley 3:40   A5 Wild Man Fischer - Merry-Go-Round Producer - Frank Zappa Written-By - Larry Fischer* 1:56   A6 Alice Cooper - Reflected Producer - Alice Cooper 3:10   A7 Tim Dawe - Little Boy Blue Arranged By, Producer - Jerry Yester 2:15   A8 Lord Buckley - The Train Engineer, Producer - Lyle Griffin 2:24   B1 Jeff Simmons - Lucille Has Messed My Mind Up Engineer - Chris Huston Guitar, Written-By - Frank Zappa Producer - La Marr Bruister 3:14   B2 Captain Beefheart And His Magic Band - Old Fart At Play Producer - Frank Zappa Written-By - Don Van Vliet 1:54   B3 Mothers Of Invention, The* - Valarie Producer, Written-By - Frank Zappa 2:15   B4 GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) Composed By, Producer - Lowell George Lyrics By, Vocals - Miss Pamela* 2:19   B5 Frank Zappa - Willie The Pimp Producer - Frank Zappa Vocals - Captain Beefheart Written-By - Frank Zappa     Notes From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. This Frank Zappa-oriented release is part of the series, although this particular compilation is also geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. These two labels were manufactured and distributed by Reprise Records. This Frank Zappa-oriented 'Zapped' release is the 6th issue in the series, a compilation geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. (These two labels were manufactured and distributed for Reprise Records by Warner Bros. Records from mid 1969 [Previously 7Arts]). The black & white cover of this PRO 368 release has a portrait of Zappa and the title is "Zapped" without an accent over the 'e' (as on a subsequent/similar PRO 368 release with a 'collage' cover & Reprise label). This vinyl's label is pale blue with a dark blue 'Bizarre' text. Issues did occasionally appear later in retail outlets, particularly in Australia.

LED ZEPPELIN - MOTHERSHIP LED ZEPPELIN - MOTHERSHIP Discográfica:   Atlantic Led Zeppelin redefined rock in the Seventies and for all time. They were as influential in that decade as the Beatles were in the prior one. Their impact extends to classic and alternative rockers alike. Then and now, Led Zeppelin looms larger than life on the rock landscape as a band for the ages with an almost mystical power to evoke primal passions. Produced by Page and mixed by Kevin Shirley, MOTHERSHIP's 24 monolithic tracks were selected and sequenced by the band, who also oversaw the painstaking remastering. This compilation will be available on vinyl.  Spanning their epic career, the unprecedented collection pulls immortal songs from all eight of the band s classic studio albums, one of the 20th century's most enduring bodies of musical work. 

VISCAYNES - VISCAYNES & FRIENDS (GATE) VISCAYNES - VISCAYNES & FRIENDS (GATE) Discográfica:   Org Music Formed in Vallejo, California in the 1950's, The Viscaynes were a high school doo-wop act who are said to be the first recorded singing group of Sylvester Stewart (aka Sly Stone), and the launching point of his extensive career. The group gained some early notoriety with a performance on Dick Stewart's Dance Party, after which they were introduced to producer George Motola. Charting on KYA radio's top 60 chart in 1961, Yellow Moon became a hit song for The Viscaynes, though they split up around the time of the song's popularity. The Viscaynes & Friends is the first official full-length release from the group, coming to light only after a master tape reel was discovered more than half a century since the group disbanded. The release features seven tracks from Sly and The Viscaynes, along with one cut from the The Individuals and two from The Precisions, all of which were produced by Motola. The vinyl release comes in a gatefold jacket with extensive liner notes from author, historian, and radio host Rickey Vincent.

JOHN LEE HOOKER-BOOGIE CHILLEN,cd JOHN LEE HOOKER-BOOGIE CHILLEN,cd Descripción   This 20-track compilation is taken solely from 1948-49 sessions, an era that has been drawn from repeatedly for Hooker anthologies. If anyone ever assembles a comprehensive Hooker discography that delineates not only his original releases, but where and when these have been reissued, he or she deserves a government grant or something, because it's not so easy to determine where or if some of these have not appeared on reissues or CD elsewhere. It does, however, yield a sizable scoop of material from Hooker's most primeval phase, the first half devoted to recordings he issued under his own name, including the well-known "Boogie Chillen" and "Crawlin' King Snake." It's the final ten tracks that might be more of a draw for collectors, since it features songs he cut under the pseudonyms Delta John, Birmingham Sam, and Texas Slim. All of those songs are recognizably early Hooker, with their irregular meters, foot-stompin' beats, and intense bursts of citified Delta blues notes. Whether because these were cut under assumed names or due to other reasons, occasionally it seems like these were opportunities to ramble afield into rather far-out territory for urban blues of the era. "Goin' Mad Blues," originally credited to Birmingham Sam, has a compelling almost rock boogie rhythm and violently strident guitar riffs, while Texas Slim vented a darker side of the Hooker persona, as indicated in titles like "Nightmare Blues," "Devil's Jump," and "I'm Gonna Kill That Woman." By all means, there are more coherent overviews of John Lee Hooker's early recordings, but this has its rewards for those who want to dig deeply into the period. ~ Richie Unterberger Compilation featuring 20 tracks from one of the greatest blues artists of all time. All the tracks were recorded between 1948 & 1949 and have been digitally remastered, many appearing on CD for the first time. Includes informative liner notes and artist history. Recording information: Detroit, MI (09/1948-08/1949). Personnel: John Lee Hooker (vocals, whistling, guitar); Eddie "Guitar" Burns (piano). Liner Note Author: Les Fancourt. JOHN LEE HOOKER-BOOGIE CHILLEN   Código de referencia:  IGOCD2122 Artista: JOHN LEE HOOKER Sello: Indigo Recordings   Formatos: CD Estilo: BLUES Lista de Títulos 1 Boogie Chillun   2 Sally Mae   3 Drifting From Door To Door   4 Crawlin' King Snake   5 Hobo Blues   6 Whistlin' And Moanin' Blues   7 Hoogie Boogie   8 Burnin' Hell   9 Miss Sadie Mae   10 Weeping Willow   11 Low Down Midnite Boogie   12 Goin' Mad Blues   13 Helpless Blues   14 Landing Blues   15 Stomp Boogie   16 Black Man Blues   17 Nightmare Blues   18 Devil's Jump   19 I'm Gonna Kill That Woman   20 The Numbe

HANCOCK HERBIE - DIRECTSTEP HANCOCK HERBIE - DIRECTSTEP Discográfica:   Get On Down 2019 Black Friday Record Store Day Throughout the 1970s, legendary jazz pianist and composer Herbie Hancock engaged in a prolonged period of experimentation across sounds and recording formats, releasing several albums for Columbia that were only issued in Japan. 1979's Directstep was one such album, one that made use of a new form of recording technology called Direct-To-Disc. This method recorded masters, in real time, to acetate discs, rendering incredibly high fidelity LP pressings, but sacrificing the ability to edit or overdub, a challenge Hancock and his group were more than up to. Directstep utilized other technological advancements as well, incorporating brand new electronic instrument technology such as the electronic wind instrument the Lyricon, the freshly released Propet-5 synthesizer, and of course the Sennheiser Vocoder which would become a key part of the artist's arsenal during his electro-funk period in the 1980s. Beyond all that, Directstep is an incredibly solid collection of Herbie Hancock material, featuring stirring remakes of Hancock staples Butterfly and I Thought It Was You as well as brand new track Shiftless Shuffle. Get On Down is proud to present this reissue of Directstep, a gem of jazz-fusion, available on vinyl for the first time in 30 years for RSD Black Friday!