Starting from her

Horror fiction. The supernatural community in Bon Temps, Louisiana is reeling from two hard blows: the natural disaster of Hurricane Katrina and the manmade horror of the explosion at the vampire summit in the up north city of Rhodes. Sookie Stackhouse is safe but dazed and she's yearning for things to get back to normal. But that's just not happening. Too many vampires, some friends, some not, were killed or injured and her were-tiger boyfriend Quinn is among the missing. It's clear that things are changing, whether the weres and vamps like it or not. And Sookie, Friend to the Pack, blood-bon

JUNO MUSIC FROM THE MOTION PI - JUNO MUSIC FROM THE MOTION PI JUNO MUSIC FROM THE MOTION PI - JUNO MUSIC FROM THE MOTION PI Discográfica:   Rhino Director Jason Reitman's warm, compassionate comedy about an unanticipated teen pregnancy was not only a dark horse Oscar® nominee for Best Picture, but saw this soundtrack CD top the charts just two weeks after its release. It's a collection wherein quirky, generation-spanning folk and rock choices are rooted in something more rewarding than mere eclecticism for its own sake--namely the sense of unlikely, hopeful humanity that Kimya Dawson's core songs bring to its slightly askew axis. Dawson's spotlight performances here range from a handful of decidedly twee solo cuts, to the album's key Anyone Else But You, (her 2001 duet with Adam Green released under the Moldy Peaches moniker,) and a couple more upbeat oddballs by the singer's more recent Antsy Pants project. That effusively innocent musical core is augmented with a pair of eminently sympathetic tracks from Scottish twee-pop magnates Belle and Sebastian, then seasoned with a mix of catalog tracks that spans eras from Buddy Holly to Sonic Youth--utilizing styles as diverse as the Kinks, Mott the Hoople, and Velvet Underground--that nonetheless manage to bolster the film's tender emotions with a graceful, (if skewed,) charm that's hard to resist. --Jerry McCulley Director Jason Reitman made a whole slew of great decisions with his justly lauded film Juno. One of them was the choice of music he used, which gave potent voice to this soundtrack companion. While all of the songs added energy and emotional atmosphere to the scenes, it was the inclusion of numerous numbers by Kimya Dawson that subtly enhanced the wonderfully drawn title character. Dawson's homemade immediacy and faux stream-of-consciousness lyrics felt like songs that the character Juno would listen to, or create. Dawson's seven (one recorded with Adam Green, her partner in the Moldy Peaches) are interspersed among a dozen other selections which straddle generations--Buddy Holly, The Vel

SINGLE 13TH FLOOR ELEVATORS She Lives(In A Time Of Her Own) VINILO GARAGE PSYCH SINGLE 13TH FLOOR ELEVATORS She Lives(In A Time Of Her Own) VINILO GARAGE PSYCH     13TH FLOOR ELEVATORS      A- She Lives(In A Time Of Her Own) B- Baby Blue     FORMAT / FORMATO 7"RED TRANSPARENT   TAKEN FROM THE BOX ISSUED IN ACME RECORDS IN 2014      CONDITION /ESTADO  -----RECORD /DISCO  -COVER/PORTADA MINT / MINT NUEVO/NIUEVO   PREGUNTA PARA ENVIOS COMBINADOS AHORRARAS MUCHO DINERO I COMBINE SHIPPING ASK FOR COMBINE SHIPPING RATES AND WILL SAVE MONEY

CANNED HEAT - let's work together / i'm her man ((ESCUCHA)) CANNED HEAT - let's work together / i'm her man ((ESCUCHA)) CANNED HEAT SG - Sello Liberty FR 1969 Canciones: let's work together / i'm her man rock blues from the men that went up to the country. Rare french PS issue [Estado Disco/Portada] VG+/G plays clean [Escucha] LISTEN A&B Todas los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue [Graduacion] EX.: sin ruido, sin marcas VG.: ruido pero no molesto, algunas marcas G.: ruido molesto y marcas profundas    

THE MAMAS & THE PAPAS - I SAW HER AGAIN SINGLE ORIGINAL ESPAÑOL - RCA VICTOR RECORDS 1966 MONOAURAL THE MAMAS & THE PAPAS - I SAW HER AGAIN SINGLE ORIGINAL ESPAÑOL - RCA VICTOR RECORDS 1966 MONOAURAL DISCO SINGLE DE LOS MAMAS & THE PAPAS EDITADO POR RCA VICTOR RECORDS EN EL AÑO 1966 CON NUMERO DE REFERENCIA. 3-10178 EN MONOAURAL. EN LA CONTRAPORTADA CON EL LOGO DE RCA VICTOR RECORDS.  Y EL NUMERO DE REF. 3-10178. EN EL LABEL CON EL LOGO DE RCA VICTOR RECORDS. MADE FROM MASTER RECORDING OF RCA. DEPOSITO LEGAL. M. 10518 - 1966. FABRICADO EN ESPAÑA POR FONOGRAM, S.A. DISCO VG++ (VERY GOOD++)(4). PORTADA VG++ (VERY GOOD++)(4). VER FOTOGRAFIAS ADICIONALES. LABELS COMO NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES.

Disco L.P. de vinilo Original Soundtrack From the Motion Picture, Flashdance: Flashdance… what a fee Disco L.P. de vinilo Original Soundtrack From the Motion Picture, Flashdance: Flashdance… what a fee ¡¡¡AHORA 10,00 EUROS MENOS YA REBAJADOS!!! Disco L.P. de vinilo Original Soundtrack From the Motion Picture, Flashdance: Flashdance… what a feeling, He’s a Dream, Love theme from Flashdance, Manhunt, Lady, lady, lady, Imagination, Romeo, Seduce me tonight, I’ll be her where the heart is, Maniac. Score composed by Giorgio Moroder. De Casablanca, año 1983.

AUGER BRIAN & TRINITY - LIVE FROM THE BERLINER JAZZSTA AUGER BRIAN & TRINITY - LIVE FROM THE BERLINER JAZZSTA Discográfica:   RockBeat Records Brian Auger and the Trinity with Julie Driscoll on vocals with Don McCann. JazzFest Berlin (also known as the Berlin Jazz Festival) is a jazz festival based in Berlin, Germany. Originally called the Berliner Jazztage (Berlin Jazz Days), until 1980 when the name was changed), it was founded in 1964. Also appearing that year were Herbie Mann, Carla Thomas, Don Cherry with Pharoah Sanders, Don Ellis (who makes a guest appearance with BAuger), Gary Burton, Elvin Jones, Muddy Waters with Otis Spann and other jazz luminaries. Whereas famous US-jazz celebrities set the tone during the first decades, the Berlin Jazz Festival increasingly has presented artists from all around the globe, with an increasing emphasis on contemporary European jazz. This performance by Brian Auger is also unique as it's the first appearance with Julie Driscoll so while a large portion of the audience applauded, wanting more of Brian, many booed when Julie Driscoll sang as her vocals and presence was a new element within the group. The festival's artistic concept has been to document, support, and validate trends in jazz, and to mirror the diversity of creative musical activity. The vinyl will be pressed on translucent Boris Purple.

MUSIC BY MARK KNOPFLER FROM THE FILM CAL - 1984 - CD - BANDA SONORA ORIGINAL MUSIC BY MARK KNOPFLER FROM THE FILM CAL - 1984 - CD - BANDA SONORA ORIGINAL El cd tiene marcas pero se ha verificado con el programa Exact Audio Copy (ver informe al final) Escrito en libreto (ver foto) +++ Bajo  ningún concepto se envía ordinario, siempre certificado Gastos de envío gratis para pedidos superiores a 30 euros con destino a España (excepto Canarias, consulte coste sin compromiso) Vea coste de envío en el apartado "Formas de pago y envío" Fotos reales del artículo +++ Exact Audio Copy V1.5 from 20. February 2020 Archivo Log de extracciones desde 27. Mayo 2021, 0:40 Mark Knopfler / Cal Usar unidad : hp      DVDRAM GU90N   Adapter: 1  ID: 0 Modo de Lectura   :       : Seguro Utilizar corriente precisa: Sí Caché de audio por defecto: No Utilizar los punteros C2   : No Corrección de Desplazamiento de Lectura:     : 102 Sobreleer tanto en Lead-In como en Lead-Out   : No Rellenar las muestras faltantes con silencios: Sí Eliminar silencios inicial y final           : No Muestras nulas usadas en los calculos de CRC : Sí Interfaz usada                               : Interfaz propio de Win32 para Windowns NT y 2000 Manejo de huecos                             : No se detectó, por lo que anexa a la pista anterior Formato de Salida utilizado: : Rutinas WAV Internas Formato de muestra             : 44.100 Hz; 16 Bit; Estéreo TOC extraídos del CD      Pista |  Inicio  | Longitud | Inicio del sector | Fin del sector      ------------------------------------------------------------------         1  |  0:00.32 |  4:44.40 |          32       |    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HVAL JENNY - BLOOD BITCH HVAL JENNY - BLOOD BITCH Discográfica:   Sacred Bones After touring for a year and earning her second Nordic Prize nomination, as any perfectionist would, Hval immediately went back into the studio to continue her work with acumen noise producer Lasse Marhaug, with whom she co-produces here on Blood Bitch. Her new effort is in many respects a complete 180 from her last in subject matter, execution, and production. It is her most focused, but the lens is filtered through a gaze which the viewer least expects.

MTV Unplugged No. 2.0 is a live album by American singer and rapper Lauryn Hill. The performance comes from her 2002 MTV Unplugged special recorded on July 21, 2001 at MTV Studios in Times Square, New York City. Hill abandoned the hip hop sounds of her debut album The Miseducation of Lauryn Hill (1998) in favor of folk and soul songs she performed with an acoustic guitar. The songs were interspersed with spoken interludes about her personal and artistic struggles. En perfecto estado. Hago envíos. Puedo agrupar varios cds para aprovechar los gastos de envío.

QUAID DENNIS & THE SHARKS - OUT OF THE BOX QUAID DENNIS & THE SHARKS - OUT OF THE BOX Discográfica:   Omnivore Recordings Dennis Quaid & The Sharks origins can be traced to a night when Quaid went to see actor Harry Dean Stanton and his longtime band perform in Los Angeles. Quaid was invited to join the band onstage. At fi rst reluctant, because of his decade-long layoff from music, Quaid fi nally acquiesced, and his performance sparked a musical kinship between Jamie James-guitar player in Stanton's band and the Kingbees' front man-and Quaid that led to them forming their own band. James quickly began recruiting others for the band and it wasn't long before Dennis Quaid & The Sharks were performing on the L.A. club circuit. Quaid was certainly no stranger to either the recording studio or the stage being a seasoned actor and having cut songs for soundtracks to his movies dating back to the '80s with contributions to soundtracks like The Night The Lights Went Out In Georgia, Tough Enough, The Big Easy, and more. Music had always been important to Quaid, ''As far back as I can remember, music has always been a big part of my life. My third cousin was Gene Autry, the original Western movie singing cowboy. My grandmother played piano and sang songs from the '20s, songs from her youth. My dad played piano and crooned like Bing Crosby and looked a little like Dean Martin.'' Among Quaid's musical heroes you'll fi nd Buddy Holly, Hank Williams, Willie & Waylon, Johnny Cash, The Beatles, The Doors, James Brown, and more

A mystery writer, who was beaten and raped while driving home from her book club, plots her revenge in Big Driver. Hodder b'&' Stoughton. London. Año 2010. 1ª edición

A estrenar, precintados de origen, como lo encontrarías en una tienda. Espléndido lote de vinilos de Nick Cave con sus discos de los 80 y 90 (reediciones 2014 remasterizados): From her to eternity (LP), The firstborn is dead (LP), Kicking against the pricks (LP), Your funeral... my trial (2LP), Tender prey (LP), The good son (LP), Henry's dream (LP), Let love in (LP), Murder ballads (2LP) y The boatman's call (LP). Todos precintados, a estrenar. Sólo recogida en mano, no envíos.

K.D. LANG - INGENUE (25TH ANNIVERSARY EDIT K.D. LANG - INGENUE (25TH ANNIVERSARY EDIT DELUXE EDITION: 2LP set. Remastered in 2017 for its 25th Anniversary, and reissued with 8 unreleased BONUS live tracks from her 1993 MTV Unplugged performance! Breakthrough 1992 album features Constant Craving and Miss Chatelaine.

FAITHFULL MARIANNE - RICH KID BLUES FAITHFULL MARIANNE - RICH KID BLUES Vinyl LP pressing. Digitally remastered edition. Rich Kid Blues is a studio album by Marianne Faithfull, recorded in 1971 under the name Masques and released in 1985. Produced by Mike Leander, who had produced and arranged much of Faithfull's Decca material, Rich Kid Blues is an intriguing album of spare, largely acoustic readings of folk/rock songs including several Bob Dylan covers, as well as songs by Phil Ochs, George Harrison, Cat Stevens, Tim Hardin, James Taylor and Sandy Denny. Marianne Faithfull had this to say about the 1971 recordings: The record itself is very strange and ghostly. It's the voice of somebody incredibly high, probably on the edge of death. They always sound like that. Johnny Thunders sounds like that. Anybody who heard that record would have said, 'Well that's that. We'll never hear from her again'.