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THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Allen Collins Band ‎– Here, There & Back -LP- Allen Collins Band ‎– Here, There & Back -LP-   More images Allen Collins Band  – Here, There & Back Label: MCA Records  – MCA-39000 Format: Vinyl, LP, Album Country: US Released: 1983 Genre: Rock Style: Southern Rock Tracklist Hide Credits A1   Just Trouble Written-By –  Barry Lee Harwood *,  Randall Hall Written-By –  Barry Lee Harwood *,  Randall Hall 3:57 A2   One Known Soldier Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:25 A3   Hangin' Judge Written-By –  Billy Powell,  Jimmy Dougherty Written-By –  Billy Powell,  Jimmy Dougherty 3:03 A4   Time After Time Written-By –  Jimmy Dougherty Written-By –  Jimmy Dougherty 3:40 A5   This Ride's On Me Written-By –  Barry Lee Harwood * Written-By –  Barry Lee Harwood * 4:43 B1   Ready To Move Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson 3:28 B2   Chapter One Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:30 B3   Commitments Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:57 B4   Everything You Need Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall 4:53   Companies, etc. Manufactured By  –  MCA Records, Inc. Produced For  –  LAC Productions Phonographic Copyright ℗  –  MCA Records, Inc. Copyright ©  –  MCA Records, Inc. Published By  –  LAC Music Co. Recorded At  –  Studio One, Doraville Mixed At  –  Studio One, Doraville Mastered At  –  Masterdisk Pressed By  –  MCA Pressing Plant, Pinckneyville Credits Art Direction  –  George Osaki Bass  –  Leon Wilkeson Design [Back Cover]  –  Tracy Veal Design [Front Cover]  –  Ramond “Rat” Turknett * Drums  –  Derek Hess Engineer  –  Greg “Fern” Quesnel * Guitar  –  Allen Collins,  Barry Lee Harwood *,  Randall Hall Illustration  –  Larry Noble Keyboards  –  Billy Powell Mastered By  –  Howie Weinberg Producer  –  Allen Collins Band Vocals  –  Jimmy Dougherty Notes Pinckneyville  pressing, blue-rainbow MCA labels. This release has only MCA-39000 as catalog number. Other U.S. releases of this album currently in database: Here, There & Back: label variant, different side specification and no parentheses on the label matrices; Here, There And Back: additional catalog number (MCA-5402) on labels; Here, There And Back: different catalogue number (MCA 4184). Runouts are etched except for Pinckneyville and Masterdisk stamps. ℗ 1983 MCA Records Inc. Barcode and Other Identifiers Matrix / Runout (Runout, side A): MCA·3369-MD4 MASTERDISK ◈-P-◈ Matrix / Runout (Runout, side B): MCA·3370-MD4 MASTERDISK ◈-P-◈ Pressing Plant ID: ◈-P-◈ Matrix / Runout (Label, side A): MCA3369 Matrix / Runout (Label, side B): MCA3370

EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 Pistas Been Here Once Before Are You Still Having Fun? One Good Reason Promises Made Burning Up Together Long Way Around Lonely Days (Miles Away) First To Fall Miss Fortune She Didn't Believe Shades Of Gray

StahP & LamS - Here 4 U Now (This Is The Real Thang) (12”) StahP & LamS - Here 4 U Now (This Is The Real Thang) (12”)

OTIS SHUGGIE - HERE COMES SHUGGIE OTIS OTIS SHUGGIE - HERE COMES SHUGGIE OTIS Discográfica:   8th Records Well before Shuggie Otis (Born Johnny Alexander Veliotes, Jr.) cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this, widespread mainstream success eluded Shuggie for much of his career, though he'd penned the Brothers Johnson hit Strawberry Letter 23, and would experience a resurgence in 2013 with the reissue of his most famous album, Inspiration/Information. His career as a session musician stretched across many years, but his solo career started in 1970, with his full-length debut Here Comes Shuggie Otis. The album was produced and contained contributions by his father Johnny Otis, plus a potent roster of session greats like Wilton Felder, Stix Hooper, Leon Haywood, and Al McKibbon, to name but a few, with Shuggie himself at the helm, performing lead vocals, guitar, and various keys instruments. Here Comes Shuggie Otis is a hybrid of lush, baroque harpsichords and strings mixed with bouncing, hard edged funk and blues, reminiscent of a combination of 60s chamber pop and the best elements of Stax Records. Gritty and wild, while also lush and sprawling, Here Comes Shuggie Otis is a solid benchmark of production flair and improvisational aptitude. A1. Oxford Gray A2. Jennie Lee A3. Bootie Cooler A4. Knowing (That You Want Him) A5. Funky Tithee B1. Shuggie's Boogie B2. Hurricane B3. Gospel Groove B4. Baby, I Need You B5. The Hawks

James Morrison (2) ‎– Higher Than Here CD DIGIPAK James Morrison (2) ‎– Higher Than Here CD DIGIPAK James Morrison (2) ‎– Higher Than Here Género: Rock, Pop Estilo: Soft Rock Año: 2015 Lista de Títulos Demons Stay Like This Heaven To A Fool Right Here Reach Out We Can Too Late For Lullabies Something Right Easy Love I Need You Tonight Just Like A Child Higher Than Here CD DIGIPAK

CD - Suzanne Little - Be Here Now - Year 1995 - Edition Canada CD - Suzanne Little - Be Here Now - Year 1995 - Edition Canada Label: Nettwerk ‎– W2-30093   1 Tragic Flaw 2 In My Hands 3 Tarantula 4 Knowledgeable Man 5 Swept Away 6 Still With Me 7 You 8 Faded 9 On And On 10 This Time 11 Carry On 12 Suddenly  

Estado del soporte: Very Good Plus (VG+) Condición de la Funda: Very Good Plus (VG+) A1 Here Be Dragons B1 Divine Intervention Etiquetas: Vinilos,Remember,Discos,Temazo,Progressive,Progresivo,Hardstyle,Trance,Dance,Hardhouse,lote vinilos, Cantadita,Technics,Overdrive,Attica,Techno,Dj,Musica,Radical,Bachatta,Sonique,Dj Napo,Dj Marta.

HANCOCK HERBIE - DIRECTSTEP HANCOCK HERBIE - DIRECTSTEP Discográfica:   Get On Down 2019 Black Friday Record Store Day Throughout the 1970s, legendary jazz pianist and composer Herbie Hancock engaged in a prolonged period of experimentation across sounds and recording formats, releasing several albums for Columbia that were only issued in Japan. 1979's Directstep was one such album, one that made use of a new form of recording technology called Direct-To-Disc. This method recorded masters, in real time, to acetate discs, rendering incredibly high fidelity LP pressings, but sacrificing the ability to edit or overdub, a challenge Hancock and his group were more than up to. Directstep utilized other technological advancements as well, incorporating brand new electronic instrument technology such as the electronic wind instrument the Lyricon, the freshly released Propet-5 synthesizer, and of course the Sennheiser Vocoder which would become a key part of the artist's arsenal during his electro-funk period in the 1980s. Beyond all that, Directstep is an incredibly solid collection of Herbie Hancock material, featuring stirring remakes of Hancock staples Butterfly and I Thought It Was You as well as brand new track Shiftless Shuffle. Get On Down is proud to present this reissue of Directstep, a gem of jazz-fusion, available on vinyl for the first time in 30 years for RSD Black Friday!

BBC SOUND EFFECTS NO. 13 - DEA - BBC SOUND EFFECTS NO. 13 - DEA BBC SOUND EFFECTS NO. 13 - DEA - BBC SOUND EFFECTS NO. 13 - DEA Just in time for Halloween, Demon Records is proud to present this set of classic scary sound effects. A vintage BBC release of over 80 gruesome sounds, not for the squeamish. Presented on 180g blood splattered vinyl, this is a must have for horror enthusiasts. From chopping and sawing limbs, to screams and howling. Mike Harding (BBC and Radiophonic Workshops) has captured the sound brilliantly.

QUEEN PALAZZO DELLO SPORT, MILANO, ITALY 15 sept. 1984 inedito - unpublished (not silver cd) tracklist: DISC 1 Machines (Or 'Back to Humans') Tear It Up Tie Your Mother Down Under Pressure Somebody to Love Killer Queen Seven Seas of Rhye Keep Yourself Alive Liar 10 Impromptu. It's a Hard Life Mustapha Dragon Attack Now I'm Here Is This the World We Created...? DISC 2 Love of My Life Stone Cold Crazy Great King Rat Keyboard Solo Brighton Rock Another One Bites the Dust Hammer to Fall Crazy Little Thing Called Love Bohemian Rhapsody Radio Ga Ga Encore:I Want to Break Free Jailhouse Rock We Will Rock You We Are the Champions God Save the Queen

This book will help you flourish.' With this unprecedented promise, internationally esteemed psychologist Martin Seligman begins 'Flourish', the first to present his dynamic new concept of what well-being really is. Traditionally,. Nicholas Brealey. Uk. Año 2011.

This book features 18 rare Tori Amos (American song writer) songs arranged for voice, piano, & guitar with lyrics. The lyrics are printed with each song & on a separate page before each song Titles: 1. Baltimore 2. Black Swan 3. Butterfly 4. Daisy Dead Petals 5. Etienne 6. Floating City 7. Flying Dutchman 8. Here In My Head 9. Home on the Range Cherokee Edition 10. Honey 11. Humpty Dumpty 12. Mary 13. Ode to the Banana King Part 1 14. Sister Janet 15. Song for Eric 16. Sugar 17. Sweet Dreams 18. Take to the Sky partituras de piano Paperback: 113 pages Publisher: Music Sales Corporation; Apparent First Edition edition (April 1996) Language: English ISBN-10: 5 ISBN-13: 978-1 Product Dimensions: 11.9 x 9 x 0.4 inches

FOLK & POP SOUNDS OF SUMATRA V - FOLK & POP SOUNDS OF SUMATRA V FOLK & POP SOUNDS OF SUMATRA V - FOLK & POP SOUNDS OF SUMATRA V Discográfica:   Sublime Frequencies Folk and Pop Sounds of Sumatra Vol. 2 expands our presentation of the world's least-known, outstanding musical improbabilities. From the infectious trance beat of Sumatra's Folk Dangdut music, featuring Rabab (violin) or Saluang (flute), to the highly-refined and glorious Orkes Gambus (Orchestral Arabic music with 'Gambus' literally meaning 'oud'), said to have been brought to the island by Islamic settlers from Yemen, the 18 tracks featured here will instantly convince the listener of the expressive beauty and diversity this wondrous Island has to offer to the world music theater. Most of the musicians on this release are 'Minangkabau' or 'Minang' people who are devout followers of Islam as well as the world's largest Matrilineal society (a Minangkabau child is the descendent of his/her mother, not father). The other styles present are: Sitogol (storytelling in vocal style), Pop Minang music with Talempong (small, rounded gongs played with mallets), Tari, and Traditional Minang (music for ceremony and dance) and one brilliant track of Western pop. The music in this collection is from the 1960s through the 1980s and is all but forgotten by many Sumatrans who seem to prefer a more contemporary sound. Many of the older cassette tapes have disappeared from the markets and shops and are now thought of as antiques. As in many other countries around the world, modern technology has eclipsed the need for full ensembles/more organic forms of these pseudo-traditional styles. Keep in mind that this is not a document for the mere purpose of preservation, although it may serve as such. This is among the very best music you've never heard and you need to hear it now!'' --Alan Bishop Features Syamsudin, Gumarang Sakti, Iswani Ismail, Elly Kasim, Umni Nadra, Fetty, H.J. Zahara, Mukhsin, Haba Haba Group, Minang Traditional Group, Muchlis, and Ahmad Baki/Halimah Fadil. Compiled by Alan Bishop. Limited edition double-LP; full color gatefold featuring original cover art and liner note

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.