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Billy Fury & The Tornados. Nobody’s Child/ What did I do/ Can’t help/ Keep away. Decca, UK 1963 ep Billy Fury & The Tornados. Nobody’s Child/ What did I do/ Can’t help/ Keep away. Decca, UK 1963 ep Billy Fury & The Tornados. Nobody’s Child/ What did I do/ Can’t help loving you/ Keep away. Decca, UK 1963 ep + cubierta genérica vinilo usado pero bien conservado

DICK HAYMES & JUDY GARLAND AREN'T YOU KIND OF GLAD WE DID FOR YOU FOR ME EVERMORE 03776 BRUNSWICK DICK HAYMES & JUDY GARLAND AREN'T YOU KIND OF GLAD WE DID FOR YOU FOR ME EVERMORE 03776 BRUNSWICK Disco a 78 RPM. Mide unos 25 cm. Peso entorno a 260 gramos. Disco con un par de roces en la cara b deben afectar al sonido, el resto normal. La carpeta o funda es de papel o cartón genérica y puede tener roturas. Ver fotos para comprobar su estado. Gastos de envío para España las tarifas de correos o todocolección vigentes en cada momento, más una pequeña cantidad por el material de embalaje y manipulación. International buyers are welcome, ask shipping cost

LIAM GALLAGHER LP DID YOU KNOW I WAS IN OASIS LIVE 2018 TRNSMT FESTIVAL VINILO RARO COLECCIONISTA LIAM GALLAGHER LP DID YOU KNOW I WAS IN OASIS LIVE 2018 TRNSMT FESTIVAL VINILO RARO COLECCIONISTA   ARTISTA LIAM GALLAGHER TITULO "DID YOU KNOW I WAS IN OASIS?" 2018 TRNSMT FESTIVAL FORMATO LP VINILO ESTADO NUEVO A ESTRENAR   DESCRIPCIÓN Conciertazo grabado en directo en el TRNSMT Festival, Glasgow Green, 30th June 2018   METODOS DE PAGO - TRANSFERENCIA BANCARIA - PAYPAL   ANY QUESTION DON'T HESITATE TO ASK PAYMENTS THROUGH PAYPAL   - NO OLVIDES MIRAR EL RESTO DE ARTICULOS - MUCHAS RAREZAS EN VENTA DIRECTA - AHORRA GASTOS DE ENVIO!!!  

BLACK MOON - HOW MANY EMCEES (MUST GET DIS BLACK MOON - HOW MANY EMCEES (MUST GET DIS Discográfica:   Wreck Records The second in a series of all-time CLASSIC hip-hop anthems from the Nervous vaults, pressed onto high quality dinked 45's. Remastered from the original source material and featuring the unedited 'dirty' version on the A-side, and the full instrumental on the B-side, these 45's are for the heads who know what time it really is! 'How Many Emcee's Must Get Dissed' is that raw, NYC, Beatminerz flavour, even the video that dropped on MTV in 1993 is legendary featuring the whole Black Moon mob in their native Brooklyn posting up with their crew. Everyone remembers that Timberlands & Philly Blunts rap from the mid 90's onwards, raw SP1200 beats, dusty loops and samples pulled out of crates in the darkest corners of the five boroughs, a truly creative period in rap music and popular culture with many artists who came up in the era shaping the future of music from the streets upwards. Black Moon are one such group, their indelible mark on music is still felt today, the blend of streetwise raps and sturdy, murked out, jazzy beats supplied by the Dewgarde brothers is timeless. They sure don't make em like this anymore and if they did we're sure Black Moon would continually crush the competitors as they always did. Essential New York rap classics right here! Don't front. Fully legit, licensed and reissued in conjunction with Nervous Records, NYC. 2018.

Van Morrison Lost In A Fugitives Dream 2-CD Moontunes label Cambridge 1995 Van Morrison Lost In A Fugitives Dream 2-CD Moontunes label Cambridge 1995 VAN MORRISON Lost In A Fugitives Dream Doble CD, original del año 1995 en el label "Moontunes" CD-1 1 Sweet Thing 5:55 2 Did Ye Get Healed / It's All In The Game / Make It Real One More Time 7:36 3 I Believe To My Soul 3:25 4 Whenever God Shines His Light 3:48 5 My Name Is Raincheck 4:45 6 See Me Through / Soldier Of Fortune / Thank You Falettinme Be Mice Elf Again 7:40 7 Ain't That Loving You Baby? 4:38 8 Stormy Monday / Going Down Slow / Baby What You Want Me To Do? 5:33 9 Real Real Gone 3:50 10 Days Like This 3:38 11 Vanlose Stairway 4:48 12 Hungry For Your Love 3:54 13 You Don't Know Me 3:58 14 Help Me 6:30 15 Tupelo Honey / Why Must I Always Explain? 7:16 CD-2 1 Moondance / Blue Moon / Fever / My Funny Valentine 8:45 2 I'll Take Care Of You / When The Clock Strikes / It's Hustle Time 8:30 3 It's A Man's, Man's, Man's, World 8:42 4 Lonely Avenue / 4 O'Clock In The Morning / Be Bop A Lula / Down The Line / Nothing But The Blues 6:42 5 In The Garden / You Send Me Vocals – Brian Kennedy 10:53 6 Melancholia 5:01 7 Northern Muse (Solid Ground) / No Prima Donna - All Change 8:10 8 Gloria 7:45 9 Have I Told You Lately Featuring – Sinéad O'Connor, The Chieftains 4:17 10 Did Ye Get Healed / All In The Game / Make It Real One More Time Recordings: Cambridge Corn Exchange, Cambridge, UK April 14th 1995 Track 9 Disc 2 - David Letterman Show Track 10 Disc 2 - E.M.A Awards, Belfast, April 13th 1995 Número de Catálogo:  MOON 011/12 Estado: Excelente

Nirvana – MTV Unplugged In New York -LP / Gefen- Nirvana – MTV Unplugged In New York -LP / Gefen- Nirvana  – MTV Unplugged In New York Label: Geffen Records (2)  – 0720642472712 Format: Vinyl, LP, Album, Unofficial Release Country: Europe Released: 2012 Genre: Rock,  Blues Style: Acoustic,  Grunge Tracklist A1   About A Girl 3:37 A2   Come As You Are 4:14 A3   Jesus Doesn't Want Me For A Sunbeam 4:37 A4   The Man Who Sold The World 4:30 A5   Pennyroyal Tea 3:40 A6   Dumb 2:52 A7   Polly 3:16 B1   On A Plain 3:44 B2   Something In The Way 4:01 B3   Plateau 3:38 B4   Oh Me 3:26 B5   Lake Of Fire 2:55 B6   All Apologies 4:23 B7   Where Did You Sleep Last Night 5:07     Credits Accordion  –  Krist Novoselic  (tracks: A3) Artwork By  –  Robert Fisher Bass  –  Cris Kirkwood  (tracks: B3, B4, B5),  Dave Grohl  (tracks: A3),  Krist Novoselic Cello  –  Lori Goldston  (tracks: A3, A4, A6, A7, B, B2, B6, B7) Directed By [Mtv]  –  Beth McCarthy Drums, Vocals  –  Dave Grohl Executive Producer [Mtv]  –  Joel Stillerman Guitar  –  Curt Kirkwood  (tracks: B3, B4, B5),  Krist Novoselic  (tracks: B3, B4, B5),  Pat Smear Guitar, Vocals  –  Kurt Cobain Photography  –  Frank Micelotta,  Jennifer Youngblood Producer  –  Nirvana,  Scott Litt Producer [Mtv]  –  Alex Coletti Notes Mixed at Louie's Clubhouse. Recorded for MTV's "Unplugged" at Sony Studios, New York, NY on November 18, 1993. Mastered at Precision Mastering Los Angeles, CA. Management: Gold Mountain Entertainment. All songs writen by Kurt Cobain and published by EMI-Virgin Songs, Inc/The End Of Music BMI ecept "jesus Doesn't Want For A Sunbeam" writen by Eugene Kelly/ Francis and published by EMI-Blackwood Music Inc. on behalf of EMI Music Publishig Ltd./Complete Music Ltd. administered by Incomplete Music Inc. BMI, "The Man Who Sold The World" written by David Bowie and published by Tintoretto Music/Screen Gems-EMI/Chrysalis Songs BMI, "Oh Me", "Plateau" and "Lake Of Fire" written by Curt Kirkwood and published by Meat Puppets Music BMI and "Where Did You Sleep Last Night" written by Huddie Ledbetter and published by Folkways Music Publishers, Inc. BMI. Curt Kirkwood and cris Kirkwoow appear courtesy of London Records. (P)&(C)1994 Geffen Records, Inc. an MCA Company Made in the EU. BIEM/SABAM. LC 07266. 0720642472712

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.  

the hullaballoos - England's Newest Singing Sensations 64, Beat, Garage Rock, rara org edt usa, exc the hullaballoos - England's Newest Singing Sensations 64, Beat, Garage Rock, rara org edt usa, exc ESTUPENDA EDIC. ORIG. DE ESTA EXCELENTE BANDA DE LA LLAMADA British Invasion bands     su Nombre correspondia a la ciudad desde la que se formaron (Hull, Inglaterra), los Hullaballoos nacen en 1965 y tuvo una breve carrera en la que disfrutaron de un mayor éxito en los EE.UU. que en su tierra natal. La banda fue producido por Hugo y Luigi y apareció en la televisión de Estados Unidos, sobre todo,. Su pelo largo, teñido de rubio, con tal impacto visual en los Estados Unidos como parte de la primera ola de la invasión británica. el grupo finalmente se disolvió debido a problemas de gestión en 1966. Los Hullaballoos tenían todo a su favor. Grandes canciones, carisma, cabello rubio decolorado y sonrisas más ancha que la cintura de un elefante. También llegaron desde el Reino Unido, que en ese entonces, era un billete instantáneo para el éxito. Compuesto por Rick Knight, Andrew Wooton, Geoffrey Mortimer y Harold Dunn, los Hullaballoos atraído la atención de Columbia Records en 1964, donde entregaron un único, una cubierta de Buddy Holly de “Voy a amo demasiado.” The New York etiqueta de ruleta basado pronto se enteró de estos chicos tiernos y delicados, y les ofreció un trato. Aunque los Hullaballoos Nunca escalado las alturas comerciales como muchos de sus contemporáneos, tambien tubieron su momnento en aquellos mediados de los 60... Su música fue bien concebido y, ciertamente, a la par con el mejor trabajo de Gerry and the Pacemakers, los ermitaños de Herman, Freddie y los soñadores y Billy J. Kramer y los Dakota. Beware     1:45 I Couldn't Get Along Without You     2:20 Did You Ever     1:57 If You Don't Know By Now     2:24 Can't You Tell     1:55 Party Doll     2:07 I'll Show You How To Love     1:50 Every Night     1:55 Why Do Fools Fall In Love     2:16 Wouldn't You Like To Know     2:25 Who Do You Think You're Fooling     2:07 I'm Gonna Love You Too     1:5 Andrew Wooten - Guitar Geoffrey Mortimer - Bass Ricky Knight - Vocals and Rhythm Guitar Harry Dunn - Drums

DEVIANTS - DEVIANTS #3 (BLACK & WHITE NU DEVIANTS - DEVIANTS #3 (BLACK & WHITE NU Discográfica:   Real Gone Music The Deviants were the closest thing the '60s British rock scene had to The Mothers of Invention, with a Stoogeslike fondness for fuzz guitar freakouts thrown in. And playing the Frank Zappa role as lyricist, singer, and provocateur was Mick Farren, one of the most intriguing figures to emerge from the UK underground. Farren actually had a much longer and distinguished career as a writer than he did as a musician…he penned a total of 23 novels and 11 works of non-fiction, all of them redolent of his unique sensibility (his 1976 article The Titanic Sails at Dawn for New Musical Express predicted the rise of punk rock). And on the music side, he never did anything that wasn't extreme, collaborating with Lemmy of Hawkwind and Motörhead and Wayne Kramer of the MC5 among others residing on the cutting and bleeding edge of rock and roll. 1969's Deviants III was the third and last record he cut with his band The Deviants (the other members went on to form Pink Fairies); despite the strains in the band and Farren's later panning of its quality, it's regarded in some quarters as a masterpiece, capturing the dark side of the end of the '60s with such songs as Billy the Monster and The People's Suite. Our reissue features the rare gatefold art that came out on the Sire label in the States, with a black and white nun's habit vinyl pressing limited to 1000 copies. Farren collapsed while playing on stage with a re-formed (but not reformed!) version of The Deviants in 2013 and died soon thereafter…a fitting way for the unrepentant radical to go. R.I.P. Mick Farren.

B.S.O. JAMES HORNER - COMMANDO Banda Sonora Original Edición Ltd Black Splatter 2LP Set Precintado B.S.O. JAMES HORNER - COMMANDO Banda Sonora Original Edición Ltd Black Splatter 2LP Set Precintado JAMES HORNER COMMANDO Banda Sonora Original Edición Limitada 1500 copias Black Splatter 2LP Set Nuevo y Precintado       JAMES HORNER COMMANDO Original Soundtrack Limited Edition 1500 copies Black Splatter 2LP Set New and Sealed       DESCRIPCIÓN: US 2018 Real Gone Music RGM-0654    Después de la exitosa primera película de Terminator, Commando demostró que Schwarzenegger no solo era un ex culturista robótico en la pantalla, sino también un verdadero actor capaz de interpretar a un personaje multifacético, con un verdadero don para la comedia. Commando también anunció la llegada de Schwarzenegger como la estrella de acción más grande de Hollywood. La musica fue compuesta por el legendario James Horner, el hombre detrás de bandas sonoras  de grandiosos éxitos taquilleros como Avatar, Titanic y Braveheart. • Editado en vinilo por vez primera. • Edición Limitada de 1500 copias en vinilo  Bone with Black Face Paint Splatter (2LP). • Doble carpeta con fotografías de la película en su interior. • Incluye tres pistas que no aparecieron en la película. • También incluye el tema ‘Someday, Somewhere, Someone’s Gotta Pay’, interpretado por Power Station • Nuevo y Precintado de fábrica.     DESCRIPTION: US 2018 Real Gone Music  RGM-0654        Coming on the heels of the enormously successful first Terminator film, Commando showed that Schwarzenegger wasn’t just a robotic ex-bodybuilder on screen but a real actor capable of playing a multifaceted character, with a real gift for comedy. Commando also heralded Schwarzenegger’s arrival as the biggest action star in Hollywood. Composed by the Legendary James Horner, the man behind the scores to such blockbusters  as Avatar, Titanic, and Braveheart. • Limited Edition - 1500 Copies. • Bone & Eyeblack Splatter Vinyl (2LP). • First ever vinyl release. • Gatefold jacket featuring production stills. • Includes Three Tracks That Did Not Appear in the Movie. • Also Includes ‘Someday, Somewhere, Someone’s Gotta Pay’, performed by The Power Station • New and Factory sealed.     Track Listing: SIDE A 1. MATRIX HITS THE SWAMP 2. MATRIX WALKS IN THE TERMINAL 3. MATRIX ON THE MOVE 4. DON'T MOVE 5. SULLY STARTS TO RUN SIDE B 1. DRIVE AWAY FROM THE PIER 2. MATRIX BREAKS LOCK 3. MATRIX JUMPS TO THE FLOOR 4. CUT TO VAL VERDE 5. MATRIX CLIMBS UP BANK 6. SOLDIER GETS PITCHFORK/MATRIX RUNS UP STEPS SIDE C 1. THE TRASHMEN/ THE AGENCY 2. MAIN TITLE 3. THE HELICOPTER ARRIVES 4. RUN TO THE SHED AND CHASE 5. MATRIX CAPTURED/JENNY TIED UP 6. INTO THE PLANE SIDE D 1. ARIUS CRASHES THROUGH THE WINDOW 2. MATRIX APPROACHES GENERAL 3. SOMEDAY, SOMEHOW, SOMEONE'S GOTTA PAY Bonus Tracks 4. SOLDIER GETS PITCHFORK (ALTERNATE) 5. DON'T DISTURB MY FRIEND (ALTERNATE) 6. DON'T DISTURB MY FRIEND (ALTERNATE MIX)                    ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)      

HULLABALLOOS, THE - ENGLAND´S NEWEST SINGING SENSATIONS -, LP, BEWARE + 11, AÑO 1966 HULLABALLOOS, THE - ENGLAND´S NEWEST SINGING SENSATIONS -, LP, BEWARE + 11, AÑO 1966 THE HULLABALLOOS,  LP, BEWARE / I COULDN´T  GET ALONG WITHOUT YOU / DID YOU EVER / IF YOU DON´T KNOW BY NOW / CAN´T YOU TELL / PARTY DOLL /// I´LL SHOW YOU HOW TO LOVE / EVERY NIGHT / WHY DO FOOLS FALL IN LOVE / WOULDN´T YOU LIKE TO KNOW / WHO DO YOU THINK YOU´RE FOOLING / I´M GONNA LOVE YOU TOO, AÑO 1966, HIT AM 12.000 LA NUEVA SENSACION DE INGLATERRA - ENGLAND´S  NEWEST SINGING SENSATIONS GASTOS DE ENVIO por correo ordinario: 1 disco LP: 3,00 euros De 2 a 7 discos LP: 5,00 euros - ENVIO POR CORREO CERTIFICADO -      

ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC BUEN ESTADO, ESTA EDICION CONTIENE EL ENCARTE INTERIOR Y TAMBIEN EL BONITO LABEL CON EXCLUSIVO DISEÑO El productor Bill Ham, que se había encargado de esa tarea con Zz Top desde su primer trabajo fué el elegido también de orientar el sonido del trio tejano hacía derroteros desconocidos para cualquier fan de la banda a comienzos de los ochenta. La unión del Blues- Hard- Rock Sureño añejo con las nuevas tecnologías musicales, parecía utópico tratandose de una banda como esta, pero "Eliminator", publicado en 1983, demostraria lo contrario. Después de semejante éxito la banda y su sequito decidieron dejarse llevar y explotar el filón al máximo, "Afterburner", que salió al mercado el 28 de Octubre de 1985, ahondará aun más en los terrenos electrónicos tan de moda en aquella época y que tan buenos resultados les habian dado. Para ello cuentan nuevamente con temas muy comerciales, en "Sleeping Bag" se covijan guitarras y rítmos sintetizados, baterías electrónicas, los excesos de "Eliminator" elevados al cubo. Un año antes de que saliese este disco, Eddie Van Halen, quizás animado por el resultado satisfatorio del disco de Zz Top, banda por la que sentía una admiración total, graba "Jump". "Stages", tiene bastante en común con el tema estrella de "1984", pero sus melodías son incluso más aoreras. De todas formas, que nadie piense que Billy Gibbons se ha quedado dormido, a lo largo de la canción sus riffs están bien presentes. Como en la siguiente "Woke Up With Wood", entre la inicial "Sleeping Bag" (Otra vez esos sintetizadores) y el sonido global de "Eliminator". En este nuevo trabajo descubrimos algo inédito en Zz Top, las "Power Ballads". Ciertamente, "Rough Boy" es empalagosa y Aor hasta decir basta. El tema, tubo su repercusión mediatica sobre todo en el canal televisivo de moda "Mtv". Pero no debemos encender las alarmas, Dusty Hill recupera el encanto nuevamente con la roquera y efectiva "Can't Stop Rockin'", cargada de topicazos pero con una garra descomunal. "Plantet Of Woman", es uno de los temas a los que mejor le ha sentado el nuevo diseño sonoro de Zz Top. Las poderosas guitarras son las acompañantes ideales de una estrofa y estribillo con muchísimo gancho y comercialidad. Quizás el mejor tema de "Afterburner" con el permiso de "Dipping Low (In The Lap Of Luxuri)", otra canción super "Cool" calcada al mejor repertorio de "Eliminator". El no va más de los rejuvenecios barbudos, para bien o para mal, según se mire las componen "I Got The Message" y "Velcro Fly". En ellas, los sintetizadores ya han tomado el control total. Para los puristas fans de "Fandango" o "Tres Hombres", esto quizás pueda ser la gota que colma el vaso. La despedida con la potente "Delirious", seguro que dejará un buen sabor de boca para todo tipo de seguidores de la banda, los antiguos y los que les descubrimos con este disco. Autor: Caído En Little Big Horn ZZ Top, cariñosamente conocido por sus fans como "The Little Ol' Band from Texas", es un grupo estadounidense de southern rock y hard rock formado en 1969 en Houston, Texas. Los miembros del grupo son Billy Gibbons (voz y guitarra), Dusty Hill (bajo y voz) y Frank Beard (batería). Tienen el mérito de ser uno de los pocos grupos de rock que todavía conserva sus miembros originales después de 40 años, además de haber mantenido al mismo manager y productor, Bill Ham. Alcanzaron la cima de su éxito comercial en los 70 y los 80, pero todavía hoy continúan girando y lanzando discos. ZZ Top entró en el Rock and Roll Hall of Fame el 15 de marzo de 2004. Gibbons y Hill también son famosos por las peculiares guitarras que utilizan, muchas de ellas codiseñadas con el maestro luthier John Bolin. Gibbons y Hill siempre son retratados llevando gafas de sol (un gesto a su canción de 1979 Cheap Sunglasses), ropa parecida (o en ocasiones idéntica), y sus larguísimas barbas. En 1984 la firma Gillette ofreció a Gibbons y a Hill un millón de dólares por afeitarse en un anuncio de televisión. Declinaron la oferta Tracks: -- 1: Sleeping Bag -- 2: Stages -- 3: Woke Up With Wood -- 4: Rough Boy -- 5: Can't Stop Rockin' -- 6: Planet Of Women -- 7: I Got The Message -- 8: Velcro Fly -- 9: Dipping Low (In The Lap Of Luxury) -- 10: Delirious Notes: ZZ Top: Billy Gibbons (vocals, guitar); Dusty Hill (vocals, bass); Frank Beard (drums). After scoring its biggest hit ever with its eighth release, 1983's polished ELIMINATOR, ZZ Top decided to continue in the same mainstream direction for its next release two years later, AFTERBURNER. Another big hit for the band, the album did spawn several hits, yet wasn't as strong overall as its predecessor. It was impossible to avoid the following ZZ hits on either MTV or radio between 1985-'86--the ballad "Rough Boy" (which innovative video was based on AFTERBURNER's space-age cover art), the synth stomper "Velcro Fly," the melodic "Sleeping Bag," or the rocking "Stages." 15 years after the band's debut release, AFTERBURNER found ZZ Top more popular than ever. Engineer: Bob Ludwig; Joe Hardy Producer: Bill Ham

MUNSTERS - MUNSTERS MUNSTERS - MUNSTERS Discográfica:   Real Gone Music Did you know Herman, Grandpa, Lily, Marilyn and Eddie Munster doubled as a rock and roll band?! Well, despite the subhead on the album proclaiming them as 'The Newest Teen-Age Singing Group,' they didn't'but that didn't stop the label execs at Decca Records from trying to cash in on the new CBS hit TV show! Veteran producers Joe Hooven and Hal Winn had the good sense to hire the Wrecking Crew (most notably Glen Campbell and Leon Russell) to play this surf-tinged set of songs, and brought in The Go-Go's (nope, not those Go-Go's, they were just out of diapers'this was a male vocal trio that cut one LP for RCA back in 1964, the same year this record came out) to sing the lyrics to such gems as 'You Created a Monster' and 'Make It Go Away.' The whole thing is a hoot, and a highly collectible hoot at that'original copies of this album command 'monstrous' sums! Aaron Kannowski remastered our reissue, and for this vinyl reissue, we've pressed up a limited edition of 1000 copies in ghoulish gray vinyl'get ready to do the Munster creep this Halloween and beyond!

QUESTION MARK & THE MYSTERIANS - ACTION QUESTION MARK & THE MYSTERIANS - ACTION Discográfica:   Real Gone Music Hailing from Saginaw, Michigan, Question Mark and The Mysterians will forever be anointed as the garage band’s garage band, with all the bona-fides collectors of ‘60s cool cherish—the name, derived from a Japanese horror film; the sound, an insistent, three chord beat powered by that unmistakable Vox organ tone; and, of course, the sunglasses-shod Question Mark himself, who claims to have been born on Mars and lived among the dinosaurs in a past life. By exclusive arrangement with ABKCO Music, we at Real Gone Music are releasing their 1967 album Action in limited edition yellow vinyl; this one didn’t see any chart “action,” but did notch a couple of hits with Girl (You Captivate Me) and Can’t Get Enough of You Baby. Mastered at 45 rpm for maximum sonic effect!

ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR Great Balls of Fire! (conocida en español como ¡Gran bola de fuego!) es una película biográfica estadounidense con Dennis Quaid interpretando al pionero del rock and roll, Jerry Lee Lewis. El filme, dirigido por Jim McBride, se basa en la biografía escrita por Myra Gale Brown. Trata de la temprana carrera musical de Jerry Lee Lewis desde su creciente fama como estrella del rock and roll, haciendo creer a muchos que reemplazaría al «rey del rock and roll», Elvis Presley en 1950 hasta el controversial matrimonio con su sobrina segunda, Myra Gale Brown (de 13 años), que hizo que su estrellato finalizara rápidamente. En 1990, Winona Ryder ganó el premio a la mejor actriz en los Premios Young Artist. En 1989, se estrenó el film Grand bola de fuego, que abarca los primeros años de la carrera musical de Jerry Lee Lewis,aproximadamente los años 1956-1959, incluyendo su frustrada gira por Inglaterra y su escándaloso matrimonio con Myra Gail Brown que opacó en gran medida el ascendente éxito que venía consechando hasta entonces. El film, fue protagonizado por Dannis Quaid en una excelente interpretación de Jerry Lee Lewis, Alec Balwin como el primo de Jerry, Jimmy Lee Swagart, su antagonista en el film, y el papel femenino de Myra Gail Brown quedó reservado para Wynona Rider. El principal mérito del film, ha sido que el propio Jerry se ocupó del audio de las canciones, lo cual permite al espectador que ve el film y no conoce su carrera, tener una precisa idea de su talento musical. Great Balls of Fire! Original Motion Picture Soundtrack Soundtrack album by Jerry Lee Lewis.Released,June 8, 1989, Recorded 1988.Label Polydor Records.Producer,T Bone Burnett 1."Great Balls of Fire" 2."High School Confidential" 3."Big Legged Woman" - Booker T. Laury 4."I'm on Fire" 5."Rocket 88" - Jackie Brenston And The Delta Cats 6."Whole Lotta Shakin' Goin' On" 7."Whole Lotta Shakin' Goin' On" - Valerie Wellington 8."Breathless" 9."Crazy Arms" - Jerry Lee Lewis/Dennis Quaid 10."Wild One" 11."That Lucky Old Sun" 12."Great Balls of Fire" (Original Version) Hubo partes pianisticas actuadas (no canciones) que sí fueron interpretadas por Dennis Quaid, los llamados "snipettes", luego editados aparte junto al Lewis Boogie, que cerró el film como fondo de los títulos. Curiosamente fue omitida I'm Throwing rice, que acompañó como fondo buena parte del film. Great Balls of Fire! is a 1989 American biographical film directed by Jim McBride and starring Dennis Quaid as rockabilly pioneer Jerry Lee Lewis. Based on a biography by Myra Lewis and Murray M. Silver, Jr., the screenplay is written by McBride and Jack Baran. The film is produced by Adam Fields, with executive producers credited as Michael Grais, Mark Victor, and Art Levinson. The early career of Jerry Lee Lewis, from his rise to rock and roll stardom to his controversial marriage to his 13-year-old cousin that led to his downfall, is depicted in the film. Until the scandal of the marriage depreciated his image, many had thought Lewis would supplant Elvis Presley as the "King of Rock and Roll" in the 1950s. The story was co-written by Myra Gail Lewis (her autobiography Great Balls of Fire!), the former wife of Jerry Lee Lewis, with Murray Silver. Despite this, co-writer Silver was upset by the lack of accuracy in the film, claiming it was "phoney". Director Jim McBride admitted that it was never his intention to tie his film to the facts, and stated "This movie does not represent itself in any way to be a historical documentary. We use the book as a jumping-off point." Lewis has openly stated that he hates the film and the book it was based on. Lewis did, however, praise Quaid's portrayal of him in the film, saying "he really pulled it off".Quaid even learned to play "Lewis-style" piano for the role. This was the final film of character actor Trey Wilson. He died at age forty from a cerebral hemorrhage in January 1989, prior to the film's release. An original motion picture soundtrack was released by the producers on the Polydor Records label on June 8, 1989. Lewis re-recorded his music from the 1950s for the soundtrack with the title track " Great Balls of Fire," "Whole Lotta Shakin' Goin' On" and "That Lucky Old Sun." The soundtrack contains 12 tracks. A music video of the song "Great Balls of Fire", with Quaid and Lewis playing the piano and containing snippets of scenes from the film, was featured on the original VHS video release preceding the film. "Lewis Boogie" is also in the film during the closing credits but does not appear on the soundtrack album.