Central in area

Area rug, vintage kilim Rug, Oushak Rug, Patchwork kilim rrug, Anatolian rug, oriental rug, bohemian rug, turkish rug, 5'0'' ft x 8'2'' ft INFORMATION Origin: Anatolia (TURKEY) Dimensions: 153 cm x 250 cm = 5'0'' feet x 8'2'' feet Material: Wool And Cotton Technic: Handmade// handknotted All Our Rugs are clean and ready to use Shipping: All our rugs are FREE SHIPPING !! (From Turkey with fedex or ups) in 3-5 work days you will get your order Thank you very much for your time and visiting my shop If you're interested in other products of our shop please visit us: https://www.etsy.com/shop/VintageRugsRA

This is a large mug with a 16oz capacity. It has been hand glazed using three separate glazes to create this unique night sky effect. It has a good weight and the thickness of the mug helps keep warm drinks warmer for longer. **Please allow for slight variations in colour due to the hand glazed nature of this product.** Capacity: 16oz Diameter: 9.5cm Height: 11cm Weight: 400g 'In the Night Sky' range of ceramics has been designed and created by Quarry Pottery in Mid Wales inspired by the area’s International Dark Sky Reserve status. Snowdonia was announced as an International Dark Sky Reserve in December and is only the tenth in the world. This designation is given by the International Dark Sky Institute to select destinations that have proven that the quality of their night air is outstanding and real efforts are being made to reduce light pollution. Lahn Hinchliffe from Quarry Pottery who designed and made the new In the Night Sky range was born and brought up in this area of Snowdonia and has always been amazed by the clarity of the night sky. The ceramic range has been inspired by this natural beauty and includes a midnight blue colour with special detail to represent the serenity of the Snowdonia night sky.

Available in 3 sizes - 24x36 inches, 36x60 inches and 48x72 inches, in horizontal and vertical shapes, this durable area rug will surely make a style statement in any room. Add playful, colorful or stylish graphics to effortlessly match your aesthetics. This area rug features hemmed edges and a coated backing, ready for any flat-lay design..: 100% Polyester Chenille.: Multiple sizes.: Hemmed edges.: Grey underside.: Note: Pre-constructed item. Size variance: 24" × 36" +/- 2"; 36" × 60" +/- 3"; 48" × 72" +/- 3.5";

This gorgeous hand knotted area rug is made in 1960's by Anatolian tribals. Collectible rug is made with all hand spun wool. With cool patterns and lovely color combination, it will be a great addition to your living space. Sizes: 96" x 60" inches or 244 cm x 151 cm D

Obra Artista Battista Agnese (1514 - 64) Estilo artísitico Cuadros no clasificados Obra Central America, from an Atlas of the World in 33 Maps, Venice, 1st September 1553(detail from 33096 Ubicación: Venecia, Museo Correr Nº artículo XOT330962 Número de Artículo Europeo (NAE) 4050038958121 cuadro Bridgeman Berlin Clasificación Otras reproducciones Coleccion: Topografía

One of a kind hand made Turkish Oushak Rug. Antique Turkish Oushak Rug. This gorgeous hand knotted area rug is made in 1930's by Anatolian tribals. Collectible rug is made with all hand spun wool. it will be a great addition to your living space. Adorable color combination. Very fine quality Oushak rug. Professionally cleaned, ready to use, Sizes: 106" x 61" or 270 cm X 156 cm D

One of a kind hand made Turkish Oushak Rug. Antique Turkish Oushak Rug. This gorgeous hand knotted area rug is made in 1930's by Anatolian tribals. Collectible rug is made with all hand spun wool. it will be a great addition to your living space. Adorable color combination. Very fine quality Oushak rug. Professionally cleaned, ready to use, Sizes: 105" x 65" or 265 cm X 165 cm H

One of a kind hand made Turkish Oushak Rug. Vintage Turkish Oushak Rug. This gorgeous hand knotted area rug is made in 1960's by Anatolian tribals. Collectible rug is made with all hand spun wool. it will be a great addition to your living space. Adorable color combination. Very fine quality Oushak rug. Professionally cleaned, ready to use, Sizes: 111" x 67" or 281 cm X 171 cm F

This Is a circular maze through the gold drip Gold color is solution dyed nylon 22 mm in height and the black and tan as new zealand wool at 16mm in height any questions please ask thank you

303C es un chasis para PC sencillo y, al mismo tiempo, elegante fabricado con acero y vidrio templado. El panel frontal limpio y especial se complementa con un diseño de LED brillante para dar equilibrio a la apariencia global. 303C es totalmente compatible con placas bases con la solución USB 3.1 Gen 2 Type-C en el panel frontal, lo que permite a los usuarios experimentar la velocidad de transferencia de datos más alta y enchufes cómodos en ambas direcciones. En general, el 303C tiene capacidad para dos radiadores (superior y trasero) y tres ventiladores en la parte inferior que proporcionan a los usuarios un equipo bien refrigerado. Las entradas de aire frío de la parte inferior crean un flujo de aire eficiente para una disipación rápida del calor. El 303C tiene bahías de unidad de 2,5” y 3,5” y su cámara de PSU independiente proporciona un clima ideal que no afecta al área de la placa base y de la tarjeta gráfica. El soporte de GPU especializado puede proporcionar soporte adicional a las tarjetas gráficas. Además, IN WIN lleva a cabo toda la supervisión y fabricación de la caja, de forma que una vez montado, nuestro PC resulte perfecto.

Sistema de conferencias con altavoz monitor en cada micrófono La unidad de control incorpora un amplificador con entradas de micrófono, línea auxiliar y salida de altavoces Proporciona una señal de salida para grabación o distribución Permite la conexión de hasta 64 micrófonos en total Unidad de control para alimentación del sistema Amplificador incorporado Control del número de micrófonos en funcionamiento Salida de grabación o distribución Permite la conexión de hasta 64 micrófonos (extensible hasta 250 CONSULTEN) POTENCIA 50 + 50 W RMS a 4-16 Ω RESPUESTA 40-18.000 Hz CONTROLES Micro 1: volumen Aux: volumen Monitor: volumen Altavoz interno de micrófonos: volumen Control graves y agudos Volumen general Selector de número de micrófonos en funcionamiento Volumen de altavoz monitor de micrófonos ENTRADAS 4 grupos de micrófonos, DIN 8 1 micro desbalanceado, jack 6'3 mm 1 efx in, jack 6'3 mm 1 auxiliar, RCA SALIDAS 1 master balanceada, XLR (grabación) 2 line out, RCA 1 efx out, jack 6'3 mm ALIMENTACIÓN 230/115 V CA, 500 W MEDIDAS 488 x 87 x 400 mm fondo. 2 U rack 19" PESO 12'2 kg ACCESORIOS 1 cable de extensión 13 m para interconexión con micrófonos, DIN 8 macho a DIN 8 hembra (Otras longitudes CONSULTEN) 1 cable de audio 2 m XLR 2 cables de audio 1'5 m RCA a jack 6'3 mm mono 1 conector terminal DIN 8 macho

In the revolutionary years between 1979 and 1992, it would have been difficult to find three political systems as different as El Salvador, Costa Rica, and Nicaragua, yet they found a common destination in democracy and free markets. Paige shows that the divergent political histories and the convergent outcome were shaped by one commodity: coffee.In the revolutionary decade between 1979 and 1992, it would have been difficult to find three political systems as different as death-squad-dominated El Salvador, peaceful social-democratic Costa Rica, and revolutionary Sandinista Nicaragua. Yet when the fighting was finally ended by a peace plan initiated by Costa Rica's President Oscar Arias, all three had found a common destination in democracy and free markets. To explain this extraordinary turn of events is the task of this landmark book, which fuses political economy and cultural analysis.Both the divergent political histories and their convergent outcome were shaped by a single commodity that has dominated these export economies from the nineteenth century to the present—coffee. Jeffery Paige shows that the crises of the 1980s had their roots in the economic and political crises of the 1930s, when the revolutionary left challenged the ruling coffee elites of all three countries. He interweaves and compares the history, economics, and class structures of the three countries, thus clarifying the course of recent struggles. The heart of the book is his conversations with sixty-two leaders of fifty-eight elite dynasties, who for the first time tell their own stories of the experience of Central American revolution.Paige's analysis challenges not only Barrington Moore's influential theory of dictatorship and democracy but also contemporary approaches to "transitions to democracy." It also shows that a focus on either political economy or culture alone cannot account for the transformation of elite ideology, and that revolution in Central America is deeply rooted in the personal, familial, and class histories of the coffee elites. "Extraordinary wealth and variety of historiographical, interview, and statistical data undergird a critical application of Barrington Moore's theses on revolution and democracy to the cases of Costa Rica, El Salvador, and Nicaragua. Three different class-and-state structures, largely generated by their coffee economies, are analyzed by dividing the upper classes into (purely) agrarian elites and their agroindustrial (processor/exporter) counterparts. A deepening split between them paved the recent path toward democratization in both El Salvador and Nicaragua. Costa Rica's earlier, smoother democratization is accounted for by the processor-grower social pact of the 1930s. Yet all three arrived arrived at more democratic, though flawed, neoliberal systems by the 1990s"--Handbook of Latin American Studies, v. 57.

In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago's Museum of Contemporary Art. For five months, he sat with the institution's staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl's In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago's premier cultural institutions. Bunzl's ethnography is designed to show how a commitment to the avant-garde can come into conflict with an imperative for growth, leading to the abandonment of the new and difficult in favor of the entertaining and profitable. Jeff Koons, whose massive retrospective debuted during Bunzl's research, occupies a central place in his book and exposes the anxieties caused by such seemingly pornographic work as the infamous Made in Heaven series. Featuring cameos by other leading artists, including Liam Gillick, Jenny Holzer, Karen Kilimnik, and Tino Sehgal, the drama Bunzl narrates is palpable and entertaining and sheds an altogether new light on the contemporary art boom. show more

In this book, Nina Sylvanus tells a captivating story of global trade and cross-cultural aesthetics in West Africa, showing how a group of Togolese women through the making and circulation of wax cloth became influential agents of taste and history. Traveling deep into the shifting terrain of textile manufacture, design, and trade, she follows wax cloth around the world and through time to unveil its critical role in colonial and postcolonial patterns of exchange and value production. Sylvanus brings wax cloth's unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women's identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.show more

turkish small rug 3.8x6.3- home interior design vintage area rug- bohemian decor rug- housewarming vintage rug- boho decor rug The Oushak carpet from Turkey. This carpet is hand woven in Central Anatolia. Although they come in a variety of colors, oushak rugs are often made using rich pale and neutral colors throughout the field. Usually, the pattern differences in the borders vary from house to house. Its warm color harmony and beautiful designs, together with its quality, make the carpet very popular in Anatolia. The carpet is naturally dyed and made with high quality wool. Condition is Excellent All our rugs available at shop and ready for shipping My items are professionally cleaned and ready to use. Care: We recommend only dry cleaning FAST SHIPPING via FEDEX And UPS with Tracking Number in 3-5 business days