Got it with in uk

Tina Turner ‎– WHAT'S LOVE GOT DO WITH IT ////CD NUEVO PRECINTADO//// Tina Turner ‎– WHAT'S LOVE GOT DO WITH IT ////CD NUEVO PRECINTADO//// Tina * – What's Love Got To Do With It Label: Parlophone – 0777 7 89486 2 9, Parlophone – CDPCSD 128 Format: CD, Album Country: Europe Released: 1993 Genre: Rock, Pop, Stage & Screen Style: Rock & Roll, Pop Rock, Soundtrack Lista de Títulos I Don't Wanna Fight 6:06 Rock Me Baby 3:57 Disco Inferno 4:03 Why Must We Wait Until Tonight? 5:53 Stay Awhile 4:50 Nutbush City Limits 4:19 (Darlin') You Know I Love You 4:27 Proud Mary 5:25 A Fool In Love 2:54 It's Gonna Work Out Fine 2:49 Shake A Tail Feather 2:32 I Might Have Been Queen 4:20 What's Love Got To Do With It 3:49 Tina's Wish3:08

UK SUBS - DIMINISHED RESPONSIBILITY UK SUBS - DIMINISHED RESPONSIBILITY Discográfica:   Demon Records Double colored 10 vinyl pressing in gatefold sleeve. Includes six bonus tracks. Originally released in early 1981, Diminished Responsibility was the U.K. Subs' fourth album and it reached #18 in the British National Chart. This double 10 - one disc in white vinyl and one in magenta - comes complete with two inner bags featuring lyrics to all the songs plus memorabilia from the era. The gatefold sleeve artwork comes complete with brand new liner notes from each member of the band on the recording of the album. Side Four contains six bonus tracks including the UK hit singles Party In Paris (#35) and Keep On Runnin' (Till You Burn) (#41).

UK SUBS - 1977-2017 - 40 YEARS OF UK SUB UK SUBS - 1977-2017 - 40 YEARS OF UK SUB Discográfica:   Demon Records Limited box set containing four colored 10 vinyl pressings. This 39 track box set contains every A side issued by Punk legends U.K. Subs over the past 40 years. From National Chart hit singles like Tomorrows Girls, Stranglehold and Warhead through to rarer tracks like Reclaim The Streets and Drunken Sailor right up to the most recent Predator and The Beast 45's this chronological set is a must for collectors. Each album comes in it's own sleeve with individual inner bags with the music pressed on purple, yellow, orange and green vinyl's. Added in is a highly detailed and illustrated 16 page 10 booklet giving the lowdown on each release.

THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado       THE CRANBERRIES IN THE END Limited Edition Picture vinyl LP New and Sealed     DESCRIPCIÓN: UK 2019   BMG ‎538469071     La génesis de ‘In The End’ comenzó en mayo de 2017, mientras la banda estaba de gira. Para el invierno de 2017, Noel y Dolores habían escrito y presentado las once canciones que finalmente aparecerían en el álbum. En llegar a un acuerdo con la trágica muerte de Dolores, Noel, Mike y Fergal escucharon las canciones y, con el apoyo de la familia de Dolores, quisieron honrar a su amiga fallecida, completando el disco.   El álbum es un merecido homenaje a su compañera de banda y amiga y, lo más importante, una colección de canciones potentes que pueden ocupar su lugar con cualquiera de los anteriores  seis álbumes deThe Cranberries.     • Fotodisco LP vinilo.   • Edición limitada.   • Doble carpeta (gatefold).   • Funda interior impresa con todas las letras, fotos y notas.   • Nuevo y Precintado de fábrica.     DESCRIPTION: UK 2019      BMG ‎538469071     The genesis of ‘In The End’ began in May 2017 while the band were on tour. By winter of 2017 Noel and Dolores had written and demoed the eleven songs which would eventually appear on the album. In coming to terms with her tragic passing Noel, Mike and Fergal listened to the songs and, with the support of Dolores’ family, wanted to honor their close friend, and collaborator by completing the record.   The album is a strong goodbye from the band to their fans, a fitting tribute to their bandmate and friend and, most importantly, a collection of powerful songs that can take their rightful place with The Cranberries’ previous six records.     • Picture Vinyl LP.   • Limited edition.   • Gatefold jacket.   • Printed inner sleeve with all lyrics and photos.   • New and factory sealed.       Track Listing:   SIDE A 1. ALL OVER NOW   2. LOST   3. WAKE ME WHEN IT'S OVER   4. A PLACE I KNOW   5. CATCH ME IF YOU CAN    SIDE B 1. GOT IT   2. ILLUSION   3. CRAZY HEART   4. SUMMER SONG   5. THE PRESSURE   6. IN THE END     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)  

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

DEPECHE MODE - WORLD IN MY EYES / HAPPIEST GIRL / SEA OF SIN - VINILO ORIGINAL 1990 MUTE RECORDS UK DEPECHE MODE - WORLD IN MY EYES / HAPPIEST GIRL / SEA OF SIN - VINILO ORIGINAL 1990 MUTE RECORDS UK World in My Eyes / Happiest Girl / Sea of Sin es el vigésimo sexto disco sencillo del grupo inglés de música electrónica Depeche Mode, el cuarto extraído de su álbum Violator, publicado el 16 de octubre de 1990 en el Reino Unido.1 2 World in My Eyes es un tema compuesto por Martin Gore que, a diferencia de los otros sencillos y el resto de temas del disco Violator, es un tema esencialmente bailable. World in My Eyes fue el tema que cerró la promoción del álbum Violator. La carátula de "World in My Eyes" tiene la silueta de alguien haciendo con las manos un forma similar a la de unas gafas. El tema está apoyado en una base electrónica principal sostenida ejecutada por Alan Wilder, como era su costumbre de sonido grave y sobre la cual se conduce toda la función, agregando una serie de notaciones semi-graves siempre de sintetizador y efectos igualmente sólo electrónicos, aderezado con una sugerente letra sobre amor con una cínica proclama a “Mostrar el Mundo en mis Ojos”; un modo de decir el mundo de DM que para ese momento ya gozaba de un considerable éxito. Aunque en apariencia es un tema fácil y quizás hasta efectista, sólo puede ejecutarse con tres sintetizadores pues supone dos bases electrónicas, una disuelta sobre la otra, así como una tercera en los puentes, con lo cual de nuevo cada integrante del grupo adquiría protagonismo en su teclado, mientras la letra no fue muy profunda ni excesivamente pretenciosa. En conjunto de todos sus elementos era un tema un tanto retrospectivo, especialmente considerando la época en que se hizo cuando la música integralmente electrónica estaba ya relegada, incluso por DM que cada vez incorporaba mas cuerdas, sin embargo las bases electrónicas con que está construido son graves otorgándole un cierto sonido pesaroso y oscuro como habían practicado en álbumes anteriores y con lo cual World in My Eyes se convertía en un suave ejercicio de Dark Wave rítmico destinado especialmente a las pistas de baile. Andrew Fletcher de DM ha declarado que éste es su tema favorito de la banda. El sencillo contiene dos lados B, haciendo de Violator el único disco de Depeche Mode cuyos cuatro sencillos tienen al menos un lado B, los de World in My Eyes fueron los temas Happiest Girl y Sea of Sin también de Gore, y de hecho en portada el título del disco sencillo es World in My Eyes / Happiest Girl / Sea of Sin. El tema "Happiest Girl" aparece en su versión Jack Mix y "Sea of Sin" en su versión Tonal Mix, las cuales son las versiones estándar. Versiones "regulares" no hubo, más bien éstas fueron las versiones regulares de acuerdo a las entrevistas y al propio sitio oficial de la banda. Temas   Lado A   1. «World in My Eyes» (Oil Tank Mix) 7:29   Lado B   1. «Happiest Girl» (Kiss-A-Mix) 6:15 2. «Sea of Sin» (Sensoria) 6:08 " World in My Eyes " is Depeche Mode's 26th UK single, released on 17 September 1990, and the fourth and final single for the album Violator. "Martin did the demo on his own," recalled Andy Fletcher. "I don't remember it standing out when we heard it then. But somehow, in the studio, it all came together brilliantly… Whenever I'm asked which of our tracks is my favourite, I always say 'World In My Eyes'." The cover art for "World in My Eyes" has a photo of one of the band members making a shape similar to that of glasses with their hands. On the Limited 12", there are pictures of all four members. "World in My Eyes" has two exclusive B-sides, making Violator the only Depeche Mode album with all four singles having at least one exclusive B-Side, including instrumentals. The B-sides for " World in My Eyes " are " Happiest Girl " and " Sea of Sin ". "Happiest Girl (Jack Mix)" and "Sea of Sin (Tonal Mix)" are the main 7" versions. "Original" versions were never released, or rather, these mixes are the regular versions, according to interviews and the official website. Reaching No.17 in UK, and only No.52 on the Hot 100, it is the least successful single from Violator. The 2004 re-release of the EU single includes a longer-intro version of "World in My Eyes (Oil Tank Mix)".

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.

TANGERINE DREAM: RUBYCON [UK 1984] CD/RE TANGERINE DREAM: RUBYCON [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2025 #space rock  #progressive rock   1 Rubycon - Part One 17:18 2 Rubycon - Part Two 17:35   The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. The three of them had been delivering mysterious space records on a regular basis, and their growing confidence with early synthesizers (the best that money could buy at the time) made them virtuosos of the genre, even as they kept things organic and unpredictable with gongs, prepared piano, and electric guitar. Rubycon has aged gracefully for the most part, making it a solid companion (and follow-up) to their 1974 album, Phaedra. The somewhat dated palette of sounds here never overshadow the mood: eerie psychedelia without the paisleys -- Pink Floyd without the rock. "Rubycon, Pt. 1" ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface. "Pt. 2" opens in a wonderfully haunted way, like air-raid sirens at the lowest possible pitch, joined in unison by several male voices (someone in the band must have heard György Ligeti's work for 2001). Rising out of the murkiness, the synthesizer arpeggios return to drive things along, and Froese weaves his backwards-recorded guitar through the web without really calling too much attention to himself. The piece evolves through varying degrees of tension, takes a pit stop on the shoreline of some faraway beach, then ever so gradually unravels a cluster of free-form strings and flutes. The rest are vapors, your ears are sweating under your headphones, and the smoke has cleared from your bedroom. This is a satisfying ambient record from the pre-ambient era, too dark for meditation, and too good to be forgotten.

BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL Burt Bacharach   "BSO Lost Horizon"  LP (Bell - Columbia)  1973  made in UK cat. num.  SYBEL 8000 #soundtrack  #easy listening   Introduction 0:30 Lost Horizon 1:58 Share The Joy 2:42 The World Is A Circle 3:25 Living Together, Growing Together 3:21 I Might Frighten Her Away 2:38 The Things I Will Not Miss 3:13 If I Could Go Back 4:07 Where Knowledge Ends (Faith Begins) 3:43 Question Me An Answer 5:27 I Come To You 1:29 Reflections 1:50   When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer  Burt Bacharach  and lyricist  Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad. In fact, many of the songs are quite catchy, including "The World Is a Circle" and "Reflections." Some of the vocals are sung by the actors, including  Sally Kellerman  and the late  Bobby Van.  Burt Bacharach  has a certain knack for production of not-so-great singers (himself included) and, fortunately, it shows here with the actors. Other actors had their singing parts dubbed by more seasoned vocalists.  Shawn Phillips  is the singer on the title track.

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

ERASURA - IT DOESN'T HAVE TO BE - MAXI VINILO ORIGINAL 1987 PRIMERA EDICION MUTE SANNI RECORDS ERASURA - IT DOESN'T HAVE TO BE - MAXI VINILO ORIGINAL 1987 PRIMERA EDICION MUTE SANNI RECORDS It Doesn't Have to Be es el quinto disco sencillo publicado del grupo inglés de música electrónica Erasure, lanzado en 1987. It Doesn't Have to Be es una canción compuesta por Vince Clarke y Andy Bell. It Doesn't Have to Be fue el segundo sencillo adelanto del álbum The Circus. Tras la explosión generada por " Sometimes ", Erasure aprovecha el envión y coloca este sencillo en el puesto 12 en el ránking británico y el número 16 en Alemania.La canción trata sobre el Apartheid In the Hall of the Mountain King fue el lado B estándar de este sencillo. Este tema es un fragmento de música incidental, opus 23, compuesto por Edvard Grieg para la obra de Henrik Ibsen Peer Gynt, que se estrenó en Oslo el 24 de febrero de 1876. Esta pieza fue finalmente incluida como final de la Peer Gynt suite n.º 1, op. 46. Los arreglos fueron hechos por Erasure. Sometimes, Oh L'Amour, Heavenly Action, Sexuality fueron escritas por Clarke/Bell. Who Needs Love Like That fue escrita por Vince Clarke. 12" Vinilo Sencillo (12MUTE56) / (INT 126.858) A1 It Doesn't Have To Be (Boop Oopa Doo Mix) 7:12 B1 Who Needs Love Like That (Betty Boop Mix) 7:31 B2 In The Hall Of The Mountain King 2:31 " It Doesn't Have to Be " is a song by British synthpop duo Erasure, released in February 1987. It was issued as a single six weeks before the release of the duo's second album, The Circus. Following the number-two UK placing of previous single "Sometimes", "It Doesn't Have to Be" became Erasure's second Top 20 hit in the UK (peaking at number twelve) and their third German Top 20 hit (number sixteen). The lyrics of the song refer to apartheid in Africa and explain the bit of the middle of the song, sung in Kiswahili that, while imperfect, still makes sense in the context of the song: Lala pamoja na mimi / Nyumbani yako, nyumbani yako / Sababu wewe hapana kaa na mimi / Nyumbani yako, nyumbani yako  The rough translation of these lyrics is "Sleep (together) with me / At your place [house], at your place / Why don't you stay with me / At your place, at your place." The single's B-side is a rendition of "In the Hall of the Mountain King", a piece taken from Grieg's Peer Gynt suite.

Iron Maiden ?Purgatory Parlophone ? 2564625171 Single,UK & Europe 2014 NUEVO, SIN REPRODUCIR Iron Maiden ?Purgatory Parlophone ? 2564625171 Single,UK & Europe 2014 NUEVO, SIN REPRODUCIR *** NO ACEPTAMOS OFERTAS INFERIORES A 20€ **     AVISO IMPORTANTE -Compra mínima 6€. -Antes de hacer el pedido preguntar por la disponibilidad del articulo. -Si no está satisfecho con el artículo recibido póngase en contacto con nosotros. -Aceptamos pagos por transferencia bancaria, Paypal, Bizum  o en metálico.   En caso de desacuerdo sobre el estado manifestado en la descripción del artículo, en caso de devolución, que siempre acepto, se seguirá el siguiente orden:  a) Recepción por mi parte del artículo en cuestión.  b) A continuación procederé a reintegrar la suma pagada inicialmente por el comprador, es decir, el valor del artículo más los gastos de envío. Los gastos del correo de devolución van a cuenta del reclamante. Es decir, la operación global se salda con la pérdida por parte de cada uno de los gastos de un envío de Correos.  c) Estas cláusulas, lo manifestado en los apartados anteriores, me parecen lo más equitativo para zanjar una discrepancia. El que no la comparta es preferible que se abstenga de comerciar conmigo. Muchas Gracias Àlex.      COSTE DEL ENVÍO PARA ESPAÑA (PENÍNSULA) CANARIAS CONSULTAR -Ordinario  12"/LP/CD/7".....................3,30€ (bajo responsabilidad del comprador, no habrá devoluciones por extravío ni por deterioro del paquete).    -Certificado Península: 12"/LP/CD/7"/ Libro / Comic........................5.50€  - SIN LIMITE DE ARTICULOS O PESO.  1 CASSETTE.......................4.30€   Canarias / Baleares: 1    12"/LP/CD/7"..................5.50€ 2/3 12"/LP/CD/7"..................7.80€ 4    12"/LP/CD/7"..................8.80€ 1 CASSETTE........................4.30€ ENVÍO GRATUITO A PENÍNSULA POR COMPRAS SUPERIORES A 80€ (ISLAS CONSULTAR)     EUROZONE NON-REGISTERED SHIPPING IS:  (there will be no returns for loss or deterioration of the package).   12"/LP/CD/7"........................7.80€ 2  12"/LP/CD/7"..................14.50€     REGISTERED 1 12"/LP/CD/7"....................11.70€ 2 12"/LP/CD/7"....................17.60€ 3 12"/LP/CD/7"....................18.70€ 4 12"/LP/CD/7"....................22.70€ 5 12"/LP/CD/7"....................25.20€ FOR MORE ASK BEFORE, THANKS 1 CASSETTE.......................6,70€     SHIPPING IN EUROPE 1 IS FREE - for all the orders over euro 290€ These prices are estimates only. Some records have heavier pressings and packaging and may cost slightly more than the amounts below to post. In these cases we will get an accurate price from the Post Office and will inform the buyer accordingly before posting.   OUTSIDE EUROZONE NON-REGISTERED SHIPPING IS:  1 12"/LP/CD/7"......................12.70€   (there will be no returns for loss or deterioration of the package).     CERTIFICATE: 1 12"/LP/CD/7".....................15.20€ 2 12"/LP/CD/7".....................25.70€ 3 12"/LP/CD/7".....................27.20€ 4 12"/LP/CD/7".....................30.20€ FOR MORE ASK BEFORE, THANKS 1 CASSETTE.........................7.20€   IMPORTANT ANNOUNCEMENT -Minimum purchase 6€. -Before placing an order, ask if the article is available. -If you're not satisfied simply write us an email and we take it back. -buyers from Australia ask before.   In case of disagreement about the state expressed in the description of the article, in case of return, which I always accept, select the following order: a) Reception by me of the article in question. b) Next, the amount paid by the buyer will be refunded, that is, the value of the item plus shipping costs. The costs of the return mail go to a claimant's account. That is, the overall operation is settled with the loss by each of the expenses of a post. c) These clauses, as stated in the previous sections, seem to me the most equitable to settle a discrepancy. Who does not share it is preferable to refrain from trading with me. Thank you so much Àlex.    

SIMPLE MINDS - LIVE IN THE CITY OF LIGHT - DOBLE ALBUM VINILO ORIGINAL PRIMERA EDICION VIRGIN 1987 SIMPLE MINDS - LIVE IN THE CITY OF LIGHT - DOBLE ALBUM VINILO ORIGINAL PRIMERA EDICION VIRGIN 1987 el continuo incremento de su popularidad los lleva a emprender una mastodóntica gira en la primavera de 1986. Quienes vieron a Simple Minds actuar en aquella gira tuvieron la impresión de que la banda estaba cerrando un capítulo importante de su carrera, como si quisiera pasar página. Cuando en la primavera de 1987 se publica el doble álbum en vivo 'In the city of light', grabado en el Zenith de París, el grupo vuelve a acelerar los corazones de sus miles de fans. Sus cuatro caras contienen una hora y media de gran rock, una suma de toda la producción de la banda escocesa. Live In The City Of Light fue un disco en directo, editado en 1987, en donde se plasmaba la extensa gira del grupo por aquel entonces, grabado durante la actuación de 2 noches en París en 1986. El disco tuvo un gran éxito comercial pero no fue capaz de demostrar el gran directo de la banda. Tras la extenuante gira, el grupo decide tomarse un descanso. Después de 10 años sin pausa se necesitaba buscar un poco de calma. La banda estaba colocada entre las más grandes pero la presión llegó a ser terrible por lo que no tuvieron más remedio que parar antes de que el éxito les desbordara y sobrepasara. Durante estos años, Simple Minds fue un gran colaborador y divulgador de Amnistía Internacional. Live In The City Of Light is the first (double LP / CD) live album by Scottish rock band Simple Minds. It was released in May 1987 to document their successful worldwide Once Upon a Time tour, and charted at No. 1 in the UK. The album spawned one chart single release, a live version of "Promised You a Miracle". The album was recorded mostly at Le Zénith, Paris in August 1986, with one track recorded in October 1986 in Sydney, Australia. (Although the album was not recorded there, the inside of the gatefold sleeve features a photograph of a concert from the 1986 tour which took place in a square in Locarno, Switzerland). It features the band's 1986 touring lineup, which included second vocalist Robin Clark and percussionist Sue Hadjopoulos. Lisa Germano (at the time, a John Mellencamp band member who would perform on Simple Minds' next studio single, Belfast Child), contributed studio-overdubbed violin on "Someone Somewhere in Summertime" and former Simple Minds member Derek Forbes contributed  bass guitar overdubs. Live In The City Of Light was released as a double vinyl album with the band's logo in gold lettering over black sleeve. The package featured a 12" x 12" attached giant-sized booklet with state-of-the-art photography of the band's performance and outdoor session pictures. This art could not be reproduced faithfully on later CD releases (an original 1st pressing on double-fat jewel case and the USA version packaged in a long box on two separate discs). Track listing: All tracks recorded live on 12/13 August 1986 at Le Zénith, Paris, France except "Someone, Somewhere In Summertime" recorded live on October (24 or 30) 1986 at the Entertainment Centre, Sydney, Australia. Side one 1. "Ghost Dancing"   7:22 2. "Big Sleep"   4:27 3. "Waterfront"   5:21 4. "Promised You a Miracle"   4:38 Side two 5. "Someone Somewhere In Summertime"   5:59 6. "Oh Jungleland"   6:35 7. "Alive and Kicking"   6:27 Side three 8. "Don't You (Forget About Me)"   6:37 9. "Once Upon a Time"   6:06 10. "Book of Brilliant Things"   4:53 11. "East at Easter"   4:20 Side four 12. "Sanctify Yourself"   7:06 13. "Love Song" - "Sun City" - "Dance to the Music""   7:02 14. "New Gold Dream (81/82/83/84)"   5:31

THE BEATLES WITH THE BEATLES LP NUEVO PRECINTADO THE BEATLES WITH THE BEATLES LP NUEVO PRECINTADO THE BEATLES WITH THE BEATLES LP More Images The Beatles  ‎– With The Beatles      EDICIÓN ESPECIAL DEL 2009 Label: Parlophone  ‎– PCS 3045,  Parlophone  ‎– 0094638242017 Series: The Beatles Vinyl Collection (2)  – 12 Format: Vinyl, LP, Album, Reissue, Remastered, Stereo,  180gr   Country: EUROPE Released:2009   Genre: Rock,  Pop Style: Beat,  Rock & Roll   Tracklist A1 It Won't Be Long   A2 All I've Got To Do   A3 All My Loving   A4 Don't Bother Me   A5 Little Child   A6 Till There Was You   A7 Please Mister Postman   B1 Roll Over Beethoven   B2 Hold Me Tight   B3 You Really Got A Hold On Me   B4 I Wanna Be Your Man   B5 Devil In Her Heart   B6 Not A Second Time   B7 Money (That's What I Want)   MI T