Not was

WAS NOT WAS (PAPA WAS A ROLLING STONE) MAXI -SINGLE UK 1990 (VIN-X) WAS NOT WAS (PAPA WAS A ROLLING STONE) MAXI -SINGLE UK 1990 (VIN-X)                                                           AHORRA EN GASTOS ADQUIRIENDO OTROS ARTICULOS DE MI TIENDA SI TIENES DUDAS PREGUNTAME, TE ATENDERÉ ENCANTADO SAVE SHIPPING COSTS BY BUYING MORE ARTICLES FROM MY SHOP IF YOU HAVE ANY DOUBTS DO NOT HESITATE TO CONTACT ME Entra en mi tienda!!!    COME IN !!!!! www.todocoleccion.net/tienda/turboshop

WAS NOT WAS/PAPA WAS A ROLLING STONES/SINGLE. WAS NOT WAS/PAPA WAS A ROLLING STONES/SINGLE. FONTANA 1990. EN BUEN ESTADO/ETIQUETA EN CARPETA Y GALLETA. ENVIO CERTIFICADO:5,95€.                     ORDINARIO:2,50€.                                        

was (not was) - walk the dinosaur + boom-boom-acka-lacka-boom was (not was) - walk the dinosaur + boom-boom-acka-lacka-boom fontana  ref. 888809-7 edición francesa de 1987 bien

Was not was - spy in the house of love Was not was - spy in the house of love

WAS NOT WAS - WHEEL ME OUT. SINGLE PROMOCIONAL, EDICIÓN USA. WAS NOT WAS - WHEEL ME OUT. SINGLE PROMOCIONAL, EDICIÓN USA. En perfecto estado, prácticamente mint  

WAS NOT WAS - SPY IN THE HOUSE OF LOVE - MAXI - UK - FONTANA - PLS 190 - L - WAS NOT WAS - SPY IN THE HOUSE OF LOVE - MAXI - UK - FONTANA - PLS 190 - L -

disco lp vinilo Was (Not Was) - Was (Not Was), edición española de 1981 disco lp vinilo Was (Not Was) - Was (Not Was), edición española de 1981

LP ALBUM, WAS, WAS NOT WAS, IMPORT. USA LP ALBUM, WAS, WAS NOT WAS, IMPORT. USA

SINGLE / EP. WAS (NOT WAS) SHAKE YOUR HEAD. I BLEW UP THE UNITED STATES. 1992, GERMANY SINGLE / EP. WAS (NOT WAS) SHAKE YOUR HEAD. I BLEW UP THE UNITED STATES. 1992, GERMANY PEDIDO MÍNIMO: 6€ MARCAS DE SUPERFICIE EN EL VINILO           

A1 (Return To The Valley Of) Out Come The Freaks Backing Vocals Harry*, St. Was Brothers* Lead Vocals Harry Bowens Organ [Korg], Flute David Was Percussion Larry Fratangelo Piano [Acoustic], Synthesizer [Hate] Fred Zarr Soprano Saxophone, Tenor Saxophone David McMurray Timpani, Drums [Linn] Don Was Trumpet [Synthetic] Luis Resto A2 Professor Night Backing Vocals Carol Hall, David Was, Donny Ray Mitchell*, Harry Bowens, Kathy Kosins Bass Felix Morris Drums Yogi Horton Drums [Simmons Toms] Mike Smith (10) Guitar Randy Jacobs Lead Vocals Harry Bowens Synthesizer [Oberheim Obsx] Don Was Synthesizer [Oberheim Obxa], S

Cryptopsy Once was not Cryptopsy Once was not Cryptopsy  "  Once was not  "   Gastos de envio siempre certificados:   50 a 100 grms.  4,30 €   100 a 500 grms.  5,55 €   500 a 1.000 grms.  8,20 €   1.000 a 2.000 grms.  8,65 

TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE SEGUN FOTOS.  PORTADA VG DISCO VG Gastos de envio: 4,25 € paquete standard península o 1,95 euro correo ordinario (en este caso bajo responsabilidad del comprador en caso se pérdida).  

STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP. THAT WAS YESTERDAY / NOTHING EVER COMES THAT EASY / GOING DOWN (FOR THE THIRD TIME) / HEART OF STONE /// PLATFORM SOUL / MR. PUSH - ME - PULL - YA / PUNISHMENT PARK / NOT FADE AWAY, AÑO 1976, BARCLAY S 32.796   Gastos de envío por correo ordinario para España: 1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -      

JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) + 1, AÑO 1968 JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) + 1, AÑO 1968 JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) / I WAS BORN TO LOSE OUT,  AÑO 1968, STATESIDE SSL 404   Gastos de envío por correo ordinario:  1 disco SG: 1,80 euros De 2 a 7 discos SG: 3,00 euros       

Recopilatorio de Grandes Éxitos de lis 80s WET WET WET BLACK THE BOOMTOWN RATS JOE COCKER & J. WARNES SHAKATAK WOMACK & WOMACK FANCY DESIRELESS CHRIS DE BURGH IRENE CARA TAYLOR DAYNE SANDRA DONNA SUMMER KATRINA & THE WAVES ABC SOFT CELL VISAGE ANNE CLARK TALK TALK KAJAGOOGO OPUS DURAN DURAN KIM WILDE WAS ( NOT WAS) TEARS FOR FEARS DEXY'S MIDNIGHT RUNNERS BIG COUNTRY ROBERT PALMER Lote 3 CDs x solo 5€ Se entrega en mano en Valencia o hago envío a cuenta del comprador

Revista Popular 1 1990 el año del mestizaje Revista Popular 1 1990 el año del mestizaje         · 209. 1991. 1990 el año del mestizaje         3 Sumario, 4-6 Noticias, 7 Ramones, 8-9 Led Zeppelin, 10 Words, 11 Elektra, 12 Video concerts, 14-15 big audio dynamite, 16-17 Inxs, 18 The mission, 22-23 Jazz internacional, 24-25 They might be giants, 26-27 Héroes del silencio, 28-39 Resumen del 90: el año del mestizaje, 40-41 ZZ Top, 42-43 An emotional fish, 44-45 Was not was, 46-47 Prefab sprout, 48-49 Van Morrison, 50-51 Smithereens, 52-53 Mike Kennedy, 54 Proscritos, 54-55 Fura dels baus, 56-57 Dinamita pa los pollos, 58-59 Vaya con dios, 60-61 Sesión continua, 61 Cinema news, 62-67 Críticas: Robert Palmer, Héroes del silencio, Elton John, Van Morrison, Kings’x, 68-71 Correo, 74 Mermelada Como en todos mis artículos, hazme una oferta (hasta un 25%) y yo la aceptaré o te haré una contraoferta, nunca rechazo ninguna. Si buscas información (artículos, entrevistas, etc) sobre alguien en particular (grupo, artista, personaje, deportista, etc), házmelo saber y te pasaré un listado con ese contenido de todas las revistas que vendo. Los gastos de envío, en correo certificado, son cinco euros, cuatro si compras a partir de dos artículos y otras ofertas (como envíos gratuitos y revistas de regalo) en relación a los artículos que te interesen y a la cantidad que compres. Las formas de pago son: transferencia bancaria, bizum, pay pal y en persona si eres de Barcelona Todos mis artículos están en perfectas condiciones salvo algunas pocas excepciones, las cuales están descritas en los anuncios.

Not so very long ago, Eragon - Shadeslayer, Dragon Rider - was nothing more than a poor farm boy, and his dragon, Saphira, only a blue stone in the forest.. Doubleday.. Año 2011. 1ª edición

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!! SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!!  Doble disco con 45 temas de la carrera de Scott Walker, tanto al frente de los Walker Brothers como en solitario. Incluye 20 canciones inéditas hasta la fecha en CD y una versión alternativa del clásico The Sun Ain't Gonna Shine Anymore (El sol no va a brillar nunca más), su tema más conocido y todo un presagio de lo oscuras que serían su música y su vida misma. Imprescindible. Precintado de fábrica. TRACKLIST: DISC 1 1-1 Scott Walker – If You Go Away Directed By [Accompaniment] – Wally Stott Written-By – Jacques Brel, Rod McKuen 4:56 1-2 Walker Brothers, The – I Will Wait For You (Theme From Les Parapluies Cherbourg) Directed By [Accompaniment] – Reg Guest Written-By – Jacques Demy, Michel Legrand, Norman Gimbel  3:38 1-3 Walker Brothers, The – In My Room Written-By – Joaquin Prieto, Lee Julien Pockriss*, Paul Vance 2:30 1-4 Walker Brothers, The – The Sun Ain't Gonna Shine Anymore (Mono - Alternative Vocal) Written-By – Bob Crew*, Bob Gaudio  2:22 1-5 Scott Walker – It's Over  Written-By – Rodgers* 3:18 1-6 Scott Walker – Joanna  Written-By – Jackie Trent, Tony Hatch3:50 1-7 Scott Walker – Angel Of Ashes  Directed By [Accompaniment] – Peter Knight (5) Written-By – Scott Walker  4:22 1-8 Scott Walker – Mathilde  Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Shuman*  2:39 1-9 Scott Walker – Winter Night  Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker 1:44 1-10 Walker Brothers, The – Orpheus  Directed By [Accompaniment]  – Reg Guest Written-By – Scott Walker 3:27 1-11 Scott Walker – Jackie  Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Mort Shuman 3:22 1-12 Scott Walker – The Bridge  Written-By – Scott Walker 2:50 1-13 Scott Walker – It's Raining Today  Written-By – Scott Walker  4:01 1-14 Walker Brothers, The – Once Upon A Summertime Directed By [Accompaniment] – Reg Guest Written-By – Eddie Barclay, Eddy Marnay, Johnny Mercer, Michel Legrand 3:49 1-15 Scott Walker – Such A Small Love   Arranged By, Conductor – Wally Stott Written-By – Scott Walker  4:54 1-16 Scott Walker – Rhymes Of Goodbye Directed By [Accompaniment] – Keith Roberts Written-By – Scott Walker 3:04 1-17 Scott Walker – Big Louise  Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker  3:11 1-18 Scott Walker – Next  Written-By – Jacques Brel, Shuman* 2:51 1-19 Scott Walker – Til The Band Comes In Written-By – Ady Semel, Scott Walker  3:50 1-20 Scott Walker – Plastic Palace People  Written-By – Scott Walker 6:08 1-21 Scott Walker – Butterfly  Written-By – Scott Walker 1:43 1-22 Walker Brothers, The – Just Say Goodbye  Directed By [Accompaniment] – Reg Guest Written-By – Petula Clark, Pierre Delanoë, Tony Hatch 3:34   DISC 2 2-1 Scott Walker – The Me I Never Knew  Written-By – Don Black, John Barry 3:39 2-2 Scott Walker – We Could Be Flying Written-By – Michel Colombier, Paul H. Williams* 4:20 2-3 Scott Walker – I Have Dreamed Written-By – Oscar Hammerstein II, Richard Rogers* 2:37 2-4 Walker Brothers, The – The Gentle Rain Written-By – Luiz Bonfa*, Matt Dubey 2:41 2-5 Scott Walker – I Still See You  Written-By – Hal Sharper, Michel Legrand 3:15 2-6 Scott Walker – Loss Of Love (Theme From 'Sunflower') Written-By – George Robert Merrill*, Henry Mancini 3:07 2-7 Scott Walker – Do I Love You Written-By – Alain Legovic, Maxime Jean Germa Piolot*,  Michel Albert Louis PeLay*, Paul Anka, Y. Dessca*  2:53  2-8 Scott Walker – Country Girl  Written-By – Robert Farnon 3:05 2-9 Scott Walker – Come Saturday Morning (Theme From 'Pookie') Written-By – Dory Previn, Fred Karlin  3:34 2-10 Scott Walker – When The World Was Young Written-By – Angele Vannier*, Johnny Mercer, Gerard Philippe* 4:00 2-11 Scott Walker – That Night (Theme From 'The Fox') Written-By – Lalo Schifrin, Norman Gimbel 2:50 2-12 Scott Walker – This Way Mary (Theme From 'Mary Queen Of Scots') Written-By – Don Black, John Barry 2:30 2-13 Scott Walker – Someone To Light Up My Life Written-By – Antonio Carlos Jobim, Gene Lees, Vinicius De Moraes 2:11 2-14 Scott Walker – The Impossible Dream Written-By – Joseph Darion*, Mitch Leigh 3:00 2-15 Scott Walker – Who (Will Take My Place) Written-By – Charles Aznavour, Herbert Kretzmer 3:17 2-16 Scott Walker – When You Get Right Down To It Written-By – Barry Mann 2:59 2-17 Scott Walker – A Face In The Crowd (Theme From 'Le Mans') Written-By – Alan Bergman, Marilyn Bergman, Michel Legrand 3:22 2-18 Scott Walker – Cowboy  Written-By – Randy Newman 2:30 2-19 Scott Walker – If She Walked Into My Life  Written-By – Jerry Herman 3:49 2-20 Scott Walker – All My Love's Laughter  Written-By – Jimmy Webb 4:05 2-21 Scott Walker – Speak Softly Love (Theme From 'The Godfather') Written-By – Larry Kusik, Nino Rota  3:50 2-22 Scott Walker – Easy Come, Easy Go (Theme From 'They Shoot Horses Don't They?') Written-By – Edward Heyman, John W. Green*  3:00 2-23 Scott Walker – Lost In The Stars Written-By – Kurt Weill, Maxwell Anderson   Notes Track: 1-3 from the Walker Brothers album 'Portrait' (1966). Track: 2-4 from the Scott side of the 'Solo John, Solo Scott' E.P. (1966). Track: 1-4 from the Walker Brothers single 'A' side sessions for 'The Sun Ain't Gonna Shine Anymore' (1966). This version with alternative vocal appears to be previously unreleased because it has a 2005 publishing credit and is not merely a mono version of the final single. Tracks: 1-2, 1-10, 1-14 & 1-22 from the Walker Brothers album 'Images' (1967). Tracks: 1-8 & 1-15 from the Scott Walker album 'Scott' (1967). Tracks: 1-11, 1-12, 1-18 & 1- 20 from the Scott Walker album 'Scott 2' (1968). Track: 1-6 'A' side of the Scott Walker single 'Joanna' (1968). Tracks: 1-1, 1-9, 1-13, 1-17 & 1-21 from the Scott Walker album 'Scott 3' (1969). Tracks: 2-3, 2-8, 2-10, 2-14, 2-15, 2-19 & 2-23 from the Scott Walker album 'Scott Sings Songs From His T.V. Series' (1969). Tracks: 1-7 & 1-16 from the Scott Walker album 'Scott 4' (1969). Tracks: 1-5 & 1-19 from the Scott Walker album 'Til The Band Comes In' (1970). Track: 2-5 'A' side of the Scott Walker single 'I Still See You' (Love-Theme from the film 'The Go Between') (1971). Tracks: 2-7, 2-9, 2-11, 2-12, 2-21 & 2-22 from the Scott Walker album 'The Moviegoer' (1972). Tracks: 2-1, 2-2, 2-16, 2-18, 2-20 from the Scott Walker album 'Any Day Now' (1973). 'Loss Of Love' was released in 1972, not 1969. Similarly, 'The Me I Never Knew' was released in 1973, not 1969. This single and album track also featured in the film 'Alice's Adventures In Wonderland'. 'Come Saturday Morning' & 'That Night' were released in 1972, not 1969. 'This Way Mary' & 'A Face In The Crowd' were released in 1972, not 1970. The incorrect dates appear in the notes. 

ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR Great Balls of Fire! (conocida en español como ¡Gran bola de fuego!) es una película biográfica estadounidense con Dennis Quaid interpretando al pionero del rock and roll, Jerry Lee Lewis. El filme, dirigido por Jim McBride, se basa en la biografía escrita por Myra Gale Brown. Trata de la temprana carrera musical de Jerry Lee Lewis desde su creciente fama como estrella del rock and roll, haciendo creer a muchos que reemplazaría al «rey del rock and roll», Elvis Presley en 1950 hasta el controversial matrimonio con su sobrina segunda, Myra Gale Brown (de 13 años), que hizo que su estrellato finalizara rápidamente. En 1990, Winona Ryder ganó el premio a la mejor actriz en los Premios Young Artist. En 1989, se estrenó el film Grand bola de fuego, que abarca los primeros años de la carrera musical de Jerry Lee Lewis,aproximadamente los años 1956-1959, incluyendo su frustrada gira por Inglaterra y su escándaloso matrimonio con Myra Gail Brown que opacó en gran medida el ascendente éxito que venía consechando hasta entonces. El film, fue protagonizado por Dannis Quaid en una excelente interpretación de Jerry Lee Lewis, Alec Balwin como el primo de Jerry, Jimmy Lee Swagart, su antagonista en el film, y el papel femenino de Myra Gail Brown quedó reservado para Wynona Rider. El principal mérito del film, ha sido que el propio Jerry se ocupó del audio de las canciones, lo cual permite al espectador que ve el film y no conoce su carrera, tener una precisa idea de su talento musical. Great Balls of Fire! Original Motion Picture Soundtrack Soundtrack album by Jerry Lee Lewis.Released,June 8, 1989, Recorded 1988.Label Polydor Records.Producer,T Bone Burnett 1."Great Balls of Fire" 2."High School Confidential" 3."Big Legged Woman" - Booker T. Laury 4."I'm on Fire" 5."Rocket 88" - Jackie Brenston And The Delta Cats 6."Whole Lotta Shakin' Goin' On" 7."Whole Lotta Shakin' Goin' On" - Valerie Wellington 8."Breathless" 9."Crazy Arms" - Jerry Lee Lewis/Dennis Quaid 10."Wild One" 11."That Lucky Old Sun" 12."Great Balls of Fire" (Original Version) Hubo partes pianisticas actuadas (no canciones) que sí fueron interpretadas por Dennis Quaid, los llamados "snipettes", luego editados aparte junto al Lewis Boogie, que cerró el film como fondo de los títulos. Curiosamente fue omitida I'm Throwing rice, que acompañó como fondo buena parte del film. Great Balls of Fire! is a 1989 American biographical film directed by Jim McBride and starring Dennis Quaid as rockabilly pioneer Jerry Lee Lewis. Based on a biography by Myra Lewis and Murray M. Silver, Jr., the screenplay is written by McBride and Jack Baran. The film is produced by Adam Fields, with executive producers credited as Michael Grais, Mark Victor, and Art Levinson. The early career of Jerry Lee Lewis, from his rise to rock and roll stardom to his controversial marriage to his 13-year-old cousin that led to his downfall, is depicted in the film. Until the scandal of the marriage depreciated his image, many had thought Lewis would supplant Elvis Presley as the "King of Rock and Roll" in the 1950s. The story was co-written by Myra Gail Lewis (her autobiography Great Balls of Fire!), the former wife of Jerry Lee Lewis, with Murray Silver. Despite this, co-writer Silver was upset by the lack of accuracy in the film, claiming it was "phoney". Director Jim McBride admitted that it was never his intention to tie his film to the facts, and stated "This movie does not represent itself in any way to be a historical documentary. We use the book as a jumping-off point." Lewis has openly stated that he hates the film and the book it was based on. Lewis did, however, praise Quaid's portrayal of him in the film, saying "he really pulled it off".Quaid even learned to play "Lewis-style" piano for the role. This was the final film of character actor Trey Wilson. He died at age forty from a cerebral hemorrhage in January 1989, prior to the film's release. An original motion picture soundtrack was released by the producers on the Polydor Records label on June 8, 1989. Lewis re-recorded his music from the 1950s for the soundtrack with the title track " Great Balls of Fire," "Whole Lotta Shakin' Goin' On" and "That Lucky Old Sun." The soundtrack contains 12 tracks. A music video of the song "Great Balls of Fire", with Quaid and Lewis playing the piano and containing snippets of scenes from the film, was featured on the original VHS video release preceding the film. "Lewis Boogie" is also in the film during the closing credits but does not appear on the soundtrack album.  

LLOYD COLE AND THE COMMOTIONS - MAINSREAM - VINILO ORIGINAL PRIMERA EDICION POLYGRAM 1987 LLOYD COLE AND THE COMMOTIONS - MAINSREAM - VINILO ORIGINAL PRIMERA EDICION POLYGRAM 1987 En 1987 llegó el inesperado canto del cisne: el dolido y agudo Mainstream: tal vez el mejor disco sobre el fin de la adolescencia entendiendo por adolescencia eso que dura hasta los 30 años. Postales y despedidas para el disco del adiós: canciones sobre los papelones de aspirar papeles en discotecas, sobre la vejez de los propios padres y la novedad del propio matrimonio, sobre cumplir los 29 y sentir “que todo lo que hay que hacer es arrastrarse” para entrar en caja y en molde, de sentirse como Sean Penn (circa Madonna) sin serlo, de hacer el amor antes del divorcio, de llamar por teléfono al amigo de la infancia y encontrarlo y que nos cuelgue, de sentirse un insatisfecho en los tiempos de la nueva y gran peste, y de descubrir que para volver a empezar primero hay que sentirse acabado. Todo eso que ya estaba anunciado en Rattlesnakes cuando se nos preguntaba una y otra vez si estábamos listos para que se nos rompa el corazón. Y sangrar. Pocas veces alguien fue más felizmente triste.   Mainstream is the third and final studio album released by Lloyd Cole and the Commotions. It was produced by Ian Stanley and released by Capitol Records in the US and Polydor in the UK on 26 October 1987. It contained the hits " From the Hip ", " My Bag ", and " Jennifer She Said ". Although the album reached number nine in the UK, it failed to chart in America and was not embraced by all critics: Mainstream is the only Lloyd Cole and the Commotions release not to sell at least 100,000 copies in the US. The album took two years to make as finding a producer proved difficult. The band first went with Chris Thomas, when that did not work out they brought in Stewart Copeland. With Copeland they only recorded one track, " Hey Rusty ", then finally found Ian Stanley. Donegan reflected in 2004 that "with the previous LP, Easy Pieces, we had tried to broaden out and make more of a pop record and it hadn't really worked. It sounded rushed and the songs were not all up to standard. So, a year after Easy Pieces, we went into the studio to try and make something more powerful. But the LP that we actually made took so long that we lost our initial vision by the time we finished it. The songs that Lloyd was writing were more introspective, so the stadium rock idea gradually went out the window." Track listing: All tracks written and composed by Lloyd Cole and the Commotions, except where noted. 1."My Bag" – 3:56 2."From the Hip" (Neil Clark, Cole, Blair Cowan, Lawrence Donegan, Stephen Irvine, McKillop) – 3:57 3."29" – 5:28 4."Mainstream" – 3:14 5."Jennifer She Said" – 3:02 6."Mr. Malcontent" – 4:49 7."Sean Penn Blues" – 3:28 8."Big Snake" (lyrics: Cole, music: Ian Stanley) – 5:16 9."Hey Rusty" – 4:30 10."These Days" – 2:27

SIMPLE MINDS - LIVE IN THE CITY OF LIGHT - DOBLE ALBUM VINILO ORIGINAL PRIMERA EDICION VIRGIN 1987 SIMPLE MINDS - LIVE IN THE CITY OF LIGHT - DOBLE ALBUM VINILO ORIGINAL PRIMERA EDICION VIRGIN 1987 el continuo incremento de su popularidad los lleva a emprender una mastodóntica gira en la primavera de 1986. Quienes vieron a Simple Minds actuar en aquella gira tuvieron la impresión de que la banda estaba cerrando un capítulo importante de su carrera, como si quisiera pasar página. Cuando en la primavera de 1987 se publica el doble álbum en vivo 'In the city of light', grabado en el Zenith de París, el grupo vuelve a acelerar los corazones de sus miles de fans. Sus cuatro caras contienen una hora y media de gran rock, una suma de toda la producción de la banda escocesa. Live In The City Of Light fue un disco en directo, editado en 1987, en donde se plasmaba la extensa gira del grupo por aquel entonces, grabado durante la actuación de 2 noches en París en 1986. El disco tuvo un gran éxito comercial pero no fue capaz de demostrar el gran directo de la banda. Tras la extenuante gira, el grupo decide tomarse un descanso. Después de 10 años sin pausa se necesitaba buscar un poco de calma. La banda estaba colocada entre las más grandes pero la presión llegó a ser terrible por lo que no tuvieron más remedio que parar antes de que el éxito les desbordara y sobrepasara. Durante estos años, Simple Minds fue un gran colaborador y divulgador de Amnistía Internacional. Live In The City Of Light is the first (double LP / CD) live album by Scottish rock band Simple Minds. It was released in May 1987 to document their successful worldwide Once Upon a Time tour, and charted at No. 1 in the UK. The album spawned one chart single release, a live version of "Promised You a Miracle". The album was recorded mostly at Le Zénith, Paris in August 1986, with one track recorded in October 1986 in Sydney, Australia. (Although the album was not recorded there, the inside of the gatefold sleeve features a photograph of a concert from the 1986 tour which took place in a square in Locarno, Switzerland). It features the band's 1986 touring lineup, which included second vocalist Robin Clark and percussionist Sue Hadjopoulos. Lisa Germano (at the time, a John Mellencamp band member who would perform on Simple Minds' next studio single, Belfast Child), contributed studio-overdubbed violin on "Someone Somewhere in Summertime" and former Simple Minds member Derek Forbes contributed  bass guitar overdubs. Live In The City Of Light was released as a double vinyl album with the band's logo in gold lettering over black sleeve. The package featured a 12" x 12" attached giant-sized booklet with state-of-the-art photography of the band's performance and outdoor session pictures. This art could not be reproduced faithfully on later CD releases (an original 1st pressing on double-fat jewel case and the USA version packaged in a long box on two separate discs). Track listing: All tracks recorded live on 12/13 August 1986 at Le Zénith, Paris, France except "Someone, Somewhere In Summertime" recorded live on October (24 or 30) 1986 at the Entertainment Centre, Sydney, Australia. Side one 1. "Ghost Dancing"   7:22 2. "Big Sleep"   4:27 3. "Waterfront"   5:21 4. "Promised You a Miracle"   4:38 Side two 5. "Someone Somewhere In Summertime"   5:59 6. "Oh Jungleland"   6:35 7. "Alive and Kicking"   6:27 Side three 8. "Don't You (Forget About Me)"   6:37 9. "Once Upon a Time"   6:06 10. "Book of Brilliant Things"   4:53 11. "East at Easter"   4:20 Side four 12. "Sanctify Yourself"   7:06 13. "Love Song" - "Sun City" - "Dance to the Music""   7:02 14. "New Gold Dream (81/82/83/84)"   5:31

GARY CROWLEYS LOST 80S - GARY CROWLEYS LOST 80S GARY CROWLEYS LOST 80S - GARY CROWLEYS LOST 80S Triple vinyl LP pressing. Lost 80s presents 30 tracks compiled by Gary Crowley across three 'themed' LPs, from 'Jingly Jangly' indie-pop 7s to the edge of the New Romantic, and Dance grooves. Many of these tracks are rare and very hard to find having not appeared on CDs or LPs since the original 80s releases. The better known artists that do appear here are represented by some of their lesser-known ('lost') tracks. The 80s (and especially the first part) was an amazing time for music. It was a mad, fast, kaleidoscopic rollercoaster ride where the chancers taking your money not only walked the walk; they backed it up with innovative, amazing tunes that changed the way music was made forever. That's certainly how I remember it... Gary Crowley Presented across 3 x Heavyweight 180g pieces of coloured vinyl, and including an introduction and track by track notes by Gary Crowley, plus memories of the era from Nick Heyward (Haircut 100), Sarah Dallin (Bananarama), Gary Kemp (Spandau Ballet) Annabella Lwin (Bow Wow Wow), Clare Grogan (Altered Images) and more. So here, spread over these three LPs, I've collected together the best (in my personal opinion) of the guitar bands, the dance acts and the synth groups that made up the soundtrack of that gloriously thrilling decade for me and my friends. Let me just state for the record, you'll find no Michael Jackson, Madonna, Prince, Duran Duran, Dire Straits or the like appearing on these discs...

BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL Burt Bacharach   "BSO Lost Horizon"  LP (Bell - Columbia)  1973  made in UK cat. num.  SYBEL 8000 #soundtrack  #easy listening   Introduction 0:30 Lost Horizon 1:58 Share The Joy 2:42 The World Is A Circle 3:25 Living Together, Growing Together 3:21 I Might Frighten Her Away 2:38 The Things I Will Not Miss 3:13 If I Could Go Back 4:07 Where Knowledge Ends (Faith Begins) 3:43 Question Me An Answer 5:27 I Come To You 1:29 Reflections 1:50   When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer  Burt Bacharach  and lyricist  Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad. In fact, many of the songs are quite catchy, including "The World Is a Circle" and "Reflections." Some of the vocals are sung by the actors, including  Sally Kellerman  and the late  Bobby Van.  Burt Bacharach  has a certain knack for production of not-so-great singers (himself included) and, fortunately, it shows here with the actors. Other actors had their singing parts dubbed by more seasoned vocalists.  Shawn Phillips  is the singer on the title track.

GARY SHEARSTON: DINGO [ESP 1974] LP GARY SHEARSTON: DINGO [ESP 1974] LP Gary Shearston   "Dingo"  LP (Charisma)  1974  made in Spain cat. num.  63 69 958 #folk rock  #pop rock   Dingo   Back Of Beyond   Witnessing   I Get A Kick Out Of You   The Lightkeeper Of America   Seagull And Swan   The Ballad Of Blasted Creek   Lump In The Bed   Aborigine   Without A Song   b. 9 January 1939, Inverell, New South Wales, Australia. This singer-songwriter was also proficient on guitar and harmonica. Shearston moved with his family to Sydney at the age of 12, after his father’s farm was destroyed by drought. By the time Shearston was 19 he was a professional singer performing traditional Australian music in pubs, clubs and on radio and television. In the late 50s he made his first recording, for the Festival label, and this was followed by a number of albums for CBS Records in the early to mid-60s. Two of these albums were described as ‘among the best records of traditional music ever made in Australia’. In 1965, Shearston received an award for the best composition of the year when ‘Sometime Lovin’’ was covered by a number of artists including Peter Paul And Mary. In the mid-60s, together with Martyn Wyndham-Read, he recorded a live album on the Australian Score record label, although CBS would not let Shearston appear on the album. In addition, he had his own folk music television programme.  Shearston then travelled to the USA in 1968 and lived there for the next four years. During the mid-70s Shearston relocated to Britain, where he recorded two albums for Charisma Records. Shearston’s one major hit in the UK came in 1974, when ‘I Get A Kick Out Of You’ made the Top 10. This single made Shearston the first Australian artist to have a simultaneous hit in Britain and Australia. Despite the long gap between albums he carried on and worked the folk clubs of Europe. Returning to Australia from England in 1988, Shearston was made a Deacon of the Anglican Church in December 1991, and has served in the parishes of Narrandera, Deniliquin, Hay, and Bangalow. In 2001, he released his first new studio album in over a decade.

DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 Let's Dance es el decimoquinto álbum de David Bowie, publicado en 1983. En su llamado período comercial, Bowie cambia de discográfica (hasta la fecha había sido RCA), firmando un contrato multimillonario con EMI y graba el que será su disco más vendido: Let's Dance, producido por Nile Rodgers de la banda Chic. La canción homónima del álbum se convirtió en uno de los más grandiosos sencillos con éxito, llegando al número 1 en el Reino Unido, los EE. UU. y varios otros países. Los sencillos posteriores " Modern Love" y " China Girl ", llegaron al número 2 en el Reino Unido, y se convirtieron en grandes éxitos a ambos lados de Atlántico. El álbum obtuvo ventas millonarias convirtiéndose en el segundo disco más vendido de 1983, tan sólo por detrás de Thriller de Michael Jackson. " China Girl " fue en realidad una nueva versión de una canción la cual Bowie había coescrito con Iggy Pop para el álbum del posterior The Idiot. Respaldado por canciones de ritmos bailables y con llamativos vídeos musicales, Let's Dance se convertiría en el disco más vendido de la carrera de Bowie y le colocaría en el nº1 de los países de todo el mundo y en la portada de todas las revistas de moda. David Bowie había planeado originalmente trabajar con Tony Visconti en el álbum, ya que los dos habían trabajado juntos en anteriores cinco álbumes de estudio de Bowie. Sin embargo, cambió de idea y eligió a Nile Rodgers como su productor, una medida que fue una sorpresa para Visconti, que ya había ajustado fechas para trabajar en el disco. Visconti llamó a Coco [la asistena de Bowie] y ella dijo: "Bueno, mejor que lo sepas - Ha estado en el estudio durante las últimas dos semanas con alguien más y está funcionando bien y no va a necesitar de ti.. Lo sentimos mucho ". Esto daño la relación de ambos y Visconti no volvería a trabajar con Bowie nuevamente por otros 20 años (hasta el 2002 en Heathen). Rodgers recordaría más tarde cómo Bowie se acercó a él para producir su álbum de modo que Bowie pudiera conseguir sencillos de éxito. Bowie, que acaba de firmar con EMI Records un contrato de 17,5 millones de dólares, trabajó con Rodgers para lanzar un nuevo álbum "comercial" que fue descrito como "un original funk festivo más grande que la suma de sus influencias." Las influencias del álbum fueron artistas como Louis Jordan, la sección de instrumentos de viento del Jukes Asbury, Bill Doggett, Earl Bostic y James Brown. Lista de canciones: Todas las canciones escritas por David Bowie excepto las indicadas: LADO A 1.- "Modern Love" – 4:46 2.- "China Girl" (Bowie, Iggy Pop) – 5:32 3.- "Let's Dance" – 7:38 4.- "Without You" – 3:08 LADO B 1.- "Ricochet" – 5:14 2.- "Criminal World" (Peter Godwin, Duncan Browne, Sean Lyons) – 4:25 3.- "Cat People (Putting Out Fire)" (Bowie, Giorgio Moroder) – 5:09 4.- "Shake It" – 3:49 " Let's Dance " is the title song from English singer David Bowie's 1983 album of the same name. It was also released as the first single from that album in 1983, and went on to become one of his biggest-selling tracks. Stevie Ray Vaughan played the guitar solo at the end of the song. The single was one of Bowie's fastest selling to date, entering the UK Singles Chart at number five on its first week of release, staying at the top of the charts for three weeks. Soon afterwards, the single topped the Billboard Hot 100, becoming Bowie's second and last single to reach number 1 in the U.S. In Oceania, it narrowly missed topping the Australian charts, peaking at number two, but peaked at number one for 4 consecutive weeks in New Zealand. The single became one of the best selling of the year across North America, Central Europe and Oceania. " Let's Dance " was described by Ed Power in the Irish Examiner as "a decent chunk of funk-rock". Writing for the BBC, David Quantick said "the combination of Bowie and Rodgers on the title track was perfect – Bowie’s epic lyric about dancing under 'serious moonlight' and the brilliant filching of the crescendo 'ahh!'s from the Beatles' version of the Isley Brothers' 'Twist and Shout' were masterstrokes, each welded to a loud, stadium-ised drum and bass sound". The song introduced Bowie to a new, younger audience oblivious to his former career in the 1970s. Although the track was his most popular to date, its very success had the incongruous effect of distancing Bowie from his new fans, with Bowie saying he did not know who they were or what they wanted.His next two albums, made as an attempt to cater to his new-found audience, suffered creatively as a result and Bowie cited them as the albums he was least satisfied with in his career. In 2007, Bowie gave R&B singer Craig David permission to sample the song for his single "Hot Stuff (Let's Dance)".

TEXAS - MOTHERS HEAVEN - LP VINILO ORIGINAL PRIMERA EDICION MERCURY 1991 TEXAS - MOTHERS HEAVEN - LP VINILO ORIGINAL PRIMERA EDICION MERCURY 1991 Texas es un grupo de rock alternativo y pop británico originario de Glasgow, Escocia. Fundado por Johnny McElhone en 1986, debutó en marzo de 1988 en la Universidad de Dundee. Sharleen escribía sus propias canciones y Gerry hacía las veces de representante y se encargó de introducir al grupo entre las productoras discográficas.Mientras preparaban su primera maqueta, contactaron con Ally McErlaine, para que se hiciera cargo de la guitarra, y con Stuart Keer para la batería.El grupo tomó el nombre definitivo de Texas debido a la influencia que tuvo en ellos la banda sonora de la película 'Paris,Texas', de 1985.En 1988 debutaron y a partir de entonces no pararon de dar conciertos. Texas publicó su primer álbum, 'Southside', con el que obtuvieron un gran éxito de ventas.Después de triunfar decidieron hacer un disco bastante personal, titulado 'Mother's Heaven', pero el éxito no les sonrió como en la anterior ocasión aunque en mi opinion el disco es magnifico. Mothers Heaven es el segundo trabajo de estudio del grupo Texas. Mothers Heaven fue producido por Tim Palmer y editado por el sello discográfico Mercury en 1991. Mothers Heaven is the second album from the Scottish rock band Texas. The album was released on 23 September 1991 by Mercury Records. The album peaked at no. 32 in the UK and spent 4 weeks on the charts. The album saw the release of four singles, the lead single released from Mothers Heaven was entitled " Why Believe in You " which only managed to reach #66 on the UK Singles Charts in September 1991. Follow on single, the alternative rock track, " In My Heart " was released in October 1991 but only managed to reach #74 in the United Kingdom. However, "In My Heart" became Texas's last song to date to chart in the United States, peaking at #14 on the Billboard Hot Rock Tracks chart. The song also reached #44 in France. The release of a third single was based entirely on the success of the band in countries such as France, Spain and other European countries, as the band's singles were doing particularly poorly in their native United Kingdom. The third single, " Alone with You ", saw Texas return to the UK Singles Charts Top 40 (for the first time since their debut single three years earlier), peaking at #32. The single also continued the success of the band in France, reaching #28. The fourth and final single, a remix of the title track "Mothers Heaven" was released in 1992, but failed to chart in any countries. Ironically, after the disappointing performance of singles from the album, the band then released a new cover version of the Al Green classic "Tired of Being Alone", which returned them to the UK Top 20. The track was not available on any album until the band's Greatest Hits album released in 2000. Mothers Heaven is the band's lowest charting album in the UK where it remains uncertified, however, it has been certified Gold in both France and Switzerland. All songs written by Johnny McElhone and Sharleen Spiteri except as indicated. Tracks: 1."Mothers Heaven" 2."Why Believe in You" 3."Dream Hotel" 4."This Will All Be Mine" 5."Beliefs" 6."Alone with You" 7."In My Heart" 8."Waiting" 9."Wrapped in Clothes of Blue" 10."Return" 11."Walk the Dust" (Ally McErlaine / McElhone / Spiteri)  

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

YOUNG NEIL & PROMISE OF - VISITOR YOUNG NEIL & PROMISE OF - VISITOR When Neil Young entered Shangri La Studio with the band Promise Of The Real a few months ago, there were a lot of images and feelings careening around his soul. The country was heading in a direction Young had never seen, even though up until then he thought he'd seen it all. But something different was happening, and it had gotten inside his music. I'm a Canadian by the way and I love the USA, he sings on the first song Already Great. The ethos of The Visitor can be summed up in the refrain of Already Great where Young insists, Already great, you're already great. You're the promise land, the helping hand. No wall. No hate. No fascist USA. WHOSE STREET? OUR STREET. From those words, Neil Young was ready to take a musical journey on his new album The Visitor like he had never taken before. It was one where he'd even surprise himself, always the mark of a creative leap. By the end of the recording sessions, he knew he'd made his most diverse album going all the way back to Harvest in 1972, when America was also in the throes of becoming unhinged. Neil Young didn't blink then, and he is not blinking now.