Were at

BARBRA STREISAND (THE WAY WE WERE) CD 2002 BARBRA STREISAND (THE WAY WE WERE) CD 2002 BARBRA STREISAND (THE WAY WE WERE) CD 2002 Lista de Títulos Being At War With Each Other Something So Right The Best Thing You've Ever Done The Way We Were (From The Columbia Picture, Rastar Production "The Way We Were") All In Love Is Fair What Are You Doing The Rest Of Your Life? Summer Me, Winter Me Pieces Of Dreams I've Never Been A Woman Before Medley My Buddy How About Me Bonus The Way We Were (Soundtrack Version)

All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Female Late 50s / Early 60s Rockin' EDICIÓN EN VINILO DE 180G. LIMITADÍSIMA TIRADA DE SOLO 500 COPIAS. GRABACIONES REALIZADAS ENTRE 1958 Y 1963 POR AUTÉNTICAS PIONERAS DEL ROCK. ALGUNOS TEMAS INENCONTRABLES!! Una colección fabulosa!!!  PRECINTADO DE FÁBRICA!! CARA A 1. At The Hop - The Sherrys  2. Mommy And Daddy Were Twistin' - Susan Summers  3. Summer Days - Sherrel Townsend  4. Come On Over - Penny Candy  5. Breakin' Your Heart For Me - Jackie Forest  6. The USA - Pat Molittieri  7. Silly Dilly Willy - Terry & Peggy  CARA B 8. I'll Wait Forever - Bobbi Martin  9. Lucky Lips - Anita Lang  10. Take It Easy Baby - Jery Lynn Frazer  11. Buddy - Jackie Dee  12. Give Me A Break - Jodie Sands  13. Don'cha Shop Around - Laurie Davis  14. Voodoo Doll - Amelia  15. Robot Man - Jamie Horton  16. Superman - Joyce Davis  

FLAMING LIPS - SOFT BULLETIN LIVE AT RED FLAMING LIPS - SOFT BULLETIN LIVE AT RED On May 26, 2016 The Flaming Lips performed their classic album The Soft Bulletin in its entirety with the Colorado Symphony at Red Rocks Amphitheater in Colorado. The Flaming Lips (Wayne Coyne, Steven Drozd, Michael Ivins, Derek Brown, Jake Ingalls, Matt Kirksey and Nicholas Ley) were accompanied by a 69-piece orchestra and 56-strong Chorus. The performance was conducted by the internationally celebrated conductor Andre de Ridder. The Flaming Lips performed the 12-track album in its original sequence with new arrangements for each song that use the orchestra and chorus to great effect. This entire concert was produced by The Flaming Lips, Scott Booker and their long-time collaborator Dave Fridmann. The resulting live album is being released to celebrate the 20th anniversary of The Soft Bulletin, originally released in 1999. The album was the band’s breakthrough moment and featured the hit singles “Race For The Prize” and “Waitin’ for a Superman”.

PIERRE JUSTIN COURTNEY - OPEN MIC AT THE LO FI PIERRE JUSTIN COURTNEY - OPEN MIC AT THE LO FI Discográfica:   Epitaph black vinyl pressing edition of 1,000 Justin Courtney Pierre (frontman of Motion City Soundtrack) is back with three new songs plus one cover of a Jesus & Mary Chain classic. The players on these recordings include Justin Courtney Pierre - Vocals, Guitar, Bass, Dani Barstad - Drums, Heidi Brink - Vocals and Thomas Rehbein - Percussion, Loops, Vocals. Dubbed Open Mic at the Lo-Fi: Vol 1, these tracks were produced and engineered by Thomas Rehbein. This RSD 2019 exclusive vinyl features four tracks on Side A and an etching on Side B. music label: Epitaph 2019

WHO - TOMMY WHO - TOMMY The Who's defining, breakthrough concept album - a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom, was originally released in May 1969. The Who were at a career crossroads. They were known mainly as a singles band, but this project launched them as a serious 'albums band' and has now sold over 20 million copies and regularly turns up in lists of the most influential albums of all time.

FIVE STAR - GOLD FIVE STAR - GOLD Discográfica:   Demon Records Limited 180gm gold-colored vinyl LP pressing. Demon Records presents five Star Gold, the only Five Star compilation you'll ever need. Five Star were one of the most successful pop groups of the 80s, becoming the youngest act to top the album chart, and scoring three platinum selling albums in the UK alone. This definitive collection includes their biggest hits from their from 1985 through to 1988 when the group were at the height of their powers. The 'Gold' Collection includes 14 tracks, all of which made the UK Top 30 including the smash hits 'All Fall Down', 'System Addict', 'Rain Or Shine', 'Find The Time', 'Stay Out Of My Life', 'The Slightest Touch' and 'Whenever You're Ready'. For the first time, the rare US single remixes are featured of their R&B chart hits such as 'Can't Wait Another Minute', 'Love Take Over' 'If I Say Yes' and 'Are You Man Enough'.

Paperback, 471 pages Published 1996 by Orbit (first published April 23rd 1987) Edition Language: English Series: Culture #1 .. The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.

Cactus (3) ‎– 'Ot 'N' Sweaty -LP- Cactus (3) ‎– 'Ot 'N' Sweaty -LP-   More images Cactus (3)  – 'Ot 'N' Sweaty Label: Atlantic  – ATC 50013,  ATCO Records  – 50 013 B,  ATCO Records  – 50 013 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Europe Released: Genre: Rock Style: Hard Rock,  Rock & Roll Tracklist A1   Swim 4:40 A2   Bad Mother Boogie 4:55 A3   Our Lil Rock-N-Roll Thing 6:25 B1   Bad Stuff 3:08 B2   Bringing Me Down 5:27 B3   Bedroom Mazurka 4:33 B4   Telling You 5:10 B5   Underneath The Arches 0:30   Companies, etc. Phonographic Copyright ℗  –  Atlantic Recording Corporation Copyright ©  –  Atlantic Recording Corporation Record Company  –  Atco Record Company  –  Warner Communications Recorded At  –  Mar Y Sol Festival Recorded By  –  Wally Heider Recording Recorded At  –  Mediasound Recorded At  –  Electric Lady Studios Recorded At  –  Atlantic Studios Recorded At  –  Advantage Sound Remixed At  –  Electric Lady Studios Lacquer Cut at  –  Tonstudio Pfanz Made By  –  WEA Musik GmbH Distributed By  –  WEA Filipacchi Music Credits Arranged By  –  Cactus (3) Art Direction, Design  –  Richard Mantel Artwork [Cover Art]  –  David Willardson Bass, Backing Vocals [Background Vocals]  –  Tim Bogert Drums, Percussion, Backing Vocals [Background Vocals]  –  Carmine Appice Engineer [Assistant Engineers At Electric Lady Studios]  –  Bernie Kirsh,  Buzz Richmond,  Dick Shapiro Engineer [Recording Engineer At Advantage Sound]  –  Jim Vickers Engineer [Recording Engineer At Atlantic Recording Studios]  –  Joel Kerr Engineer [Recording Engineer At Electric Lady Studios]  –  Dave Palmer (2)  (tracks: B2 & B3) Engineer [Recording Engineer At Media Sound]  –  Michael DeLugg  (tracks: B1, B4 & B5) Engineer [Recording Engineers At The Mar Y Sol Festival]  –  Jimmy Douglass  (tracks: A1 to A3),  Ray Thompson  (tracks: A1 to A3),  Tom Scott (7)  (tracks: A1 to A3) Guitar  –  Werner Fritzschings Lacquer Cut By  –  PF * Lead Vocals  –  Peter French Organ, Piano, Electric Piano  –  Duane Hitchings Photography By [Back Cover Photos]  –  David Gahr Photography By [Inside Liner Photos]  –  David Gahr,  Jeffrey Mayer,  Wendy Lombardi * Producer  –  Geoffrey Haslam Recorded By  –  Wally Heider  (tracks: A1 to A3) Remix [Re-mixed At Electric Lady Studios]  –  Geoffrey Haslam Notes Glossy gatefold with white polylined inner sleeve. Similar to  Cactus (3) - 'Ot 'N' Sweaty  but right society is GEMA/BIEM. 1st cat. no. ATC 50013 on labels 2nd cat. no. 50 013 B on spine 3rd cat. no. 50 013 on sleeve Title variation on front cover: ON STAGE IN PUERTO RICO AND IN THE STUDIO 'OT 'N' SWEATY Side One was recorded live at the Mar Y Sol Festival in Puerto Rico on April 3, 1972. Recorded by Wally Heider Remote Unit Tracks B1, B4 and B5 were recorded at Media Sound, New York, N.Y. Tracks B2 and B3 were recorded at Electric Lady Studios, New York, N.Y. Additional recording at Atlantic Recording Studios, New York, N.Y. and at Advantage Sound, New York, N.Y. Re-mixed at Electric Lady Studios, New York, N.Y. Derived from Matrix / Runout code: On A-side lacquer processing was made at Tonstudio Pfanz [PF]. On sleeve: ATCO RECORDS 1841 BROADWAY, NEW YORK, NEW YORK 10023 DIVISION OF ATLANTIC RECORDING CORPORATION ℗ © 1972 Atlantic Recording Corporation Made in Germany by WEA Musik GmbH (//') A Warner Communications Company Barcode and Other Identifiers Matrix / Runout (Label A): (50013-A) Matrix / Runout (Label B): (50013-B) Matrix / Runout (Runout A, etched): WEA - 50013-A D PF 8 Λ4 "D" Matrix / Runout (Runout B, etched): ST-C -722578-B 5000Λ3-BXHTIGP GL PR Other (US cat. no.): (SD 7011) Rights Society (Labels, boxed): GEMA/ BIEM Rights Society (Sleeve inside, publishing): ASCAP Price Code (France, boxed): WE|3⑥1 Other (Cover back bottom right, debossed): //' logo

DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 Let's Dance es el decimoquinto álbum de David Bowie, publicado en 1983. En su llamado período comercial, Bowie cambia de discográfica (hasta la fecha había sido RCA), firmando un contrato multimillonario con EMI y graba el que será su disco más vendido: Let's Dance, producido por Nile Rodgers de la banda Chic. La canción homónima del álbum se convirtió en uno de los más grandiosos sencillos con éxito, llegando al número 1 en el Reino Unido, los EE. UU. y varios otros países. Los sencillos posteriores " Modern Love" y " China Girl ", llegaron al número 2 en el Reino Unido, y se convirtieron en grandes éxitos a ambos lados de Atlántico. El álbum obtuvo ventas millonarias convirtiéndose en el segundo disco más vendido de 1983, tan sólo por detrás de Thriller de Michael Jackson. " China Girl " fue en realidad una nueva versión de una canción la cual Bowie había coescrito con Iggy Pop para el álbum del posterior The Idiot. Respaldado por canciones de ritmos bailables y con llamativos vídeos musicales, Let's Dance se convertiría en el disco más vendido de la carrera de Bowie y le colocaría en el nº1 de los países de todo el mundo y en la portada de todas las revistas de moda. David Bowie había planeado originalmente trabajar con Tony Visconti en el álbum, ya que los dos habían trabajado juntos en anteriores cinco álbumes de estudio de Bowie. Sin embargo, cambió de idea y eligió a Nile Rodgers como su productor, una medida que fue una sorpresa para Visconti, que ya había ajustado fechas para trabajar en el disco. Visconti llamó a Coco [la asistena de Bowie] y ella dijo: "Bueno, mejor que lo sepas - Ha estado en el estudio durante las últimas dos semanas con alguien más y está funcionando bien y no va a necesitar de ti.. Lo sentimos mucho ". Esto daño la relación de ambos y Visconti no volvería a trabajar con Bowie nuevamente por otros 20 años (hasta el 2002 en Heathen). Rodgers recordaría más tarde cómo Bowie se acercó a él para producir su álbum de modo que Bowie pudiera conseguir sencillos de éxito. Bowie, que acaba de firmar con EMI Records un contrato de 17,5 millones de dólares, trabajó con Rodgers para lanzar un nuevo álbum "comercial" que fue descrito como "un original funk festivo más grande que la suma de sus influencias." Las influencias del álbum fueron artistas como Louis Jordan, la sección de instrumentos de viento del Jukes Asbury, Bill Doggett, Earl Bostic y James Brown. Lista de canciones: Todas las canciones escritas por David Bowie excepto las indicadas: LADO A 1.- "Modern Love" – 4:46 2.- "China Girl" (Bowie, Iggy Pop) – 5:32 3.- "Let's Dance" – 7:38 4.- "Without You" – 3:08 LADO B 1.- "Ricochet" – 5:14 2.- "Criminal World" (Peter Godwin, Duncan Browne, Sean Lyons) – 4:25 3.- "Cat People (Putting Out Fire)" (Bowie, Giorgio Moroder) – 5:09 4.- "Shake It" – 3:49 " Let's Dance " is the title song from English singer David Bowie's 1983 album of the same name. It was also released as the first single from that album in 1983, and went on to become one of his biggest-selling tracks. Stevie Ray Vaughan played the guitar solo at the end of the song. The single was one of Bowie's fastest selling to date, entering the UK Singles Chart at number five on its first week of release, staying at the top of the charts for three weeks. Soon afterwards, the single topped the Billboard Hot 100, becoming Bowie's second and last single to reach number 1 in the U.S. In Oceania, it narrowly missed topping the Australian charts, peaking at number two, but peaked at number one for 4 consecutive weeks in New Zealand. The single became one of the best selling of the year across North America, Central Europe and Oceania. " Let's Dance " was described by Ed Power in the Irish Examiner as "a decent chunk of funk-rock". Writing for the BBC, David Quantick said "the combination of Bowie and Rodgers on the title track was perfect – Bowie’s epic lyric about dancing under 'serious moonlight' and the brilliant filching of the crescendo 'ahh!'s from the Beatles' version of the Isley Brothers' 'Twist and Shout' were masterstrokes, each welded to a loud, stadium-ised drum and bass sound". The song introduced Bowie to a new, younger audience oblivious to his former career in the 1970s. Although the track was his most popular to date, its very success had the incongruous effect of distancing Bowie from his new fans, with Bowie saying he did not know who they were or what they wanted.His next two albums, made as an attempt to cater to his new-found audience, suffered creatively as a result and Bowie cited them as the albums he was least satisfied with in his career. In 2007, Bowie gave R&B singer Craig David permission to sample the song for his single "Hot Stuff (Let's Dance)".

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC ULTRA RARO albun..!!!.. SOLIDA EDICION ORIGINAL CON VINILO EN EXC ESTADO.. GRUESA CARPETA QUE CONTIENE EL ORG ENCARTE DEL SELLO REPRISE-BIZARRE EN GRAN ESTADO Y SIN CODIGOS DE BARRA, VINILO EN EXC CONDICION !! GRAN COPIA   A1 Alice Cooper - Titanic Overture Producer, Written-By - Alice Cooper 1:09   A2 Captain Beefheart And His Magic Band - The Blimp (Mousetrapreplica) Producer - Frank Zappa Written-By - Don Van Vliet 2:04   A3 Judy Henske And Jerry Yester - Horses On A Stick Producer - Jerry Yester, Zal Yanovsky 2:10   A4 Tim Buckley - I Must Have Been Blind Producer, Written-By - Tim Buckley 3:40   A5 Wild Man Fischer - Merry-Go-Round Producer - Frank Zappa Written-By - Larry Fischer* 1:56   A6 Alice Cooper - Reflected Producer - Alice Cooper 3:10   A7 Tim Dawe - Little Boy Blue Arranged By, Producer - Jerry Yester 2:15   A8 Lord Buckley - The Train Engineer, Producer - Lyle Griffin 2:24   B1 Jeff Simmons - Lucille Has Messed My Mind Up Engineer - Chris Huston Guitar, Written-By - Frank Zappa Producer - La Marr Bruister 3:14   B2 Captain Beefheart And His Magic Band - Old Fart At Play Producer - Frank Zappa Written-By - Don Van Vliet 1:54   B3 Mothers Of Invention, The* - Valarie Producer, Written-By - Frank Zappa 2:15   B4 GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) Composed By, Producer - Lowell George Lyrics By, Vocals - Miss Pamela* 2:19   B5 Frank Zappa - Willie The Pimp Producer - Frank Zappa Vocals - Captain Beefheart Written-By - Frank Zappa     Notes From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. This Frank Zappa-oriented release is part of the series, although this particular compilation is also geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. These two labels were manufactured and distributed by Reprise Records. This Frank Zappa-oriented 'Zapped' release is the 6th issue in the series, a compilation geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. (These two labels were manufactured and distributed for Reprise Records by Warner Bros. Records from mid 1969 [Previously 7Arts]). The black & white cover of this PRO 368 release has a portrait of Zappa and the title is "Zapped" without an accent over the 'e' (as on a subsequent/similar PRO 368 release with a 'collage' cover & Reprise label). This vinyl's label is pale blue with a dark blue 'Bizarre' text. Issues did occasionally appear later in retail outlets, particularly in Australia.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

PINK FLOYD - ENDLESS RIVER (GATE) (OGV) (DL PINK FLOYD - ENDLESS RIVER (GATE) (OGV) (DL 2-LP SET includes- Heavyweight 180 gram vinyl- Gatefold sleeve, full color inner bags- 16-page 275mmx275mm booklet with unseen photographs from 1993 sessions- Download cardThe Endless River represents a return to the creative principles that informed the writing process that produced Pink Floyd classics like Echoes, Shine On You Crazy Diamond and Animals.In early 1993, David Gilmour, Nick Mason and Richard Wright set up their equipment in their own Britannia Row Studios in Islington and created more than hundred pieces of music by jamming together, interacting with each other's performances and recording the results.They then honed the pieces at David's Astoria floating studio, played them live for 2 days at Olympic Studios in Barnes with an extended lineup (Guy Pratt on bass, Jon Carin on keyboards and Gary Wallis on percussion). After that, the core trio returned to Astoria, and worked further on the compositions, alongside co-producer Bob Ezrin, refining the structure, tempos and arrangements. The result, after lyrics and vocals were added, was the 12 million selling 'Division Bell' album.At the time, there had been talk of a separate ambient album being created from the non-vocal tracks not subsequently issued on 'The Division Bell', but the idea was eventually dropped.In 2014 David Gilmour and Nick Mason re-entered the studio and, starting with unreleased keyboard performances by Richard Wright, who sadly died in 2008, added further instrumentation to the tracks, as well as creating new material. The result is The Endless River, including 60% of recordings other than the 1993 sessions, but based upon them. The title is a further link, '... the endless river…' being part of the closing phrases of High Hopes, the final song of the previous Pink Floyd album. David Gilmour describes the record as follows: The Endless River has as its starting point the music that came from the 1993 Division Bell sessi

TEXAS - MOTHERS HEAVEN - LP VINILO ORIGINAL PRIMERA EDICION MERCURY 1991 TEXAS - MOTHERS HEAVEN - LP VINILO ORIGINAL PRIMERA EDICION MERCURY 1991 Texas es un grupo de rock alternativo y pop británico originario de Glasgow, Escocia. Fundado por Johnny McElhone en 1986, debutó en marzo de 1988 en la Universidad de Dundee. Sharleen escribía sus propias canciones y Gerry hacía las veces de representante y se encargó de introducir al grupo entre las productoras discográficas.Mientras preparaban su primera maqueta, contactaron con Ally McErlaine, para que se hiciera cargo de la guitarra, y con Stuart Keer para la batería.El grupo tomó el nombre definitivo de Texas debido a la influencia que tuvo en ellos la banda sonora de la película 'Paris,Texas', de 1985.En 1988 debutaron y a partir de entonces no pararon de dar conciertos. Texas publicó su primer álbum, 'Southside', con el que obtuvieron un gran éxito de ventas.Después de triunfar decidieron hacer un disco bastante personal, titulado 'Mother's Heaven', pero el éxito no les sonrió como en la anterior ocasión aunque en mi opinion el disco es magnifico. Mothers Heaven es el segundo trabajo de estudio del grupo Texas. Mothers Heaven fue producido por Tim Palmer y editado por el sello discográfico Mercury en 1991. Mothers Heaven is the second album from the Scottish rock band Texas. The album was released on 23 September 1991 by Mercury Records. The album peaked at no. 32 in the UK and spent 4 weeks on the charts. The album saw the release of four singles, the lead single released from Mothers Heaven was entitled " Why Believe in You " which only managed to reach #66 on the UK Singles Charts in September 1991. Follow on single, the alternative rock track, " In My Heart " was released in October 1991 but only managed to reach #74 in the United Kingdom. However, "In My Heart" became Texas's last song to date to chart in the United States, peaking at #14 on the Billboard Hot Rock Tracks chart. The song also reached #44 in France. The release of a third single was based entirely on the success of the band in countries such as France, Spain and other European countries, as the band's singles were doing particularly poorly in their native United Kingdom. The third single, " Alone with You ", saw Texas return to the UK Singles Charts Top 40 (for the first time since their debut single three years earlier), peaking at #32. The single also continued the success of the band in France, reaching #28. The fourth and final single, a remix of the title track "Mothers Heaven" was released in 1992, but failed to chart in any countries. Ironically, after the disappointing performance of singles from the album, the band then released a new cover version of the Al Green classic "Tired of Being Alone", which returned them to the UK Top 20. The track was not available on any album until the band's Greatest Hits album released in 2000. Mothers Heaven is the band's lowest charting album in the UK where it remains uncertified, however, it has been certified Gold in both France and Switzerland. All songs written by Johnny McElhone and Sharleen Spiteri except as indicated. Tracks: 1."Mothers Heaven" 2."Why Believe in You" 3."Dream Hotel" 4."This Will All Be Mine" 5."Beliefs" 6."Alone with You" 7."In My Heart" 8."Waiting" 9."Wrapped in Clothes of Blue" 10."Return" 11."Walk the Dust" (Ally McErlaine / McElhone / Spiteri)  

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Carla Bruni - No Promises - Digipack Carla Bruni - No Promises - Digipack Nuestra tienda:   http://www.todocoleccion.net/killersdiscos_vendedorTC Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda. Pistas 1 Those Dancing Days Are Gone 3:40 2 Before The World Was Made 3:47 3 Lady Weeping At The Crossroads 3:35 4 I Felt My Life With Both My Hands 2:54 5 Promises Like Pie-Crust 2:32 6 Autumn 3:24 7 If You Were Coming In The Fall 3:30 8 I Went To Heaven 2:47 9 Afternoon 2:06 10 Ballade At Thirty-Five 3:02 11 At Last The Secret Is Out 3:07

LA VICE & COS - TWO SISTERS FROM BAGDAD LA VICE & COS - TWO SISTERS FROM BAGDAD Discográfica:   Jazzman Known in the record-collecting world as an incredibly rare album with just a handful of known copies, Jazzman Records present for the first time the full-length album reissue of the Two Sisters From Bagdad album as performed by LaVice & Co.. Originally intended to be sold alongside performances of LaVice Hendrick's ambitious but ill-fated musical theater production, the album's scarcity was swiftly ensured as Two Sisters From Bagdad ran for just two weeks at Detroit's Bethel A.M.E. church amid poor attendances due to scant promotion. With only a handful of copies sold in that brief window, many of the remaining copies were subsequently destroyed in a basement flood, meaning that until now few people have ever heard the album in it's entirety. A varied set of jazz and gospel infused funky soul, Two Sisters From Bagdad was composed and orchestrated by two precocious young talents, E.J. Garrison and Rhodia McAdoo. It's an album full of surprises, and is notorious for the heavy funk workout Though's Were The Days. Not only have Jazzman Records unearthed and faithfully reissued this true obscurity as the 26th part of their ongoing Holy Grail series, but through interviews with Garrison and McAdoo themselves, they have uncovered the beguiling back story to the music, the play and the life and times of it's original creator, the late LaVice Hendricks. As always the detail is revealed for the first time in Jazzman Records' extensive new sleeve notes.

GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL Discográfica:   Omnivore Recordings There are few names woven more tightly into the fabric of American music, politics, and history than Woody Guthrie. In 1952, Guthrie wrote and recorded a song at home titled ''I Don't Like The Way This World's A-Treatin' Me.'' The track appears on vinyl for the first time on a limited edition 10'' of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco's Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy in 2000. If those two tracks weren't enough, I Don't Like The Way This World's Treatin' Me includes two versions of ''Beech Haven Ain't My Home'' (aka ''Old Man Trump''), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician's Collective's Ryan Harvey combined them, with music composed by Johnny Irion (husband and musical partner of Woody's granddaughter Sarah Lee Guthrie). This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against The Machine/Auidoslave), and another from Irion's band U.S. Elevator. Available exclusively for Record Store Day as a 10'' EP, I Don't Like The Way This World's A-Treatin' Me is not only an historic, but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album's notes: ''These songs were mostly written well over half a century ago, but they are songs for our times to be sure.'' It is truly time for this music to be heard. KEY SELLING POINTS * Limited edition vinyl pressing for Record Store Day. * Features the first official release of Guthrie's 1952 demo on vinyl, plus a version with new accompaniment from Jeff Tweedy (Wilco)

SIMPLY RED - STAY SIMPLY RED - STAY Discográfica:   Demon Records Limited 180gm red colored vinyl LP pressing. Simply Red's phenomenal career has spanned four decades; releasing 11 studio albums racking up over 50 million global sales, notched up over 30 top 40 UK singles, countless awards including three Brits, and two Ivor Novello's. Released in March 2007, Stay was split into two halves: tracks one to five were recorded at Metropolis Studios, whilst the remainder were cut in his home recording facility. The Metropolis sessions yield up material that is firmly in Hucknall's time-honored contemporary dance/funk grooves, whereas the home-recorded tracks contain more stylistic changes. The album features four hit singles: Oh! What A Girl!, So Not Over You, Stay and The World And You Tonight.

WISCONSIN VINYL COLLECTIVE - WISCONSIN VINYL COLLECTIVE WISCONSIN VINYL COLLECTIVE - WISCONSIN VINYL COLLECTIVE Discográfica:   Stone After Stone Records Limited Edition 1000 Copies. Wisconsin Vinyl Collective - Volume Two is a limited run, vinyl-exclusive collection of previously unreleased songs from artists with strong Wisconsin connections, including: Violent Femmes, PHOX, Horseshoes and Hand Grenades, Tundra Blood, Peridot, Boom Forest, J Council, Zack Pietrini Band, Brett Newski, and Sarah Vos (of Dead Horses). We are pleased to partner with Keep Wisconsin Warm/Cool Fund, the non-profit benefactor of Wisconsin Vinyl Collective. SPONSORED BY: Heat For Heroes, Tundraland, Stone Arch Brewing, Good City Brewing, Gibson Music Hall, Mile of Music, Broadjam, Hamtone Audio, Vince Padilla Photography, Sooper Dooper, MarxUn Promotions, and Noon Thirty Design. Every LP comes with a free digital download of the album. Wisconsin Vinyl Collective is doing what we were doing when we started Smart Studios 30 years ago--providing a way for Wisconsin musical artists to get their music heard by as many people as possible. Our first records at Smart were on vinyl, and it's fitting and an honor to be part of the WVC effort. Butch Vig - Producer, WVC Mentor, Emperors of Wyoming

THE SOUND - IN THE HOTHOUSE - DOBLE ALBUM VINILO ORIGINAL EDICION PDI 1987 THE SOUND - IN THE HOTHOUSE - DOBLE ALBUM VINILO ORIGINAL EDICION PDI 1987 The Sound fue un grupo post-punk inglés, formado en 1979 y separado en 1988. El líder del grupo era Adrian Borland y se formó como evolución de su banda anterior, The Outsiders. Compartieron casa de discos con grupos como: Echo & the Bunnymen y The Chameleons y compartieron escenario con Echo & the Bunnymen, The Comsat Angels, The Au Pairs, Modern Eon, Felt, Medium Medium, U2, Public Image Ltd., Eyeless In Gaza, The Stranglers, China Crisis, Thompson Twins, y Aztec Camera entre otros muchos. Son multitud los que están de acuerdo en que The Sound no recibió el reconocimiento que merecía. De la tienda de discos de Sun Records: "The Sound fueron trágicamente infravalorados en su día y han permanecido injustamente olvidados desde entonces."10 Según Trouser Press: "Es difícil entender como este cuarteto londinense nunca encontró el éxito. En su mejor momento, el excelente neo-pop de the Sound estaba a la altura de los mejores the Psychedelic Furs y Echo & the Bunnymen." Y según Jack Rabid de la revista Big Takeover: "The Sound? Simplemente uno de los mejores grupos de los 80." Poco después de la muerte de Adrian Borland, el catálogo de The Sound fue remasterizado y reeditado en CD por Renascent Records, una compañía que inicialmente fue creada únicamente con ese fin. (Thunder Up es el único álbum de estudio del grupo no reeditado por Renascent.) En junio de 2006, miembros de destacados grupos ingleses participaron y promovieron un concierto llamado "The Sound Of Adrian Borland;" varios cantantes invitados que habían sido amigos cercanos de Borland (como Mark Burgess de The Chameleons) se ocuparon de la voz solista. Hay publicada una biografía de Adrian Borland, titulada (The Book Of) Happy Memories, (El Libro de los recuerdos felices). En 2001 se publicó un álbum de tributo titulado In Passing – A Tribute to Adrian Borland and The Sound.14 Otro album de tributo está en preparación, titulado There Must Be a Hole In Your Memory. Pistas: Recorded Live At The Marquee, London, UK, August 27/28, 1985  1 Winning  3:53  2 Under You  5:01  3 Total Recall  4:51  4 Skeletons  4:03   5 Prove Me Wrong  2:36  6 Wildest Dreams  6:29  7 Burning Part Of Me  3:43  8 Heartland  4:07   9 Hothouse  4:52  10 Judgement  3:59  11 Counting The Days  3:55  12 Red Paint  3:27   13 Silent Air  6:29  14 Sense Of Purpose  5:18  15 Missiles  7:05    The Sound were formed in South London in 1979 from the remnants of the punk band The Outsiders. The original lineup of The Sound consisted of Adrian Borland (vocals, guitar) and Graham Bailey (bass guitar), both ex-Outsiders, along with Mike Dudley (drums) and Benita "Bi" Marshall (keyboard, saxophone, clarinet). While not a member, ex-Outsider Adrian Janes would contribute ideas and co-write lyrics to The Sound's music. Borland and Bailey also made up the band Second Layer, formed around the same time as The Sound. The Sound made their debut with the EP Physical World in 1979. It was favourably received by NME and received airplay from DJ John Peel. More of their early recordings were later released as the album Propaganda in 1999.

LLOYD COLE AND THE COMMOTIONS - MAINSREAM - VINILO ORIGINAL PRIMERA EDICION POLYGRAM 1987 LLOYD COLE AND THE COMMOTIONS - MAINSREAM - VINILO ORIGINAL PRIMERA EDICION POLYGRAM 1987 En 1987 llegó el inesperado canto del cisne: el dolido y agudo Mainstream: tal vez el mejor disco sobre el fin de la adolescencia entendiendo por adolescencia eso que dura hasta los 30 años. Postales y despedidas para el disco del adiós: canciones sobre los papelones de aspirar papeles en discotecas, sobre la vejez de los propios padres y la novedad del propio matrimonio, sobre cumplir los 29 y sentir “que todo lo que hay que hacer es arrastrarse” para entrar en caja y en molde, de sentirse como Sean Penn (circa Madonna) sin serlo, de hacer el amor antes del divorcio, de llamar por teléfono al amigo de la infancia y encontrarlo y que nos cuelgue, de sentirse un insatisfecho en los tiempos de la nueva y gran peste, y de descubrir que para volver a empezar primero hay que sentirse acabado. Todo eso que ya estaba anunciado en Rattlesnakes cuando se nos preguntaba una y otra vez si estábamos listos para que se nos rompa el corazón. Y sangrar. Pocas veces alguien fue más felizmente triste.   Mainstream is the third and final studio album released by Lloyd Cole and the Commotions. It was produced by Ian Stanley and released by Capitol Records in the US and Polydor in the UK on 26 October 1987. It contained the hits " From the Hip ", " My Bag ", and " Jennifer She Said ". Although the album reached number nine in the UK, it failed to chart in America and was not embraced by all critics: Mainstream is the only Lloyd Cole and the Commotions release not to sell at least 100,000 copies in the US. The album took two years to make as finding a producer proved difficult. The band first went with Chris Thomas, when that did not work out they brought in Stewart Copeland. With Copeland they only recorded one track, " Hey Rusty ", then finally found Ian Stanley. Donegan reflected in 2004 that "with the previous LP, Easy Pieces, we had tried to broaden out and make more of a pop record and it hadn't really worked. It sounded rushed and the songs were not all up to standard. So, a year after Easy Pieces, we went into the studio to try and make something more powerful. But the LP that we actually made took so long that we lost our initial vision by the time we finished it. The songs that Lloyd was writing were more introspective, so the stadium rock idea gradually went out the window." Track listing: All tracks written and composed by Lloyd Cole and the Commotions, except where noted. 1."My Bag" – 3:56 2."From the Hip" (Neil Clark, Cole, Blair Cowan, Lawrence Donegan, Stephen Irvine, McKillop) – 3:57 3."29" – 5:28 4."Mainstream" – 3:14 5."Jennifer She Said" – 3:02 6."Mr. Malcontent" – 4:49 7."Sean Penn Blues" – 3:28 8."Big Snake" (lyrics: Cole, music: Ian Stanley) – 5:16 9."Hey Rusty" – 4:30 10."These Days" – 2:27

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

HUMAN LEAGUE - HISTERIA - ALBUM VINILO ORIGINAL 1984 PRIMERA EDICION VIRGIN RECORDS HUMAN LEAGUE - HISTERIA - ALBUM VINILO ORIGINAL 1984 PRIMERA EDICION VIRGIN RECORDS En 1984 sale “ Hysteria ”, el grupo parece que quiere hacer un pop mas organico, menos electrónico y menos energico que el ofrecido anteriormente,  contiene tres singles: la sorprendente “ the lebannon ” tanto por las guitarras muy cercanas al rock como por la letra muy política, esta claro que el publico del grupo, acostumbrado a cosas mas ligeras, quedo impactado con esta cancion como adelanto del nuevo album, en la cara b de este single nos encontramos la instrumental " thirteen " que en mi opinion debio ir en el album pues es un tema muy bueno. El invernal medio tiempo “ life on your own ” es quizas el sonido que hubiese sido ideal para todo el album y para diferenciarse de su anterior etapa, sin embargo se trata de un caso mas bien aislado. Luego tenemos la excelente balada “ louise ”, una bonita cancion que parece la segunda parte de " don't you want me " por la letra y que tiene unos bajos envolventes que son una pura delicia. Quizas podriamos añadir a los tres singles del album el tema " so hurt " una cancion muy bien construida con el dramatismo justo y un uso inteligente de los sintetizadores. El pop esta muy presente en el álbum, por ejemplo " i'm coming back ", cabe preguntarse como habrían sonado estas canciones con la producción de Martin Rushent. Jo Callis, deja la banda en medio de la promocion de " Hysteria " poco despues seria sustituido por el bateria Jim Russel que no iba a durar demasiado en el grupo. En medio de esta epoca problematica Phil Oakey disfruto de un momento dulce al colaborar con uno de sus idolos Giorgio Moroder en el single "together in electric dreams" tema principal de la pelicula "electric dreams", este single inesperadamente tuvo un exito masivo, tanto que se planeo un album completo para desarrollar esta colaboracion. Track listing: Side 1 1."I'm Coming Back" (Oakey, Wright) – 4:07 2."I Love You Too Much" (Burden, Callis, Wright) – 3:26 3."Rock Me Again and Again and Again and Again and Again and Again (Six Times)" (Austin, Brown) – 3:32 4."Louise" (Callis, Oakey, Wright) – 4:55 5."The Lebanon" (Callis, Oakey) – 5:03 Side 2 6."Betrayed" (Oakey, Wright) – 4:02 7."The Sign" (Burden, Callis, Oakey) – 3:46 8."So Hurt" (Burden, Callis) – 3:53 9."Life on Your Own" (Callis, Oakey, Wright) – 4:06 10."Don't You Know I Want You" (Burden, Callis, Oakey) – 3:09 Hysteria is the fourth studio album by the British synthpop band The Human League, released on 8 May 1984. Following the worldwide success of their 1981 album Dare, the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album name itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham. By the time Hysteria was released, three years had passed since Dare and the album met with relatively lacklustre success in comparison to its multi-platinum predecessor. Three singles from the album made the top-twenty of the UK singles chart but none of them reached the top-ten and " The Lebanon " was the only single to chart in the US, stalling at number sixty-four on the Billboard Hot 100. The album peaked at number three in the UK, later being certified Gold by the BPI for sales in excess of 100,000 copies. In 2005, Hysteria was remastered and re-issued with B-sides and extended mixes as bonus tracks. The song "Rock Me Again And Again And Again And Again And Again And Again " is a cover of a 1973 song by Lyn Collins and James Brown. " I Love You Too Much " is a re-recorded version from the Fascination! EP and " Don't You Know I Want You " is a reworked version of the instrumental B-side "Total Panic!" that appeared on the "(Keep Feeling) Fascination" single in 1983.  

SIMPLE MINDS - REJUVENATION 2001-2014 VINYL B SIMPLE MINDS - REJUVENATION 2001-2014 VINYL B Limited six colored vinyl LP pressing. After leaving the Virgin label, and a one-off album with Chrysalis, Simple Minds took stock and decided to make records for themselves. An album of cover versions of songs dear to Jim Kerr and Charlie Burchill, Neon Lights, was released in 2001, followed by Cry in 2002, an album of new compositions recorded in Glasgow and Sicily. The recordings for Black and White 050505 were completed on the 5th May 2005, hence the title. This album and Neon Lights and Cry make their first appearances on vinyl in this box set, with specially-created outer and inner sleeves, and include some exclusive bonus tracks from the CD releases. Graffiti Soul continued the band's return to the top, charting at # 10 in May 2009. Big Music was released in October 2014, charting at #12. All the albums are pressed on different coloured 180 gram vinyl, and the rigid slipcase features a brand new note by Jim Kerr.

WIDESPREAD PANIC - MONTREAL 97 WIDESPREAD PANIC - MONTREAL 97 Discográfica:   Widespread Records First time on vinyl. 6 disc box set. In looking at how this September 1997 tour was structured, this could have been a show to skip - or maybe not. This was the fourth show in a row to open the tour, on a Monday night, involved crossing an international border, at a real small place so it might be real crowded. All of that could keep some from making the trip, but for others, those were exactly the reasons to go...and possibly collect the rewards for doing so. The band just seems to have a knack to know when the fans have gone out of their way and really paid some dues to make it. Or when a local crowd gets it. In either case, and in terms of this Montreal 1997 show, both cases, Widespread Panic gets off on that and then seems to go that extra mile.

INSIDES - EUPHORIA INSIDES - EUPHORIA Discográfica:   Beacon Sound Beacon Sound present a reissue of the 1993 album Euphoria by UK duo Insides (previously Earwig). Euphoria sits at the crossroads of a very exciting time in the early 1990s when artists like Seefeel, Moonshake, and Aphex Twin were mining emerging technologies and pushing British music in new directions. A leftfield electronic pop album without peer, Euphoria incorporates programmed beats, elements of neoclassical minimalism, and the soothing voice and acerbic lyrics of singer Kirsty Yates into a memorable and masterful collection of songs that sound Like nothing else, either then or now. Reviews at the time reference composers like Steve Reich and Brian Eno as well as groups like My Bloody Valentine and AR Kane and describe it as being both ''danceable'' and ''ambient''. Originally released on 4AD offshoot label Guernica (Unrest, Bettie Serveert, Spoonfed Hybrid), it made many year-end lists in 1993 and demands rediscovery and reappraisal in 2019 given our current era of genre-splicing experimentation. Licensed from 4AD and remastered by Julian Tardo from HD audio files transferred from the original tapes, the LP will feature the original packaging as well as a new insert with press clippings from the era and liner notes by Simon Reynolds, who coined the term ''post-rock'' while writing about the group in 1993. Limited edition of 2000; gold-foil numbering.

6 STRING DRAG - JAG SESSIONS 6 STRING DRAG - JAG SESSIONS Discográfica:   Schoolkids Records After a leaving a mark on the alt-country/No Depression/Americana scene in the mid to late nineties 6 String Drag for all intents and purposes broke up. The band's second record HIGH HAT was produced by After a leaving a mark on the alt-country/No Depression/Americana scene in the mid to late nineties 6 String Drag for all intents and purposes broke up. The band's second record HIGH HAT was produced by Steve Earle and Ray Kennedy and released on Earle's Warner Brothers imprint label E-Squared Record. A 20th anniversary reissue of HIGH HAT on cd, digital and vinyl (for the first time) was released in March 2018 and a brand new and 4th full length studio record TOP OF THE WORLD featuring founding members and leaders Kenny Roby and Rob Keller along with new members Dan Davis and Luis Rodriguez was released the following summer. The Jag Sessions recordings are a collection of unreleased rarities and record quality demos recorded by Byron McCay at Jag Studios in Raleigh, NC made between 1996 and 1998 that previously have only been circulated among fans and as digtially as a low flying cd releases for sale at shows. This release is the first time any versions of this collection and versions of these songs have been available on vinyl. Some of the collection is made up of songs originally recorded for Columbia Records in 1996 for a demo deal with the label that never came to fruition. The songs from 1998 in the set are songs that were recorded for pro demos and potential release as a follow up to HIGH HAT as an EP. Pressed on red vinyl, the album comes with download card that features 2 extra songs.

MUNSTERS - MUNSTERS MUNSTERS - MUNSTERS Discográfica:   Real Gone Music Did you know Herman, Grandpa, Lily, Marilyn and Eddie Munster doubled as a rock and roll band?! Well, despite the subhead on the album proclaiming them as 'The Newest Teen-Age Singing Group,' they didn't'but that didn't stop the label execs at Decca Records from trying to cash in on the new CBS hit TV show! Veteran producers Joe Hooven and Hal Winn had the good sense to hire the Wrecking Crew (most notably Glen Campbell and Leon Russell) to play this surf-tinged set of songs, and brought in The Go-Go's (nope, not those Go-Go's, they were just out of diapers'this was a male vocal trio that cut one LP for RCA back in 1964, the same year this record came out) to sing the lyrics to such gems as 'You Created a Monster' and 'Make It Go Away.' The whole thing is a hoot, and a highly collectible hoot at that'original copies of this album command 'monstrous' sums! Aaron Kannowski remastered our reissue, and for this vinyl reissue, we've pressed up a limited edition of 1000 copies in ghoulish gray vinyl'get ready to do the Munster creep this Halloween and beyond!