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UK SUBS - 1977-2017 - 40 YEARS OF UK SUB UK SUBS - 1977-2017 - 40 YEARS OF UK SUB Discográfica:   Demon Records Limited box set containing four colored 10 vinyl pressings. This 39 track box set contains every A side issued by Punk legends U.K. Subs over the past 40 years. From National Chart hit singles like Tomorrows Girls, Stranglehold and Warhead through to rarer tracks like Reclaim The Streets and Drunken Sailor right up to the most recent Predator and The Beast 45's this chronological set is a must for collectors. Each album comes in it's own sleeve with individual inner bags with the music pressed on purple, yellow, orange and green vinyl's. Added in is a highly detailed and illustrated 16 page 10 booklet giving the lowdown on each release.

UK SUBS - DIMINISHED RESPONSIBILITY UK SUBS - DIMINISHED RESPONSIBILITY Discográfica:   Demon Records Double colored 10 vinyl pressing in gatefold sleeve. Includes six bonus tracks. Originally released in early 1981, Diminished Responsibility was the U.K. Subs' fourth album and it reached #18 in the British National Chart. This double 10 - one disc in white vinyl and one in magenta - comes complete with two inner bags featuring lyrics to all the songs plus memorabilia from the era. The gatefold sleeve artwork comes complete with brand new liner notes from each member of the band on the recording of the album. Side Four contains six bonus tracks including the UK hit singles Party In Paris (#35) and Keep On Runnin' (Till You Burn) (#41).

UK - U.K. (W/BOOK) (OGV) UK - U.K. (W/BOOK) (OGV) Discográfica:   Globe Music 180 gram Black vinyl with 6 page color booklet. 40th anniversary edition transferred to vinyl for the first time since it's 1978 release by Eddie Jobson, founder of the band, The Abbey Road 2016 Remaster. Selected by Rolling Stone as one of the top 30 Progressive Rock albums of all time. Includes a 6 page color booklet on 180gm vinyl. The recording features the original band of Eddie Jobson, John Wetton, Allan Holdsworth and Bill Bruford. With the 2017 deaths of Wetton and Holdsworth, this album has become sought after for some time.

UK (SN) NIGHT AFTER NIGHT AÑO – 1978 UK (SN) NIGHT AFTER NIGHT AÑO – 1978 UK (SN) NIGHT AFTER NIGHT AÑO – 1978 SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES. ".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

ADAM AND THE ANTS - KINGS OF THE WILD FRONTIER - VINILO ORIGINAL 1ª EDICION 1980/1981 ADAM AND THE ANTS - KINGS OF THE WILD FRONTIER - VINILO ORIGINAL 1ª EDICION 1980/1981 Adam and the Ants era una banda punk y new wave inglesa de finales de los años 1970 y comienzos de los años 1980. Aunque tuvo sus orígenes en el movimiento punk, con el correr del tiempo la banda fue orientándose más hacia el New Wave, incluyendo en su repertorio géneros como el post-punk y new romantic. Kings of the Wild Frontier es un disco fresco y divertido, que, en ocasiones, sorprende con creativos riffs (que se deben a la mano maestra del ex de Siouxsie and the Banshees, Marco Pirroni) como el amenazante Ants Invasion, que verdaderamente hace honor a su hombre y presagia una auténtica invasión devastadora contra la humanidad de una raza guerra como los “Antpeople”. ¿No os recuerda el uso de la guitarra al tema principal de James Bond en ocasiones? Don’t Be Square (Be There) se acerca mucho a la música de Bowie y al Disco, ¿pero quién dice que no se puede hacer música Disco con instrumentación africana? Kings of the Wild Frontier is the second album by English new wave band Adam and the Ants. It was released in November 1980 by record label CBS. This album introduced the "Burundi beat" sound to popular music. Kings of the Wild Frontier was released on 3 November 1980 by record label CBS in the UK and Epic records internationally. It reached No. 1 in the UK Album Chart, and spawned three hit singles: "Kings of the Wild Frontier", which was released in July and reached No. 2 in the UK Singles Chart; "Dog Eat Dog", which reached No. 4; and 'Antmusic', released in December and reaching No. 2, as well as No. 1 in Australia for five weeks. The album was the UK number 1 selling album in 1981 (and the 48th best seller in 1980) and won Best British Album at the 1982 Brit Awards. The US version of the album dropped "Making History" in favour of two tracks penned by Ant prior to teaming up with Marco Pirroni, "(You're So) Physical" and "Press Darlings". All songs written and composed by Adam Ant and Marco Pirroni. Side A: 1. "Dog Eat Dog"   3:11 2. "'Antmusic'"   3:37 3. "Feed Me to the Lions"   3:03 4. "Los Rancheros"   3:30 5. "Ants Invasion"   3:19 6. "Killer in the Home"   4:22 Side B: 1. "Kings of the Wild Frontier"   3:56 2. "The Magnificent Five"   3:07 3. "Don't Be Square (Be There)"   3:32 4. "Jolly Roger"   2:11 5. "Making History"   2:59 6. "The Human Beings"  

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

TANGERINE DREAM: RUBYCON [UK 1984] CD/RE TANGERINE DREAM: RUBYCON [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2025 #space rock  #progressive rock   1 Rubycon - Part One 17:18 2 Rubycon - Part Two 17:35   The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. The three of them had been delivering mysterious space records on a regular basis, and their growing confidence with early synthesizers (the best that money could buy at the time) made them virtuosos of the genre, even as they kept things organic and unpredictable with gongs, prepared piano, and electric guitar. Rubycon has aged gracefully for the most part, making it a solid companion (and follow-up) to their 1974 album, Phaedra. The somewhat dated palette of sounds here never overshadow the mood: eerie psychedelia without the paisleys -- Pink Floyd without the rock. "Rubycon, Pt. 1" ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface. "Pt. 2" opens in a wonderfully haunted way, like air-raid sirens at the lowest possible pitch, joined in unison by several male voices (someone in the band must have heard György Ligeti's work for 2001). Rising out of the murkiness, the synthesizer arpeggios return to drive things along, and Froese weaves his backwards-recorded guitar through the web without really calling too much attention to himself. The piece evolves through varying degrees of tension, takes a pit stop on the shoreline of some faraway beach, then ever so gradually unravels a cluster of free-form strings and flutes. The rest are vapors, your ears are sweating under your headphones, and the smoke has cleared from your bedroom. This is a satisfying ambient record from the pre-ambient era, too dark for meditation, and too good to be forgotten.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

OSCAR PETERSON: Montreux '77 [UK 1977] LP OSCAR PETERSON: Montreux '77 [UK 1977] LP Oscar Peterson Jam   "Montreux '77"   LP (Pablo)   1977 made in UK cat. num.  2308 208 #jazz   Ali And Frazier 9:20 If I Were A Bell 10:39 Things Ain't What They Used To Be 12:42 Just In Time 9:49   One of many Pablo albums taken from the 1977 Montreux Jazz Festival, this outing teams pianist  Oscar Peterson, bassist  Niels Pedersen, and drummer  Bobby Durham  with tenorman  Eddie "Lockjaw" Davis  and trumpeters  Clark Terry  and  Dizzy Gillespie. The talented (and very competitive) players really dig into the opening uptempo blues ("Ali and Frazier") and they continue cooking on "If I Were a Bell,"  "Things Ain't What They Used to Be," and "Just in Time." As often happens in this type of situation, the musicians mutually inspire each other. This is one of  Dizzy Gillespie 's better sessions of the '70s; in fact, there are no losers during these battles.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

SIOUXSIE AND THE BANSHEES - ONCE UPON A TIME / THE SINGLES - VINILO ORIGINAL EDICION POLYDOR 1982 SIOUXSIE AND THE BANSHEES - ONCE UPON A TIME / THE SINGLES - VINILO ORIGINAL EDICION POLYDOR 1982 Siouxsie and the Banshees fue una banda inglesa de rock alternativo formada en 1976. Abanderados del movimiento post-punk, junto con la banda Joy Division y The Cure, su música continuó evolucionando hacia el rock alternativo en sus álbumes y hacia el pop en sus singles. Siouxsie and the Banshees fue una de las bandas más innovadoras del movimiento post-punk.1 El grupo se disolvió en 1996, aunque se volvió a reunir brevemente para una gira en 2002. Siouxsie Sioux, la cantante, también creó un segundo grupo, The Creatures, en 1981, con el que paralelamente continuó su carrera y con el que continuó después de la disolución de los Banshees. Siouxsie hizo otras colaboraciones, como por ejemplo un dúo con Morrissey. Once Upon a Time: The Singles es un álbum recopilatorio de la banda británica de punk Siouxsie and the Banshees, lanzado en 1981. Contiene todos los sencillos de la banda hasta la fecha, de los cuales varios nunca habían aparecido antes en ninguno de los cuatro discos del grupo. En 2002, la revista Q posicionó Once Upon A Time: The Singles en el puesto número siete de su lista de los mejores álbumes de artistas femeninos de todos los tiempos. Lista de canciones: Cara A: 1."Hong Kong Garden" (Sioux/Severin/McKay/Morris) 2."Mirage" (Sioux/Severin/McKay/Morris) 3."The Staircase (Mystery)" (Sioux/Severin/McKay/Morris) 4."Playground Twist" (Sioux/Severin/McKay/Morris) 5."Love in a Void" (Sioux/Severin/Morris/Fenton) Cara B: 6."Happy House" (Sioux/Severin) 7."Christine" (Sioux/Severin) 8."Israel" (Siouxsie and the Banshees) 9."Spellbound" (Siouxsie and the Banshees) 10."Arabian Knights" (Siouxsie and the Banshees) Once Upon a Time: The Singles is Siouxsie and the Banshees's 1981 compilation album featuring the band's UK single releases to date. The album featured several songs that had been released as singles yet had not appeared on any of the Banshees' four albums. Once Upon a Time: The Singles spent twenty six weeks in the UK albums chart. A tie-in VHS video was released in the UK the same year on PolyGram's Spectrum label (catalogue number 7915062). Running for 30 minutes, it featured the videos to the eight singles, but replaced "Mirage" and "Love in a Void" with "Red Light" from the "Kaleidoscope" album.

PETER AND GORDON - HURTIN N LOVIN - UK LP COLUMBIA MONO 1ST 1965 Pressing - VINILOVINTAGE PETER AND GORDON - HURTIN N LOVIN - UK LP COLUMBIA MONO 1ST 1965 Pressing - VINILOVINTAGE   IMPRESIONANTE ARTEFACTO SONORO!   PETER AND GORDON   "HURTIN``N`LOVIN` "   IMPRESIONANTE LP PRIMERA EDICIÓN MONO UK  33 SX 1761  XAX 2884-1 // XAX 2885-1 FIRST LP (P)COLUMBIA (Blue-Black) 1965 MADE IN GREAT BRITAIN "sold in uk" TEXT & KT taxes PORTADA LAMINADA GARROD & LOFTHOUSE LTD. CARPETA: VG++ VINILO: EX (HAIRLINES LIGEROS)   * OBSERVA TODAS LAS FOTOS...MUCHAS VECES DICEN MÁS QUE LA MEJOR DESCRIPCIÓN *   LEE ATENTAMENTE TODA LA DESCRIPCION Y NO COMPRES SI NO ESTÁS DE ACUERDO CON LO DESCRITO.  

V / A: ACID JAZZ AND OTHER ILLICIT GROOVES [UK 1988] LP/COMP V / A: ACID JAZZ AND OTHER ILLICIT GROOVES [UK 1988] LP/COMP (Urban - Polydor)  1988  made in UK cat. num.  URBLP 16 #acid jazz  #funk  #jazz funk  #downtempo   A1a – Jalal Introduction   A1b – Ace Of Clubs Ace Of Clubs   A2a – Jalal Jalal   A2b – Push  Traffic   A3 – Acid Jazz Alliance Shaft In Action   B1a – Jalal Jalal   B1b – Galliano And The Jazz Renegades Six Sharp Fists   B2a – Night Trains And Now We Have Rhythm   B2b – Night Trains A Refreshing Interlude   B3 – Rhythm Blades Doin' It Naturally

FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. VG++/VG++ A:`All the way`- `Love and marriage` B:`(Love is) the tender trap`-´The last dance` Los gastos del envio corren de cuenta del comprador. Envio una vez recibido el pago por transferencia bancaria o giro postal. Los gastos salen más económicos cuando se piden varios discos. Para cualquier tipo de duda no dudes en contactar conmigo. Si no vas a realizar la compra no pujes, por favor. ESPAÑA, CORREO CERTIFICADO: 1 SINGLE 4€ 6 SINGLES 5€ LP´s hasta 2KG (7-8 lp´s) 7,50€ EUROPA: REGISTERED MAIL 1 SINGLE 7,50€ 6 SINGLES 8,50€ 1 LP 8,50€ 4 LP´s 14,80€

JOHN LENNON 2x Original UK Walls And Bridges LP Single Ads Promo Advert Beatles JOHN LENNON 2x Original UK Walls And Bridges LP Single Ads Promo Advert Beatles   JOHN LENNON 2x Original UK Record Ads: "Walls And Bridges" LP & "Whatever Gets You Thru' The Night" Single    From a Original UK Edition Rolling Stone Newspaper   I will ship them carefully folded (they have been kept like this)   Very Good Condition