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Editorial: oxford university express Autor: Clive Oxenden Christina Latham-Koenig Paul Seligson ISBN: Work book 978-0-19-438436-0 Students book 978-0-19-439610-3

CANNED HEAT - let's work together / i'm her man ((ESCUCHA)) CANNED HEAT - let's work together / i'm her man ((ESCUCHA)) CANNED HEAT SG - Sello Liberty FR 1969 Canciones: let's work together / i'm her man rock blues from the men that went up to the country. Rare french PS issue [Estado Disco/Portada] VG+/G plays clean [Escucha] LISTEN A&B Todas los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue [Graduacion] EX.: sin ruido, sin marcas VG.: ruido pero no molesto, algunas marcas G.: ruido molesto y marcas profundas    

SINGLE/MEN AT WORK/EVERYTING I NEED. SINGLE/MEN AT WORK/EVERYTING I NEED. CBS 1985. EN BUEN ESTADO/ETIQUETA EN CARPETA Y GALLETA. ENVIO CERTIFICADO:5,95€.                     ORDINARIO:2,50€.                                         

STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP Steve Silk Hurley   "Work It Out Compilation"  LP (Atlantic)  1989  made in Germany cat. num.  782 003-1 #house   Steve Silk Hurley Work It Out 5:07 – Jamie Principle Cold World 5:30 – Risse Love Baby 4:39 – Jackson & Moore I Can't Let Go 5:00 – Risse Chain Of Fools 4:15 – Jackson & Moore Think! 4:35 – Jamie Principle Drive Me 4:15 – Steve Silk Hurley A Bit Of Jazz 4:35   " Work It Out " is the  Steve "Silk" Hurley 's debut single released on  Atlantic Records  in 1989. The song was the lead single taken from the producer's compilation album  Work It Out Compilation, which featured additional seven tracks recorded in collaboration with such likes as  M-Doc,  Jamie Principle, Jackson & Moore, and Rissewritten. On the  U.S.  Billboard  Hot Dancee Music/Club Play  the title peaked at number three

KOOL MOE DEE/I GO TO WORK/VINILO MAXI. KOOL MOE DEE/I GO TO WORK/VINILO MAXI. ORIGINAL ZOMBA 1989. EN BUEN ESTADO/ETIQUETA EN CARPETA Y GALLETA. ENVIO CERTIFICADO:6,45€. ORDINARIO:2,70€.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

A human being is a soft, weak creature. It needs constant supplies of air, water, and food; it has to spend a third of its life asleep, and it can't work if the temperature is too hot or too cold. But a robot is made of strong metal. It uses electrical energy directly, never sleeps, and can work in any temperature.. OUP Oxford. UK. Año 2007.

marca: work modelo: neo 60 i pulgadas: 6,00 potencia: 30,00 material: abs unidades: 2,00 vias: 2,00 tipo: pasiva bateria interna / sistema portatil: no entradas: jack microfono inalambrico: no mando a distancia: no cable alimentacion: no estado: usado informacion adicional: signos de uso no apreciable en las imágenes Descripción del artículo caja acustica otros neo 60 i es un objeto de Segunda Mano que se ofrece en estado usado.

Gaudí l'home i la seva obra Gaudí el hombre y su obra Gaudí the man and his work Museu Diocesa de Barcelona, Generalitat de Catalunya, Ministerio de Educación Cultura y Deporte, 2002 419 páginas Usado y nuevo Hago envíos a la Península

Descripción: Gray Evans es un joven actor que ha alcanzado el estrellato en Hollywood a una velocidad vertiginosa.

Payment and confirmation > Delivery details > Tracking > Monitor your package > Package arrivals WhatsApp Us +1 (408) 837-8703 Thats how I work. No cash on delivery. If you are not confortable working that way, please dont write me IPhone 11 Pro Max All 64GB with accessories

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

THE BEATLES * Yesterday An * CD U.S. *Limited Edition, Reissue, Remastered, Stereo, Mono * 22 tracks THE BEATLES * Yesterday An * CD U.S. *Limited Edition, Reissue, Remastered, Stereo, Mono * 22 tracks En febrero de 1964 los Beatles desembarcaron en el aeropuerto John F. Kennedy de EEUU y empezó la Beatlemanía al otro lado del charco. Para conmemorar el 50 aniversario de esta fecha y del comienzo de la invasión Beatles en el territorio americano, se lanza The US Albums. Éste álbum en concreto, Yesterday & Today  es sin duda uno de los grandes y definitivos discos de The Beatles, tiene la particularidad que la carpeta se acabó censurando y se puso una distinta encima.  En esta edición, se incluyen las dos carpetas.  Además lleva obi exterior y la carpeta reproduce fielmente el arte del LP original, (incluyendo inner sleeves) y se presenta con todos temas en sonido mono y stereo.  Edición limitada!!. Pistas Mono 1 Drive My Car 2:31 2 I'm Only Sleeping 3:02 3 Nowhere Man 2:44 4 Doctor Robert 2:17 5 Yesterday 2:07 6 Act Naturally 2:31 7 And Your Bird Can Sing 2:02 8 If I Needed Someone 2:23 9 We Can Work It Out 2:16 10 What Goes On 2:48 11 Day Tripper 2:56 Stereo 12 Drive My Car 2:31 13 I'm Only Sleeping 3:02 14 Nowhere Man 2:45 15 Doctor Robert 2:16 16 Yesterday 2:07 17 Act Naturally 2:32 18 And Your Bird Can Sing 2:02 19 If I Needed Someone 2:23 20 We Can Work It Out 2:16 21 What Goes On 2:49 22 Day Tripper 2:52

Tic-tac Tic-tac - Magic Mix (VINILO) Tic-tac Tic-tac - Magic Mix (VINILO) A1 Magic Mix Part I Composed By – Thomas Garr     Time Machine Mix   A2.1 Supercalifragilisticexpialidocious Composed By – R.M. Sherman *, R.B. Sherman *   A2.2 Dance Of The Hours From 'La Gioconda' Composed By – A. Ponchielli *     Jungle Mix   A3.1 Night On Bald Mountain Composed By – M. Mussorgsky *   A3.2 I Wanna Be Like You Composed By – R.M. Sherman *, R.B. Sherman *   A3.3 The Bare Necessities Composed By – Gylkison *     Jungle Philharmonic Mix   A4.1 Night On Bald Mountain Composed By – M. Mussorgsky *   A4.2 I Wanna Be Like You Composed By – R.M. Sherman *, R.B. Sherman *   B1 Magic Mix Part II Composed By – Thomas Garr     The Work Mix   B2.1 Bibbidi-bobbidi-boo Composed By – Hoffman *, Livingston *, David *   B2.2 Give A Little Whistle Composed By – Harline *, Washington *   B2.3 Whistle While You Work Composed By – Churchill *, Morey *   B2.4 You Can Fly, You Can Fly, You Can Fly Composed By – Cahn *, Fain *     The Country Mix   B3.1 Heigh-ho Composed By – Churchill *, Morey *   B3.2 Who's Afraid Of The Big Bad Wolf? Composed By – Churchill *, Morey *   B3.3 Three Caballeros Written By – Plumb, Smith Written-By – Wolcott *, M. Esperon *   B3.4 A Pirate's Life Composed By – Penner *, Wallace *   B3.5 A Spoonful Of Sugar Composed By – R.M. Sherman *, R.B. Sherman *   B3.6 Saludos Amigos Composed By – Wolcott *, Washington * Lyrics By [Spanish Lyrics] – E. Santos *   B3.7 Heigh-ho Composed By – Churchill *, Morey *   B4 Heigh-ho Philharmonic Mix Composed By – Churchill *, Morey *

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.