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LP VVAA FOR DANCERS ALSO NORTHERN SOUL VINILO LP VVAA FOR DANCERS ALSO NORTHERN SOUL VINILO   VARIOUS ARTISTS       SIDE ONE: 1.    Lay This Burden Down - MARY LOVE 2.    If I Could Turn Back The Hands Of Time - VERNON GARRETT 3.    You Just Cheat And Lie - Z Z HILL 4.    Beauty Is Just Skin Deep - THE SWEETHEARTS 5.    My Baby Needs Me - YVONNE BAKER 6.    Good Taste Of Love - DANNY MONDAY 7.    Can It Be Me - MEL WILLIAMS 8.    Wanting You - JIMMY BEE SIDE TWO. 9.    Take Your Shoes Off Pt 2 - BOOKER T AVERHART AND THE MUSTANGS 10.    Hole In The Wall - OTHER BROTHERS 11.    Talkin' Woman - LOWELL FULSOM 12.    Everybody Needs Love - WILLIE GAUFF 13.    Running Out - VERNON GARRETT 14.    Country Girl - THE JOHNNY OTIS SHOW 15.    What Kind Of Man Are You? - JACKIE DAY 16.    I'm In Your Hands - MARY LOVE    TITTLE/ TÍTULO: FOR DANCERS ALSO RE EDITION 2007  FORMAT / FORMATO: 12" LP   CONDITION / ESTADO: RECORD / COVER MINT/MINT STILL SEALED NUEVO /NUEVO PRECINTADO       PREGUNTA POR ENVIOS COMBINADOS PARA AHORRAR DINERO EN GASTOS DE ENVIO  I COMBINE SHIPPING TO SAVE IN SHIPPING COST  

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

GENESIS (LP) WE CAN’T DANCE AÑO 1992 – ENCARTE CON LETRAS GENESIS (LP) WE CAN’T DANCE AÑO 1992 – ENCARTE CON LETRAS GENESIS (LP) WE CAN’T DANCE AÑO 1992 – ENCARTE CON LETRAS   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

PETER WOLF (MAXI) CAN’T GET STARTED (4 TRACKS) AÑO 1987 – EDICION U.S.A. PETER WOLF (MAXI) CAN’T GET STARTED (4 TRACKS) AÑO 1987 – EDICION U.S.A. PETER WOLF (MAXI) CAN’T GET STARTED  (4 TRACKS) AÑO 1987 – EDICION U.S.A.   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

MATT BIANCO (MAXI) MORE THAN I CAN BEAR (3 TRACKS) AÑO 1985 MATT BIANCO (MAXI) MORE THAN I CAN BEAR (3 TRACKS) AÑO 1985 MATT BIANCO (MAXI) MORE THAN I CAN BEAR (3 TRACKS) AÑO 1985   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

PET SHOP BOYS (MAXI) CAN YOU FORGIVE HER? (4 TRACKS) AÑO 1993 PET SHOP BOYS (MAXI) CAN YOU FORGIVE HER? (4 TRACKS) AÑO 1993 PET SHOP BOYS (MAXI) CAN YOU FORGIVE HER? (4 TRACKS) AÑO 1993   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

GERRY RAFFERTY (LP) THE HUMBLER/CAN I HAVE MY MONEY BUCK AÑO – 1978 – DOBLE DISCO CON PORTADA ABIERT GERRY RAFFERTY (LP) THE HUMBLER/CAN I HAVE MY MONEY BUCK AÑO – 1978 – DOBLE DISCO CON PORTADA ABIERT GERRY RAFFERTY (LP) THE HUMBLER/CAN I HAVE MY MONEY BUCK AÑO – 1978 – DOBLE DISCO CON PORTADA ABIERTA – INCLUYE LIBRETO   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO NOTA: EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE AUN TENEMOS PENDIENTES DE SUBIR.   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles  

GLORIA GAYNOR (LP) NEVER CAN SAY GOODBYE AÑO – 1975 GLORIA GAYNOR (LP) NEVER CAN SAY GOODBYE AÑO – 1975 GLORIA GAYNOR (LP) NEVER CAN SAY GOODBYE AÑO – 1975   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO NOTA: EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE AUN TENEMOS PENDIENTES DE SUBIR.   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles  

TIMMY THOMAS (SN) WHY CAN’T WE LIVE TOGETHER AÑO – 1973 TIMMY THOMAS (SN) WHY CAN’T WE LIVE TOGETHER AÑO – 1973   TIMMY THOMAS (SN) WHY CAN’T WE LIVE TOGETHER AÑO – 1973   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.  ".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

TOBY BEAU (SN) THEN YOU CAN TELL ME GOODBYE AÑO – 1979 TOBY BEAU (SN) THEN YOU CAN TELL ME GOODBYE AÑO – 1979   TOBY BEAU (SN) THEN YOU CAN TELL ME GOODBYE AÑO – 1979   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.  ".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

Cochecito Phil and Teds. Lo puedes usar double para hermanos o singular. Está genial pero no lo usamos. También viene con cubierto de lluvia. Cambio por Macleren o similar. Phil and Teds double buggy! Can also be used as a single buggy. It's really a great stroller but we don't need it anymore. It comes with a tire pump and a rain cover. Will trade does a maclaren or nicer umbrella stroller.

STRAY CATS - BUILT FOR SPEED - EMI AMERICA ORIGINAL VINILO USA 1982 STRAY CATS - BUILT FOR SPEED - EMI AMERICA ORIGINAL VINILO USA 1982 Built for Speed es el primer álbum estadounidense de la banda "rockabilly" Stray Cats. Fue el álbum con el que consiguieron mayor éxito. Es un recopilatario de doce canciones tomadas de sus dos primeros discos que fueron sólo publicados en U.K. Lista de canciones: Todas las canciones están compuestas por Setzer menos las indicadas. Cara A: 1."Rock This Town" (Setzer, Dave Edmuns) - 3:24 2."Built for Speed" - 2:53 3."Rev it Up & Go" - 2:27 4."Stray Cat Strut" - 3:15 5."Little Miss Prissy" - 2:59 6."Rumble in Brighton" (Setzer, Slim Jim Phantom) - 3:11 Cara B: 7."Runaway Boys" (Setzer, Phantom) - 2:58 8."Lonely Summer Nights" - 3:16 9."Double Talkin' Baby" (Danny Wolfe) - 3:02 10."You don't Believe Me" (Setzer, Phantom, Lee Rocker) - 2:54 11."Jeanie, Jeanie, Jeanie" (George Motola, Ricky Page) - 2:18 12."Baby Blue Eyes" (Paul Burlison, Johnny Burnette) - 2:47 Built for Speed is an album from the American rockabilly band Stray Cats and was the band's first American album. It is essentially a compilation of 12 songs taken from the band's first two initially UK-released albums: six from Stray Cats and five from Gonna Ball, plus the title track, "Built for Speed", which had not previously been released in the UK. It was the most successful record for the band, with the videos for songs such as "Rock This Town" and "Stray Cat Strut" reaching MTV regular rotation status. The title track can also be heard in the 1984 film Surf II.

English Vocabulary in Use is a vocabulary book for upper-intermediate and advanced learners of English, primarily designed as a self-study reference and practice book, but can also be used for classroom work.. Cambridge University Press. UK. Año 1994.

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.  

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

AUGER BRIAN & TRINITY - LIVE FROM THE BERLINER JAZZSTA AUGER BRIAN & TRINITY - LIVE FROM THE BERLINER JAZZSTA Discográfica:   RockBeat Records Brian Auger and the Trinity with Julie Driscoll on vocals with Don McCann. JazzFest Berlin (also known as the Berlin Jazz Festival) is a jazz festival based in Berlin, Germany. Originally called the Berliner Jazztage (Berlin Jazz Days), until 1980 when the name was changed), it was founded in 1964. Also appearing that year were Herbie Mann, Carla Thomas, Don Cherry with Pharoah Sanders, Don Ellis (who makes a guest appearance with BAuger), Gary Burton, Elvin Jones, Muddy Waters with Otis Spann and other jazz luminaries. Whereas famous US-jazz celebrities set the tone during the first decades, the Berlin Jazz Festival increasingly has presented artists from all around the globe, with an increasing emphasis on contemporary European jazz. This performance by Brian Auger is also unique as it's the first appearance with Julie Driscoll so while a large portion of the audience applauded, wanting more of Brian, many booed when Julie Driscoll sang as her vocals and presence was a new element within the group. The festival's artistic concept has been to document, support, and validate trends in jazz, and to mirror the diversity of creative musical activity. The vinyl will be pressed on translucent Boris Purple.

An exciting addition to the hugely successful Mr Men and Little Miss ranges. The four best-selling Mr Men and Little Miss characters can now be enjoyed in a big picture book format. This enlarged size is perfect for use in schools, especially during class reading. Parents will also love the increased size of the text as they read these well-loved stories along with their child.. Egmont Books, Limited. UK. Año 2004.

MORRICONE ENNIO - MADDALENA MORRICONE ENNIO - MADDALENA Discográfica:   Monte Stella The original soundtrack of the 1971 obscure Erotic Italian-Yugoslav movie 'Maddalena', directed by Jerzy Kawalerowicz and starring Lisa Gastoni, Frank Wolff, Ivo Garrani, Paul Gozlino and Lucia Alberti. 'Chi Ami' was also used as the theme for the BBC-TV series 'The Life and Times of David Lloyd George' and reached the 2nd place in the UK Pop charts in 1981. This Soundtrack features the whole Morricone spectrum, from the amazing Edda Dell'Orso vocals to the Alessandroni choirs, with a touch of lounge, psychedelic and experimental moods. It is an absolute masterpiece and must-have for all Morricone fans and soundtrack lovers. The vinyl version of the original 1971 release is one of the rarest Morricone soundtracks, and will now be available as a re-release by Monte Stella records on coloured clear and solid silver mixed vinyl.

NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP (Warner)  1985  made in Spain cat. num.   L 92 5290-1 #funk  #electro  #soul  #chic   A1 Plan-9 4:12 A2 State Your Mind 5:43 A3 The Face In The Window 4:14 A4 Doll Squad 3:50 B1 Let's Go Out Tonight 5:14 B2 Groove Master 4:38 B3 Wavelength 3:49 B4 Stay Out Of The Light   Released in 1985,  B-Movie Matinee  proved a stellar departure from  Nile Rodgers ' initial solo outing. Leaving behind the more traditional trappings of his R&B-inflected debut, he instead looked to the synthesized future, driving his organic bass and guitars into what amounted to a concept album of sorts, fueled by memories of lazy Saturday B-movie afternoons. Bright, punchy pop punctuates this set. From the quirky sci-fi of "Plan-9" and the contemporary urban groove on "State Your Mind," which is one of the album's better tracks,  Rodgers  fills the space with eminently danceable, if somewhat same-y, songs using synthesizer tricks to thrill. "Let's Go out Tonight," meanwhile, proved the album's hot prospect, dipping into the Top 100, giving  Rodgers  his only solo chart hit. Rounding things out are the ballad "Wavelength" and  Rodgers ' immaculate instrumentation -- most notably the guitar and bass, which bound through the funky "Groove Master" with glee. Perhaps a little too light on substance,  B-Movie Matinee  still manages to please. Being  Nile Rodgers  can't be easy, as the mere mention of his name conjures such strong sonic images from his  Chic  canon, and it's hard to ignore those predispositions when listening to his solo material. But that's no detriment to the fine set he's unleashed here.

CHEAP TRICK - EPIC ARCHIVE VOL.3 CHEAP TRICK - EPIC ARCHIVE VOL.3 Discográfica:   Real Gone Music Our third-and final-package of Cheap Trick Epic rarities just might be the best yet! At least their legendary drummer Bun E. Carlos thinks so - It really is a nice package! he exclaims in the liner notes. Indeed, The Epic Archive Vol. 3 pulls off the unlikely feat of being simultaneously something of a greatest hits collection and also sonic catnip for deep Cheap Trick collectors. On the hits side, you get the single version of the band's lone #1 hit, The Flame, plus rare single versions of It's Only Love, Tonight It's You, and Don't Be Cruel (labeled as the Big New Mix). Then come the soundtrack-only songs, which have never appeared on a Cheap Trick studio album before and come from some big-time films: Mighty Wings from Top Gun, Money (That's What I Want) from Caddyshack II, You Want It from Say Anything, and I Will Survive from Gladiator. Alternate mixes of Little Sister, She's Got Motion, and Can't Stop Fallin' into Love and alternate versions of How About You and All We Need Is a Dream will quicken the pulse of collectors, as will Big Bang from the Japanese version of the Busted album. The whole thing starts with an a cappella intro to the theme song from the 1984 movie Up the Creek, and we also found room for one of the great lost Beatles covers of all time, the band's version of Magical Mystery Tour that only appeared on their Greatest Hits release! The liner notes feature track-by-track commentary from Bun E. Carlos, Rick Nielsen, and Robin Zander via interviews with longtime band biographer Ken Sharp and Timothy J. Smith, the Epic Archive series compilation producer; once again, band lensman Robert Alford has contributed photos to our beautiful gatefold package. This 2-LP Flame Red vinyl release is exclusive to Record Store Day, and, remember, aside from the soundtrack songs, none of this material has ever been on a fulllength LP. Limited to 2000 copies, don't miss out!

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.