Its near to you

FREDA PAYNE - Cherish What Is Dear To You (While It's Near To You) - SINGLE DE VINILO EDICION USA FREDA PAYNE - Cherish What Is Dear To You (While It's Near To You) - SINGLE DE VINILO EDICION USA SINGLE  RARO DE VINILO - ESTA EN BUENAS CONDICIONES - PUEDES PAGAR CON PAYPAL (sin recargo)  , GIRO POSTAL O INGRESO EN CUENTA - MIRA MIS OTROS ARTICULOS Y AHORRA EN LOS GASTOS DE ENVIO. GASTOS DE ENVIO A ESPAÑA 3 EUROS POR LOS 3 PRIMEROS SINGLES - RESTO DEL MUNDO 6 EUROS. GASTOS DE ENVIO MAXIMOS A ESPAÑA 7 EUROS - HASTA 2 KILOS POR PAQUETE AZUL

Whitney Houston - I Look To You (CD, Album) Whitney Houston - I Look To You (CD, Album) Whitney Houston - I Look To You (CD, Album) Sello:Arista, Arista, Sony Music, Sony Music Cat. n.º: 88697 10033 2, 88697100332 Estado del soporte: Near Mint (NM or M-)  Condición de la funda: Near Mint (NM or M-)   Combina discos y paga solo por el primer envío. Explora nuestra colección de música clásica, la mayor de España, tanto CD como vinilo. A partir de 40€ el envío es gratuito (en el caso de que no haya ofertas) Visita nuestra tienda física en A Coruña (7pulgadas) - Avenida de Oza 121 bajo. 15006 -, existe la posibilidad de recoger tus productos allí. Máxima seriedad.  

Bob Dylan - Good As I Been To You (CBS/Sony, ES, 1992) Bob Dylan - Good As I Been To You (CBS/Sony, ES, 1992) NM / EX (Vinilo / Carpeta) VINILO M = Mint Condition - Sin ninguna marca, nuevo o como nuevo. NM = Near Mint Condition - Casi perfecto, quizás alguna ligera marca sin ninguna consecuencia en la reproducción. Casi nuevo. EX = Excellent Condition - Ligeras marcas, se ha utilizado algunas veces, pero aún así no hay perdida de calidad en la reproducción. VG = Very Good Condition - Algunas marcas superficiales. Se ha reproducido bastantes veces pero aún así las marcas apenas afectan al sonido.. G = Good Condition - Marcas superficiales debido a un uso frecuente. El vinilo está limpio pero las marcas pueden notarse en ocasiones al reproducir el vinilo. F = Fair Condition - Algún arañazo por un uso muy frecuente. Disco aún limpio pero los arañazos son audibles. CARPETA NM = Near Mint Condition - Carpeta casi perfecta, sólo con ligeras marcas o roces pero sin ninguna escritura, cortes o arrugas. EX = Excellent Condition - Algunas marcas o arrugas pero sin escritura ni cortes o rotos. VG = Very Good Condition - Roces, marcas, pliegues, pero completa y sin roturas o cortes. G = Good Condition - Claras marcas de uso, roces, pliegues, arrugas, cantos desgastados. F = Fair Condition - Muy usada, marcas, pliegues, cortes...

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

SHIRELLES - BABY ITS YOU (COLV) SHIRELLES - BABY ITS YOU (COLV) When Shirley Owens, Doris Coley, Addie Micki Harris and Beverly Lee got together to sing for a high school talent show in 1957, they had no intentions of becoming professional musicians. However, fate stepped in when classmate Mary Jane Greenberg told her mother, Tiara Records owner Florence Greenberg, about the group. Greenberg signed them to her label, released a single and then sold the label, along with the fledgling group, to Decca Records. Decca soon dropped them, which left Greenberg free to sign them to her new label, Scepter Records. At Scepter, The Shirelles hit their stride, working with the cream of the Brill Building songwriters. One of these songwriters, Luther Dixon, was hired by Greenberg to write for and produce the group and together they developed the group s signature sound. Under his guidance, the Shirelles enjoyed seven Top 20 hits and launched the girl group genre. Released as a single in 1961, Baby It s You reached #8 on the pop charts and #3 on the R&B charts. Written by Burt Bacharach, Mack David and Luther Dixon (under the pseudonym Barney Williams), the song has become an enduring classic, covered by The Beatles, Smith and many other artists. It also served as the title track for The Shirelles first album of 1962. Baby Its You features 12 outstanding songs, including their single Soldier Boy which topped the Billboard Hot 100. Sourced from the original analog session tapes, this Sundazed reissue faithfully reproduces one of the most influential albums of the early 60s (certainly, Barry Gordy would agree). After one listen, you won t want nobody, nobody but The Shirelles.

PATTERSON BOBBY - ITS JUST A MATTER OF TIME (PU PATTERSON BOBBY - ITS JUST A MATTER OF TIME (PU Discográfica:   Real Gone Music If this 1972 record for the Paula label was the sum total of Dallas, Texas soul man Bobby Patterson's career output, then he'd still be reckoned a cult figure among R&B fans. In fact, it's so good that the fact that he went on to cut five other albums and produce artists ranging from Fontella Bass to Chuck Jackson to Little Johnny Taylor almost seems besides the point. This is a stone soul masterpiece, full of grit and groove, with a breathtaking stylistic breadth stretching from funky soul ('If You Took a Survey'; 'How Do You Spell Love') to romantic soul balladery ('I Get My Groove from You') to James Brown-style workouts ('Make Sure You Can Handle It') to socially-conscious, wah wah-drenched commentary ('The Whole Funky World Is a Ghetto') and all points in between. But what really makes this record mind-blowing is that Patterson wrote all but one song (the one he didn't write, 'Right On Jody,' is an answer song to Johnnie Taylor's big hit 'Jody's Got Your Girl and Gone'). For its first-ever LP reissue, we've pressed up 700 copies in transparent purple vinyl and re-created the original album art complete with lyric sheet. Every soul searcher needs this one!

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

Stereophonics - You Gotta Go There To Come Back (CD, Album, ed. limitada) Stereophonics - You Gotta Go There To Come Back (CD, Album, ed. limitada) Stereophonics - You Gotta Go There To Come Back (CD, Album, Ltd, Car) Sello:V2 records, V2 records Cat. nº: VVR1021900, VVR1021902 Estado del soporte: Near Mint (NM or M-)  Condición de la Funda: Near Mint (NM or M-) Envíos rápidos y económicos, tarifa plana de 5€ para pedidos de varias unidades. Envío normal sin caja 1,5€ // certificado 3,5€ // Tarifa Plana 5€ Excelente estado. Colección privada, con un excelente estado de conservación.

CAPTAIN BEEFHEART - SUN ZOOM SPARK 1970 TO 1972 CAPTAIN BEEFHEART - SUN ZOOM SPARK 1970 TO 1972 Rhino intends to change that with a limited edition four-LP collection that revisits the albums Captain Beefheart (aka Don Van Vliet) recorded with the Magic Band in the early Seventies. It includes all three albums, which have been remastered for the first time, as well as an entire disc featuring 14 previously unissued outtakes from that era. Recorded over a couple of weeks in the summer of 1970 at United Recording Group in Hollywood, Lick My Decals Off, Baby was released the following October. One of Van Vliet's favorites, the album represents the apex of his dissonant style and includes such standout tracks as the quirky-funny I Love You, You Big Dummy and the exquisite solo guitar piece One Red Rose That I Mean. It was followed by The Spotlight Kid, which was recorded at The Record Plant in Los Angeles during the summer of 1971. It features a more barebones, blues-rock sound on songs like Click Clack, I'm Gonna Booglarize You Baby and Alice In Blunderland. Lester Bangs wrote in Rolling Stone (March '72) that Beefheart had struck the balance between intensely personal type of statement and mass appeal, praising the album for its wit and genius.Soon after, Clear Spot was released. Recorded in the summer of 1972, the album introduced several standout tracks, such as the vulnerable love song My Head Is My Only House Unless It Rains, the soul ballad Too Much Time, and the pulsing Big Eyed Beans from Venus. The fourth and final LP in SUN ZOOM SPARK includes unreleased tracks and is a trove of alternate versions, rehearsals and outtakes from the sessions for The Spotlight Kid and Clear Spot. The LP reveals just how much some songs evolved before being released. Among the highlights are a sung-version of I Can't Do This Unless I Can Do This/Seam Crooked Sam, which became a spoken-word performance on Bat Chain Puller; a raucous, off-kilter version of Dirty Blue Gene that pointed the way to the final version on Doc a

I KNOW WHAT YOU DID LAST SUMME - I KNOW WHAT YOU DID LAST SUMME I KNOW WHAT YOU DID LAST SUMME - I KNOW WHAT YOU DID LAST SUMME Discográfica:   Varese Sarabande The soundtrack for the 1997 film, I Know What You Did Last Summer, is making its debut on vinyl. The film was written by Scream scribe Kevin Williamson. It went on to be a huge hit to the tune of $125 million at the domestic box office. The soundtrack features music by The Offspring, L7, Soul Asylum, Toad The Wet Sprocket, Korn, and many more huge bands of the 90's. The album will be released as a 2-LP set with new original animated artwork by acclaimed LP cover artist, Ghoulish Gary Pullin. Original CD art appears within the gatefold jacket.

ZULAL - NOTES TO A CRANE (CD NUEVO) ZULAL - NOTES TO A CRANE (CD NUEVO) ISBN:   820360131424 Discográfica:   CD Baby In Armenian, Zulal means clear water. Zulal, the a cappella trio, aims to create music that is like clear water-fluid, clean, and unconfined. Zulal is an Armenian a cappella folk trio comprised of three women: Teni Apelian, Yeraz Markarian, and Anaïs Tekerian. Keeping to the folk tradition, Zulal writes its arrangements in an organic style, using the simplicity of voice to capture the heart of Armenia's rural music. The vocal trio self-produced Notes to a Crane, their second album, which includes 18 audio tracks, transliterations and English translations of all songs. In this album, the group takes Armenia's village folk melodies and weaves intricate arrangements that pay tribute to the rural roots of the music while introducing a sophisticated lyricism and energy. Pastoral images that hint at a nation's loss, nostalgia, hope, and pride infuse the arrangements here. A soaring crane catching a glimpse of village beauties flirting at the market below, swallows flitting above ancient stones and overgrown meadows, a shepherd boy cradling a milkmaid-these are reminders of a simpler past, tokens of comfort in the complex, modern world. Zulal was formed in the fall of 2002, when three friends began to discuss their love for a cappella singing and their affinity for the sounds and textures of Armenian folk music. Since then, Zulal has enjoyed a coast-to-coast U.S. tour, and performed in such esteemed venues as the John F. Kennedy Center for the Performing Arts, Carnegie Hall's Weill Recital Hall, the Museum of the City of New York and Boston's Tsai Performance Center along with performances for The Near East Foundation, The Embassy of the Republic of Armenia in Washington DC, the Annual Balkan Festival in New York City, and Cirque du Soleil. Nominations include Best Folk/World Song at the 2004 Annual Contemporary A Cappella Recording Awards and Best Folk/World Album at the 2005 Annual Contemporary A Cappella Recording Awards..

Blind Date ‎– How Did You Get To Me.1985. Ariola ‎– 602 110- 213. 12''. NUEVO. MINT / NEAR MINT Blind Date ‎– How Did You Get To Me.1985. Ariola ‎– 602 110- 213. 12''. NUEVO. MINT / NEAR MINT VER FOTOS

0721- PET SHOP BOYS ITS ALL RIGHT MAXI SINGLE 45 RPM POR VG DIS G 1989 SPAIN 0721- PET SHOP BOYS ITS ALL RIGHT MAXI SINGLE 45 RPM POR VG DIS G 1989 SPAIN HACEMOS ENVIO A TODO EL MUNDO  ENTRA EN NUESTRA TIENDA Y ENCONTRARÁS MILES DE ARTICULOS DE COLECCIONISMO MUSICAL Y VIDEOJUEGOS ENVIO NACIONAL  SOLO SE REALIZAN ENVIOS A TRAVES DE EMPRESA DE MENSAJERIA SI EL COMPRADOR QUIERE ENVIO ORDINARIO SOLO SE REALIZARA BAJO EXPRESA PETICION DEL COMPRADOR Y SU RESPONSABILIDAD A LOS GASTOS DE ENVIO ORDINARIO SE LE SUMARA LA CANTIDAD DE 1,50 EUROS EN CONCEPTO DE TRASLADO Y ENTREGA EXPRESA EN OFICINA DE CORREOS  SI NO ESTA DE ACUERDO CON ESTAS CONDICIONES NO COMPRE EL ARTICULO   CERTIFICADO EMPRESA MENSAJERIA:   PRECIO DE ENVIO: / 1-2: VINILOS 6,90 €                                 : / 1-3: SINGLES 7" 5,90 €                                 : / 1-3:     CD"S    5,90 €                                                                       REALIZAMOS ENVIOS COMBINADOS PARA AHORRAR PORTES       INTERNACIONAL CERTIFICADO COMUNIDAD EUROPEA:   0-100GR: 7.50€  101-500GR: 12.70€  501- 1000GR: 18.20€  1001-2000GR: 27.10€  ENVIO INTERNACIONAL RESTO DEL MUNDO:  0-100GR: 8.5€  101-500GR: 15.65€  501- 1000GR: 26.55€  1001-2000GR: 42.60€ WE SEND TO ALL THE WORLD  ENTERS IN OUR STORE AND YOU WILL FIND THOUSANDS OF ITEMS OF MUSICAL COLLECTING AND VIDEO GAMES NATIONAL   INTERNATIONAL SHIPPING CERTIFICATE EUROPEAN COMMUNITY:  0-100GR: 7.50€  101-500GR: 12.70€  501-1000GR: 18.20€  1001-2000GR: 27.10€   INTERNATIONAL SHIPPING REST OF THE WORLD:  0-100GR: 8.5€  101-500GR: 15.65€  501-1000GR: 26.55€  1001-2000GR: 42.60€  

1121- THANK GOD ITS FRIDAY MOTION PICTURE DOUBLE VIN 12” LP P G+ D G+ 1978 1121- THANK GOD ITS FRIDAY MOTION PICTURE DOUBLE VIN 12” LP P G+ D G+ 1978 HACEMOS ENVIO A TODO EL MUNDO  ENTRA EN NUESTRA TIENDA Y ENCONTRARÁS MILES DE ARTICULOS DE COLECCIONISMO MUSICAL Y VIDEOJUEGOS ENVIO NACIONAL      REALIZAMOS ENVIOS COMBINADOS PARA AHORRAR PORTES    WE SEND TO ALL THE WORLD  ENTERS IN OUR STORE AND YOU WILL FIND THOUSANDS OF ITEMS OF MUSICAL COLLECTING AND VIDEO GAMES NATIONAL