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DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES - IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado THE CRANBERRIES IN THE END Edición Limitada Fotodisco LP vinilo Nuevo y Precintado       THE CRANBERRIES IN THE END Limited Edition Picture vinyl LP New and Sealed     DESCRIPCIÓN: UK 2019   BMG ‎538469071     La génesis de ‘In The End’ comenzó en mayo de 2017, mientras la banda estaba de gira. Para el invierno de 2017, Noel y Dolores habían escrito y presentado las once canciones que finalmente aparecerían en el álbum. En llegar a un acuerdo con la trágica muerte de Dolores, Noel, Mike y Fergal escucharon las canciones y, con el apoyo de la familia de Dolores, quisieron honrar a su amiga fallecida, completando el disco.   El álbum es un merecido homenaje a su compañera de banda y amiga y, lo más importante, una colección de canciones potentes que pueden ocupar su lugar con cualquiera de los anteriores  seis álbumes deThe Cranberries.     • Fotodisco LP vinilo.   • Edición limitada.   • Doble carpeta (gatefold).   • Funda interior impresa con todas las letras, fotos y notas.   • Nuevo y Precintado de fábrica.     DESCRIPTION: UK 2019      BMG ‎538469071     The genesis of ‘In The End’ began in May 2017 while the band were on tour. By winter of 2017 Noel and Dolores had written and demoed the eleven songs which would eventually appear on the album. In coming to terms with her tragic passing Noel, Mike and Fergal listened to the songs and, with the support of Dolores’ family, wanted to honor their close friend, and collaborator by completing the record.   The album is a strong goodbye from the band to their fans, a fitting tribute to their bandmate and friend and, most importantly, a collection of powerful songs that can take their rightful place with The Cranberries’ previous six records.     • Picture Vinyl LP.   • Limited edition.   • Gatefold jacket.   • Printed inner sleeve with all lyrics and photos.   • New and factory sealed.       Track Listing:   SIDE A 1. ALL OVER NOW   2. LOST   3. WAKE ME WHEN IT'S OVER   4. A PLACE I KNOW   5. CATCH ME IF YOU CAN    SIDE B 1. GOT IT   2. ILLUSION   3. CRAZY HEART   4. SUMMER SONG   5. THE PRESSURE   6. IN THE END     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)  

Oferta LP Japon The Knack -...But The Little Girls Understand Oferta LP Japon The Knack -...But The Little Girls Understand ¿Y porque comprar una edición japonesa? mira este video:   https://youtu.be/zifDN14EGiY Tracklist A1 Baby Talks Dirty   A2 I Want Ya   A3 Tell Me You're Mine   A4 Mr. Handleman   A5 Can't Put A Price On Love   A6 Hold On Tight And Don't Let Go   B1 The Hard Way   B2 It's You   B3 End Of The Game   B4 The Feeling I Get   B5 (Havin' A) Rave Up   B6 How Can Love Hurt So Much

VA ‎– Do-Wah-Diddy: Words And Music By Ellie Greenwich And Jeff Barry (UK Import) VA ‎– Do-Wah-Diddy: Words And Music By Ellie Greenwich And Jeff Barry (UK Import) Sello  ➪ Ace ‎– CDCHD 1203 Pais  ➪ UK Fecha  ➪ 2008 Género  ➪ Rock, Doo Wop, Rock & Roll Estado  ➪ Como nuevo Tracklist: 1 –The Beach Boys I Can Hear Music 2:36 2 –The Drifters I'll Take You Where The Music's Playing 2:36 3 –The Shangri-Las Out In The Streets 2:46 4 –Lesley Gore Maybe I Know 2:35 5 –The Ad Libs He Ain't No Angel 2:26 6 –The Chiffons I Have A Boyfriend 2:04 7 –The Jelly Beans Baby Be Mine 3:12 8 –The Exciters Do-Wah-Diddy 2:25 9 –Moody & The Deltas Everybody Come Clap Your Hands 2:46 10 –The Tokens Nobody But You 2:23 11 –The Darlettes  Here She Comes 2:17 12 –Sam Hawkins Hold On Baby 2:43 13 –The Dixie Cups You Should Have Seen The Way He Looked At Me 2:28 14 –The Butterflys Goodnight Baby 2:50 15 –Andy Kim I Hear You Say (I Love You) 2:15 16 –Karen Verros Little Boy 2:49 17 –Bobby Sheen I Want You For My Sweetheart 2:53 18 –The Orchids  That Boy Is Messing Up My Mind 2:49 19 –The Summits  Hanky Panky 2:06 20 –The Majors What Have You Been Doin' 2:22 21 –The Fleetwoods Every Little Beat 2:13 22 –Vic Donna I Won't Be Me Anymore 2:47 23 –Tony Pass True True Love 2:05 24 –Nilsson River Deep-Mountain High 3:55

A1 Baby Talks Dirty A2 I Want Ya A3 Tell Me You're Mine A4 Mr. Handleman A5 Can't Put A Price On Love A6 Hold On Tight And Don't Let Go B1 The Hard Way B2 It's You B3 End Of The Game B4 The Feeling I Get B5 (Havin' A) Rave Up B6 How Can Love Hurt So Much

ZOMBIES - ZOMBIESIN THE BEGINNING ZOMBIES - ZOMBIESIN THE BEGINNING Limited five 180gm colored vinyl LP set. Hailing from the unlikely setting of St. Albans, The Zombies burst onto the UK and US pop scene in August 1964 with the smash hit She's Not There, penned by keyboard player Rod Argent. Colin Blunstone's breathy vocals set the record apart from the band's contemporaries, and they followed it up with a second hit in Tell Her No. Their debut album Begin Here was released on the Decca label in 1965. Despite issuing several more excellent singles, further chart success eluded the band, although Dusty Springfield covered Argent's If It Don't Work Out (which the band also recorded). The Zombies signed to CBS in 1967 and recorded a new album over the summer, producing the sessions at Abbey Road and Olympic Studios themselves. The result was the classic Odessey And Oracle, but by the time the album was released in April 1968, the band had split up. Time Of The Season went on to be a huge hit in the US in 1969, selling over a million copies. This set is book-ended by the two 'proper' albums that the band recorded, Begin Here and Odessey And Oracle. In between, Early Days and Continue Here round up the band's various A-sides, B-sides and EP tracks. The fourth LP faithfully recreates the R.I.P. album, an intended posthumous release of overdubbed outtakes that was shelved when new band Argent emerged from the ashes of The Zombies. The whole set is housed in a rigid slipcase. The inner sleeves include photos from designer Phil Smee's extensive collection, while the albums are pressed on different coloured vinyl.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

Iggy Pop – New Values = Nuevos Valores -LP / Spain Iggy Pop – New Values = Nuevos Valores -LP / Spain   More images Iggy Pop  – New Values = Nuevos Valores Label: Arista  – I-201144,  Arista  – I-201.144 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Spain Released: Genre: Rock Style: Garage Rock,  Classic Rock,  Glam Tracklist A1   Tell Me A Story A2   New Values A3   Girls A4   I'm Bored A5   Don't Look Down A6   The Endless Sea B1   Five Foot One B2   How Do Ya Fix A Broken Part B3   Angel B4   Curiosity B5   African Man B6   Billy Is A Runaway   Companies, etc. Made By  –  Ariola Eurodisc S.A. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  Indugraf Madrid, S.A. Credits Engineer, Mixed By  –  Peter Haden Mastered By  –  Johnny Golden * Mixed By, Producer  –  James Williamson Producer  –  James Osterberg Producer [Assistant Production]  –  Lloyd Malan Notes Very similiar to  New Values = Nuevos Valores. Appears to have the same sleeve printed by Indugraf, but rimtext on labels is different: The other version has an ongoing text that starts at 6.30 and ends at 5.30, including "Fabricado en Espana por Iberofon, S.A." at the end. In addition, on this version, the ARISTA logo on labels is lacking the ™. This version has no such credit and it's text split in two, with: - one part going from 10.30 to 1.30 and reading "Editato y distribuido por Ariola-Eurodisc, S.A. Impuesto de tujo, permiso n° 8649" and - the second part going from 2 o'clock to 10 o'clock. On rear sleeve: Editado y distribuido por ARIOLA-EURODISC, S.A. Barcode and Other Identifiers Depósito Legal: B-8341-1980 Rights Society: B.I.E.M. Other (Permiso N.º): 8649

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

YOUNG NEIL & PROMISE OF - VISITOR YOUNG NEIL & PROMISE OF - VISITOR When Neil Young entered Shangri La Studio with the band Promise Of The Real a few months ago, there were a lot of images and feelings careening around his soul. The country was heading in a direction Young had never seen, even though up until then he thought he'd seen it all. But something different was happening, and it had gotten inside his music. I'm a Canadian by the way and I love the USA, he sings on the first song Already Great. The ethos of The Visitor can be summed up in the refrain of Already Great where Young insists, Already great, you're already great. You're the promise land, the helping hand. No wall. No hate. No fascist USA. WHOSE STREET? OUR STREET. From those words, Neil Young was ready to take a musical journey on his new album The Visitor like he had never taken before. It was one where he'd even surprise himself, always the mark of a creative leap. By the end of the recording sessions, he knew he'd made his most diverse album going all the way back to Harvest in 1972, when America was also in the throes of becoming unhinged. Neil Young didn't blink then, and he is not blinking now.

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.  

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

HUMAN LEAGUE - HISTERIA - ALBUM VINILO ORIGINAL 1984 PRIMERA EDICION VIRGIN RECORDS HUMAN LEAGUE - HISTERIA - ALBUM VINILO ORIGINAL 1984 PRIMERA EDICION VIRGIN RECORDS En 1984 sale “ Hysteria ”, el grupo parece que quiere hacer un pop mas organico, menos electrónico y menos energico que el ofrecido anteriormente,  contiene tres singles: la sorprendente “ the lebannon ” tanto por las guitarras muy cercanas al rock como por la letra muy política, esta claro que el publico del grupo, acostumbrado a cosas mas ligeras, quedo impactado con esta cancion como adelanto del nuevo album, en la cara b de este single nos encontramos la instrumental " thirteen " que en mi opinion debio ir en el album pues es un tema muy bueno. El invernal medio tiempo “ life on your own ” es quizas el sonido que hubiese sido ideal para todo el album y para diferenciarse de su anterior etapa, sin embargo se trata de un caso mas bien aislado. Luego tenemos la excelente balada “ louise ”, una bonita cancion que parece la segunda parte de " don't you want me " por la letra y que tiene unos bajos envolventes que son una pura delicia. Quizas podriamos añadir a los tres singles del album el tema " so hurt " una cancion muy bien construida con el dramatismo justo y un uso inteligente de los sintetizadores. El pop esta muy presente en el álbum, por ejemplo " i'm coming back ", cabe preguntarse como habrían sonado estas canciones con la producción de Martin Rushent. Jo Callis, deja la banda en medio de la promocion de " Hysteria " poco despues seria sustituido por el bateria Jim Russel que no iba a durar demasiado en el grupo. En medio de esta epoca problematica Phil Oakey disfruto de un momento dulce al colaborar con uno de sus idolos Giorgio Moroder en el single "together in electric dreams" tema principal de la pelicula "electric dreams", este single inesperadamente tuvo un exito masivo, tanto que se planeo un album completo para desarrollar esta colaboracion. Track listing: Side 1 1."I'm Coming Back" (Oakey, Wright) – 4:07 2."I Love You Too Much" (Burden, Callis, Wright) – 3:26 3."Rock Me Again and Again and Again and Again and Again and Again (Six Times)" (Austin, Brown) – 3:32 4."Louise" (Callis, Oakey, Wright) – 4:55 5."The Lebanon" (Callis, Oakey) – 5:03 Side 2 6."Betrayed" (Oakey, Wright) – 4:02 7."The Sign" (Burden, Callis, Oakey) – 3:46 8."So Hurt" (Burden, Callis) – 3:53 9."Life on Your Own" (Callis, Oakey, Wright) – 4:06 10."Don't You Know I Want You" (Burden, Callis, Oakey) – 3:09 Hysteria is the fourth studio album by the British synthpop band The Human League, released on 8 May 1984. Following the worldwide success of their 1981 album Dare, the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album name itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham. By the time Hysteria was released, three years had passed since Dare and the album met with relatively lacklustre success in comparison to its multi-platinum predecessor. Three singles from the album made the top-twenty of the UK singles chart but none of them reached the top-ten and " The Lebanon " was the only single to chart in the US, stalling at number sixty-four on the Billboard Hot 100. The album peaked at number three in the UK, later being certified Gold by the BPI for sales in excess of 100,000 copies. In 2005, Hysteria was remastered and re-issued with B-sides and extended mixes as bonus tracks. The song "Rock Me Again And Again And Again And Again And Again And Again " is a cover of a 1973 song by Lyn Collins and James Brown. " I Love You Too Much " is a re-recorded version from the Fascination! EP and " Don't You Know I Want You " is a reworked version of the instrumental B-side "Total Panic!" that appeared on the "(Keep Feeling) Fascination" single in 1983.  

TINARIWEN - AMADJAR TINARIWEN - AMADJAR Amadjar means ‘the unknown visitor’ in the language of Tamashek, the one who seeks hospitality and who’s condemned to an inner exile, within a territory or within himself. The story of Amadjar, the ninth Tinariwen album, begins at the end of 2018, at the Taragalte Festival of nomadic cultures in the Moroccan Sahara. After a concert and a sandstorm, Tinariwen hit the road and head for Mauritania, via southern Morocco, Western Sahara and the Atlantic coast. The destination is important but no more so than the journey itself. Tinariwen are joined by their French production team, who arrive in old camper van that’s been converted into a makeshift studio. The journey to Nouakchott, capital of Mauritania, takes a dozen days or so. Every evening, the caravan stops to set up camp and the members of Tinariwen get to work under the stars – to prepare for the recording, talking things through, letting their guitar motifs, thoughts and long buried songs come. Then, during a final camp in the desert around Nouakchott that lasts about fifteen days, to an audience of scorpions, the band record their songs under large tent. In a few takes, without headphones or effects. The Mauritanian griotte Noura Mint Seymali and her guitarist husband, Jeiche Ould Chigaly, come to throw their musical tradition on the embers lit by Tinariwen – the curling vocals of Noura Mint Seymali on the song ‘Amalouna’ will become a highlight. This nomadic album, recorded in a natural setting, is as close as you can get to Tinariwen. And also, therefore, to the idea that things can evolve: bassist Eyadou plays a lot of acoustic guitar; percussionist Said tries his hand at new instruments; Abdallah exhumes songs that he’s never played on stage with Tinariwen. And that violin that appears on several songs and reminds you of the traditional imzad; It’s actually played by Warren Ellis. The violinist in Nick Cave’s band is one of several western guests on the album. We also hear the mandolin and charango of Micah

BEATLES / love songs 77 !! COMPLETA 1ª EDIC ORIG USA 2LP / 25 TEMAS + ENCARTES + LIBRETO 28 PAG, EXC BEATLES / love songs 77 !! COMPLETA 1ª EDIC ORIG USA 2LP / 25 TEMAS + ENCARTES + LIBRETO 28 PAG, EXC ** PODEMOS ENVIAR TU COMPRA HASTA TU DOMICILIO DEL MODO MAS ECONOMICO* DOBLE LP !!! !! 25 AÑOS VENDIENDO MATERIAL IMPORTADO ORIGINAL PARA COLECCIONISTAS DE TODO EL MUNDO !!!! ESTUPENDA Y COMPLETA 1ª EDIC. ORIG. USA CAPITOL, DOBLE LP CON LA PRECIOSA GRUESA CARPETA TEXTURADA SIN CODIGOS DE BARRA, GRAN FOTO CENTRAL DEL GRUPO CON LOS DORADOS Y TAMBIEN CONTIENE EL GRAN LIBRETO INTERIOR CON 28 PAGINAS..LIBRETO CON LUJOSA TEXTURA EN SUS PAGINAS gruesa carpeta en gran estado, presenta ligero desgaste, el vinilo esta practicamente eb impecable estado. LA DOBLE CARPETA EN SU INTERIOR PRESENTA GRAN FOTOGRAFIA DE THE BEATLES POSANDO, ES UNA  DE SUS MAS CLASICA FOTOGRAFIAS ESTA ALBUN PERTENECE A SU DISCOGRAFIA OFICIAL   Yesterday (2:08) Recorded: June 14, 1965 at Abbey Road, London, England Paul McCartney - lead vocal, Epiphone acoustic guitar Session musicians - string quartet I'll Follow the Sun (1:51) Recorded: October 18, 1964 at Abbey Road, London, England John Lennon - acoustic guitar, harmony vocal Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - lead guitar Ringo Starr - bongos I Need You (2:32) Recorded: February 15, 1965 at Abbey Road, London, England with overdubs added February 16, 1965 John Lennon - acoustic guitar, background vocal Paul McCartney - bass guitar, background vocal George Harrison - double-tracked lead vocal, lead guitar Ringo Starr - drums Girl (2:34) Recorded: November 11, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, background vocal George Harrison - sitar, background vocal Ringo Starr - drums In My Life (2:28) Recorded: October 18, 1965 at Abbey Road, London, England with the instrumental break overdubbed October 22, 1965 John Lennon - double-tracked lead vocal Paul McCartney - bass guitar, harmony vocal George Harrison - lead guitar Ringo Starr - drums George Martin - piano Words of Love (2:14) Recorded: October 18, 1964 at Abbey Road, London, England John Lennon - lead vocal, rhythm guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead guitar Ringo Starr - drums, packing case Here, There and Everywhere (2:26) Recorded: June 14, 1966 at Abbey Road, London, England with overdubs added June 16-17, 1966 John Lennon - background vocal Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - lead guitar, background vocal Ringo Starr - drums Something (3:03) Recorded: April 16, 1969 at Abbey Road, London, England and remade May 2, 1969 with overdubs added May 5, 1969, July 11, 1969, July 16, 1969 and August 15, 1969 John Lennon - lead guitar Paul McCartney - bass guitar, handclaps, background vocal George Harrison - double-tracked lead vocal, lead guitar, organ Ringo Starr - drums, handclaps, background vocal Session musicians - strings And I Love Her (2:31) Recorded: February 25-27, 1964 at Abbey Road, London, England John Lennon - acoustic guitar Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - acoustic guitar solo, claves Ringo Starr - bongos If I Fell (2:22) Recorded: February 27, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead guitar Ringo Starr - drums I'll Be Back (2:21) Recorded: June 1, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, acoustic guitar, harmony vocal George Harrison - acoustic guitar Ringo Starr - drums Tell Me What You See (2:40) Recorded: February 18, 1965 at Abbey Road, London, England John Lennon - lead vocal, washboard guitar Paul McCartney - lead vocal, bass guitar, electric piano George Harrison - lead guitar, tambourine Ringo Starr - drums, claves Yes It is (2:42) Recorded: February 16, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums Michelle (2:42) Recorded: November 3, 1965 at Abbey Road, London, England John Lennon - acoustic guitar, background vocal Paul McCartney - lead vocal, bass guitar George Harrison - acoustic guitar, background vocal Ringo Starr - drums It's Only Love (1:59) Recorded: June 15, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar, tambourine Paul McCartney - bass guitar George Harrison - lead guitar Ringo Starr - drums You're Going to Lose That Girl (2:20) Recorded: February 19, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, piano, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums, bongos Every Little Thing (2:05) Recorded: September 29-30, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - lead vocal, bass guitar, piano George Harrison - lead guitar Ringo Starr - drums, timpani For No One (2:02) Recorded: May 9, 1966 at Abbey Road, London, England with the vocal overdubbed May 16, 1966 and the French horn solo overdubbed May 19, 1966 Paul McCartney - lead vocal, bass guitar, piano Ringo Starr - drums, tambourine Alan Civil - French horn She's Leaving Home (3:35) Recorded: March 17, 1967 at Abbey Road, London, England with vocals overdubbed March 20, 1967 John Lennon - lead vocal, background vocal Paul McCartney - lead vocal, background vocal Session musicians - strings, harp The Long and Winding Road (3:38) Recorded: January 31, 1969 at Apple Studios, London, England. Re-produced and remixed by Phil Spector on April 1, 1970 John Lennon - bass guitar Paul McCartney - lead vocal, piano Session musicians - choir, strings, harp, drums (overdubbed by Phil Spector) This Boy (2:16) Recorded: October 17, 1963 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, harmony vocal George Harrison - lead guitar, harmony vocal Ringo Starr - drums Norwegian Wood (This Bird Has Flown) (2:06) Recorded: October 12, 1965 at Abbey Road, London, England but remade October 21, 1965 John Lennon - lead vocal, capoed acoustic guitar Paul McCartney - bass guitar, harmony vocal George Harrison - sitar Ringo Starr - tambourine You're Going to Lose That Girl (2:20) Recorded: February 19, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, piano, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums, bongos I Will (1:47) Recorded: September 16, 1968 at Abbey Road, London, England with overdubs added September 17, 1968 Paul McCartney - double-tracked lead vocal, bass guitar, acoustic guitar Ringo Starr - drums, bongos, maracas P.S. I Love You (2:06) Recorded: September 11, 1962 at Abbey Road, London, England John Lennon - lead vocal, electrified acoustic guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead electrified acoustic guitar Ringo Starr - maracas Andy White - drums Credits Producers: George Martin, Phil Spector Cover based on a photo by: Richard Avedon Releases 1977, October 21 Capitol SKBL-11711 (US)  

ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR Great Balls of Fire! (conocida en español como ¡Gran bola de fuego!) es una película biográfica estadounidense con Dennis Quaid interpretando al pionero del rock and roll, Jerry Lee Lewis. El filme, dirigido por Jim McBride, se basa en la biografía escrita por Myra Gale Brown. Trata de la temprana carrera musical de Jerry Lee Lewis desde su creciente fama como estrella del rock and roll, haciendo creer a muchos que reemplazaría al «rey del rock and roll», Elvis Presley en 1950 hasta el controversial matrimonio con su sobrina segunda, Myra Gale Brown (de 13 años), que hizo que su estrellato finalizara rápidamente. En 1990, Winona Ryder ganó el premio a la mejor actriz en los Premios Young Artist. En 1989, se estrenó el film Grand bola de fuego, que abarca los primeros años de la carrera musical de Jerry Lee Lewis,aproximadamente los años 1956-1959, incluyendo su frustrada gira por Inglaterra y su escándaloso matrimonio con Myra Gail Brown que opacó en gran medida el ascendente éxito que venía consechando hasta entonces. El film, fue protagonizado por Dannis Quaid en una excelente interpretación de Jerry Lee Lewis, Alec Balwin como el primo de Jerry, Jimmy Lee Swagart, su antagonista en el film, y el papel femenino de Myra Gail Brown quedó reservado para Wynona Rider. El principal mérito del film, ha sido que el propio Jerry se ocupó del audio de las canciones, lo cual permite al espectador que ve el film y no conoce su carrera, tener una precisa idea de su talento musical. Great Balls of Fire! Original Motion Picture Soundtrack Soundtrack album by Jerry Lee Lewis.Released,June 8, 1989, Recorded 1988.Label Polydor Records.Producer,T Bone Burnett 1."Great Balls of Fire" 2."High School Confidential" 3."Big Legged Woman" - Booker T. Laury 4."I'm on Fire" 5."Rocket 88" - Jackie Brenston And The Delta Cats 6."Whole Lotta Shakin' Goin' On" 7."Whole Lotta Shakin' Goin' On" - Valerie Wellington 8."Breathless" 9."Crazy Arms" - Jerry Lee Lewis/Dennis Quaid 10."Wild One" 11."That Lucky Old Sun" 12."Great Balls of Fire" (Original Version) Hubo partes pianisticas actuadas (no canciones) que sí fueron interpretadas por Dennis Quaid, los llamados "snipettes", luego editados aparte junto al Lewis Boogie, que cerró el film como fondo de los títulos. Curiosamente fue omitida I'm Throwing rice, que acompañó como fondo buena parte del film. Great Balls of Fire! is a 1989 American biographical film directed by Jim McBride and starring Dennis Quaid as rockabilly pioneer Jerry Lee Lewis. Based on a biography by Myra Lewis and Murray M. Silver, Jr., the screenplay is written by McBride and Jack Baran. The film is produced by Adam Fields, with executive producers credited as Michael Grais, Mark Victor, and Art Levinson. The early career of Jerry Lee Lewis, from his rise to rock and roll stardom to his controversial marriage to his 13-year-old cousin that led to his downfall, is depicted in the film. Until the scandal of the marriage depreciated his image, many had thought Lewis would supplant Elvis Presley as the "King of Rock and Roll" in the 1950s. The story was co-written by Myra Gail Lewis (her autobiography Great Balls of Fire!), the former wife of Jerry Lee Lewis, with Murray Silver. Despite this, co-writer Silver was upset by the lack of accuracy in the film, claiming it was "phoney". Director Jim McBride admitted that it was never his intention to tie his film to the facts, and stated "This movie does not represent itself in any way to be a historical documentary. We use the book as a jumping-off point." Lewis has openly stated that he hates the film and the book it was based on. Lewis did, however, praise Quaid's portrayal of him in the film, saying "he really pulled it off".Quaid even learned to play "Lewis-style" piano for the role. This was the final film of character actor Trey Wilson. He died at age forty from a cerebral hemorrhage in January 1989, prior to the film's release. An original motion picture soundtrack was released by the producers on the Polydor Records label on June 8, 1989. Lewis re-recorded his music from the 1950s for the soundtrack with the title track " Great Balls of Fire," "Whole Lotta Shakin' Goin' On" and "That Lucky Old Sun." The soundtrack contains 12 tracks. A music video of the song "Great Balls of Fire", with Quaid and Lewis playing the piano and containing snippets of scenes from the film, was featured on the original VHS video release preceding the film. "Lewis Boogie" is also in the film during the closing credits but does not appear on the soundtrack album.  

TRANSVISION VAMP - LITTLE MAGNETS VERSUS THE BUBB TRANSVISION VAMP - LITTLE MAGNETS VERSUS THE BUBB Discográfica:   Demon Records Limited 180gm blue colored vinyl LP pressing. Transvision Vamp were a genuine international pop supernova of the late '80s. Fronted by the irrepressible Wendy James - pop's very own Halo Jones - whose bad-girl charms were impossible to ignore, and informed by the musical vision of Nick Christian Sayer, their sound and look was a kaleidoscopic whirl of chunky guitar riffs, incandescent pop thrills, razor sharp choral hooks, and vivid comic-book imagery. They crashed the charts like a rock and roll wrecking ball, bagging Gold and Platinum-selling albums in a brief but spectacular reign. Both singles - (I Just Wanna) B With U and If Looks Could Kill - from the third album Little Magnets Vs The Bubble Of Babble reached the Top 40 in 1991, but curiously the UK arm of MCA Records decided against releasing the album in the UK. It saw moderate success in Australia, New Zealand and Sweden, but this release is the first time it has been issued individually in the UK. The band broke up in 1992.

THE HUMAN LEAGUE - FASCINATION - VINILO ORIGINAL 1983 EDICION USA AM RECORDS THE HUMAN LEAGUE - FASCINATION - VINILO ORIGINAL 1983 EDICION USA AM RECORDS A finales de 1982  THE HUMAN LEAGUE  lanza una canción nueva en la forma del single “ Mirror Man ” que es una perfecta combinación de techno-pop y sonido Motown que se quedo cerca de igualar el éxito de “don’t you want me”, la canción esta dedicada a la figura de Adant Ant y el hecho de terminar creyéndote tu propio personaje, la cara b “you remind me of gold”, es un homenaje de “the robots” de Kraftwerk. Meses después ya en 1983 sale otro nuevo single, la irresistiblemente pegadiza “(Keep Feeling) Fascination ” que fue otro grandísimo éxito y que desgraciadamente ha envejecido fatal. Todo parecía preparado para la edición del nuevo álbum con dos grandes éxitos de adelanto pero el grupo no estaba convencido con el material que tenían entre manos y se produce una crisis en el grupo que termina con la ruptura de relaciones con el productor Martin Rushent y el comienzo desde cero del nuevo álbum con los productores Hugh Padgham y Chris Thomas, mientras en USA se edita el ep “ Fascination! ” con temas procedentes de los singles “ Mirror man ” y “ Keep feeling (Fascination), aparte de un tema nuevo “ i love you to much ” en una versión producida por Rushent muy superior y diferente a la que terminaría en el siguiente álbum del grupo “hysteria”. Track listing: original US/Canada vinyl release 1."(Keep Feeling) Fascination" (Extended version) (Callis, Oakey) 2."Mirror Man" (Burden, Callis, Oakey) 3."Hard Times" (Callis, Oakey, Wright) 4."I Love You Too Much" (Burden, Callis, Wright) 5."You Remind Me of Gold" (Oakey) 6."(Keep Feeling) Fascination" (Improvisation) Fascination! is an EP released by the British synthpop band The Human League in 1983. The EP was issued by Virgin Records in North America (though made available in Europe as an import) as a stop-gap release in between the albums Dare (1981) and Hysteria (1984). The original vinyl release of Fascination! contained six tracks, including two versions of their single "(Keep Feeling) Fascination" as well as " Mirror Man ", both of which were hits in the UK and the U.S. Also included is " Hard Times ", which was originally the B-side of their 1981 hit "Love Action" and also appears on the band's 1982 remix album Love and Dancing. The featured version of "I Love You Too Much" is an earlier version of the song that would later be released on the band's Hysteria album in 1984. The album was released as a digital download in 2008 with a bonus track, a dub version of "I Love You Too Much". A CD version was released as part of the "deluxe edition" release of Dare in 2012,[2] minus Hard Times, but with other extra tracks. In November 2015 a Limited Edition Single-CD is released (only in Japan), same Tracklist as the Dare "deluxe edition".  

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979