And that aint good

WHITE TONY JOE - THAT ON THE ROAD - BLACK FRIDA WHITE TONY JOE - THAT ON THE ROAD - BLACK FRIDA Discográfica:   Real Gone Music The only live album recorded at Tony Joe White's peak…and it's never been available at regular physical retail in any form. Recorded in the fall of 1971 while TJW was opening for Creedence Clearwater Revival, this show became the proverbial legendary lost live album, and for good reason: Warner Bros. recorded the concert on multitrack tape, fully intending it to be released. But for some reason lost to the mists of time, the album never came out until Rhino Handmade released it in 2010 exclusively via their website. Which means it never went to regular retail at all in any format, and that's a real shame, because you could make a good argument that it's the best Tony Joe White album of 'em all, with a set list to die for (a 10:35 version of Polk Salad Annie!), a great band (featuring Duck Dunn on bass), pristine fidelity, and plenty of Swamp Fox attitude. This 2-LP release comes, like the CD did, inside a gatefold jacket featuring a front cover cut out displaying the art on one of two inner sleeves with great liner notes by Ben Vaughn and the late, great Tony Joe White himself. White vinyl pressing exclusive to Black Friday, limited to 1500 copies!

Dr Huxtable has a school for boys in the north of England. When the Duke of Holdernesse decides to send his young son there, that is good news for the school. The Duke is a very important person, and Dr Huxtable is happy to have his son in the school. But two weeks later Dr Huxtable is the unhappiest man in England. Why? And why does he take the train down to London and go to Baker Street? Why does he need the help of the famous detective Sherlock Holmes? Because someone has kidnapped the Duke's son.... OUP Oxford. Barcelona. Año 2007.

STATUS QUO - PARTY AINT OVER YET STATUS QUO - PARTY AINT OVER YET Double yellow vinyl LP pressing. Digitally remastered edition. Issued in September 2005, Status Quo's 27th studio album featured all new compositions by the band. It peaked at #18 in the album charts, and features the hit single title track and All That Counts Is Love.

HOPEWELL - GOOD GOOD DESPERATION (LP) HOPEWELL - GOOD GOOD DESPERATION (LP) Discográfica:   Tee Pee Records For over a decade, Hopewell have evaded classification. Their first three LPs were beautiful sonic traffic jams that spanned the psych-glam of Ziggy Stardust-era Bowie and Jane's Addiction. Tattered, heartworn, heavy mountain jams, with a mad scientist's approach to production. On their latest, they capture the burning light and ecstatic fury of their live set in the studio and adorn it with out-of-the-ether blasts of cityscape sounds, hypnotic rhythmic breakdowns, and tight, arresting, jarring harmonies. An album of head music that'll keep your own shape-shifting mind wandering, shaking, and shimmying.

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

WILLIE NELSON (Greatest Hits - And Some That Will Be) CD 2003 WILLIE NELSON (Greatest Hits - And Some That Will Be) CD 2003 WILLIE NELSON (Greatest Hits - And Some That Will Be) CD 2003 Lista de Títulos 1 Railroad Lady 2 Heartaches Of A Fool 3 Blue Eyes Crying In The Rain 4 Whiskey River 5 Good Hearted Woman 6 Georgia On My Mind 7 All Of Me 8 If You've Got The Money I've Got The Time 9 Look What Thoughts Will Do 10 Remember Me 11 Uncloudy Day 12 Mammas Don't Let Your Babies Grow Up To Be Cowboys 13 My Heroes Have Always Been Cowboys 14 Help Me Make It Through The Night 15 Angel Flying Too Close To The Ground 16 I'd Have To Be Crazy 17 Faded Love (Con  RAY PRICE) 18 On The Road Again 19 Midnight Rider 20 Heartbreak Hotel (Con  LEON RUSSELL) 21 If You Could Touch Her At All 22 Till I Gain Control Again 23 Stay A Little Longer

IAN DURY AND THE BLOCKHEADS - I want to be straight / That's not all (SG 7') IAN DURY AND THE BLOCKHEADS - I want to be straight / That's not all (SG 7') IAN DURY AND THE BLOCKHEADS 1. I want to be straight                                                                                    2. That's not all                         La portada está muy buena, el vinilo está excelente. Editado en España, año 1980, STIFF RECORDS MO 1979. Sleeve is very good, vinyl is excellent. Year 1980, STIFF RECORDS MO 1979. Spanish pressing.

8 Ball And MJG - Get Low / F**k That / For An Outfit - 2006 8 Ball And MJG - Get Low / F**k That / For An Outfit - 2006 BAD BOY ENTERTAINMENT - US - PROMO - 12" -  PR 302149 Media:  Very Good Plus (VG+)  Sleeve:  Generic company sleeve with stickers  

Hank Ballard & The Midnighters ‎– Dancin' And Twistin' (UK Import) Hank Ballard & The Midnighters ‎– Dancin' And Twistin' (UK Import) Sello  ➪ Ace ‎– CDCHD 779 Pais  ➪ UK Fecha  ➪ 2000 Género  ➪ Rock, Rock & Roll, Doo Wop, Twist, Rhythm & Blues Estado  ➪ Como nuevo Tracklist: 1 –Hank Ballard & The Midnighters The Twist 2 –The Midnighters Rock And Roll Wedding 3 –The Midnighters Henry's Got Flat Feet (Can't Dance No More) 4 –The Midnighters E Basta Cosi 5 –The Midnighters Rock, Granny, Roll 6 –Hank Ballard & The Midnighters The Coffee Grind 7 –Hank Ballard & The Midnighters Finger Poppin' Time 8 –Hank Ballard & The Midnighters Let's Go, Let's Go, Let's Go 9 –Hank Ballard & The Midnighters The Hoochi Coochi Coo 10 –Hank Ballard & The Midnighters The Continental Walk 11 –Hank Ballard & The Midnighters Let's Go Again (Where We Went Last Night) 12 –Hank Ballard & The Midnighters The Float 13 –Hank Ballard & The Midnighters The Switch-A-Roo 14 –Hank Ballard & The Midnighters Keep On Dancing 15 –Hank Ballard & The Midnighters It's Twistin' Time 16 –Hank Ballard & The Midnighters Good Tiwstin' Tonight 17 –Hank Ballard & The Midnighters Do You Know How To Twist? 18 –Hank Ballard That Low Down Move 19 –Hank Ballard (I'm Going Back To) The House On The Hill 20 –Hank Ballard Poppin' The Whip 21 –Hank Ballard Sloop And Slide 22 –Hank Ballard Dance Till It Hurtcha 23 –Hank Ballard Funky Soul Train 24 –Hank Ballard Butter Your Popcorn

Cherry's teacher has told her that keeping a diary is a good way to unclog your head - and Cherry certainly has a lot on her mind. Cherry's mother has just re-married, much to her disgust. Her best friend Skinny Melon is a sounding board for Cherry's disproval of her step-father, Roland Butter.. Collins. London. Año 2001.

HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 Personnel includes: Mike E. (rap vocals, guitar); Tom Hemby, Paul Jackson, Jr. (guitar); Mark Douthit (saxophone); Dwayne Adell (piano); Greg Philinganes, George Duke (keyboards); Cedric Dent (keyboards, programming, background vocals); Ben Tankard, Joe Hogue (keyboards, programming); Mervyn Warren (piano, keyboards, drums, programming, background vocals); Victor Caldwell, Jackie Street (bass); James Blair, Ricky Lawson (drums); Donna McElroy, Bob Bailey, Vicki Hampton, Chris Willis (background vocals). Producers include: Mervyn Warren, George Duke, David Pack, Take 6, Gary D. Hines. Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph. Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, Janice Chandler Eteme, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters, Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School (rap vocals); Jayne Bell, Jayn Bell Porter, Angela Henderson, Cherly Reeves, Sandra Harris, Dorothy Brown, Manecia Bennett, Renee McCall, Elizabeth J. Turner, Wanda Lewis, Ann Nesby (soprano); Jennifer Whitlock (alto, brass); Dorothy J. Townes, Shirley Marie Graham, Beverly Mahto, Alecia Russell, Dorothy Shelby, Valerie Johnson (alto); Robert Edwards, Russell Knighton (tenor, tenor saxophone); Bill Airey Smith, Dr. Robert Jones, Bill Smith, Craig Taylor, Craig "Niteman" Taylor (tenor); Trenon Graham, Billy Steele (baritone); Freddie Winston, Rev. Joseph Young, Jr. (bass voice); Paul Jackson, Jr., Tom Hemby (guitar); Daniel Kobialka (violin); Kirk Whalum, Mark Douthit (saxophone, brass); Bob Mintzer (saxophone); Eberhard Ramm, Leslie Norton (French horn); Dennis Good, Chuck Findley, George Bohannon, Dan Higgins, Gary Grant, George Bohanon, Gerald Albright, Jerry Hey, Larry Williams, Kim Hutchcroft, Larry Hall, Robert Green, Sam Levine, Chris McDonald, Tom "Bones" Malone, Jeff Bailey, Charles Loper, Denis Solee, George Tidwell, Lew McCreary, William Frank "Bill" Reichenbach Jr., Michael Haynes (brass); Michael O. Jackson (piano, organ, keyboards, drum programming); Dwayne Adell (piano); Fred Vaughn (organ); Charles Mims, Jr. (keyboards, synthesizer); Greg Phillinganes (keyboards, bass synthesizer, percussion, background vocals); Robert Sadin (keyboards, keyboard bass, programming, drum programming); Fred Hammond (keyboards, keyboard bass, drum programming); William Kennedy (keyboards, drums); David Pack (keyboards, percussion, background vocals); Mark Kibble (keyboards, programming, background vocals); Joe Hogue, Ben Tankard, Bryant Pugh, Cedric Dent (keyboards, programming); Eddie Howard, Jr., Timothy Carpenter, George Duke, Russell Ferrante (keyboards); Steve Croes (Synclavier); Chuck Tilley, James Blair, Ricky Lawson (drums); Eric Darken (tambourine); Elmore Brantly, Terry McMillan, Rock Deadrick, Mustafa Abdul-Aleem (percussion); Dave Darlington, Jeffrey K. Dovner (programming); Mark Hammons, Mark Hammond (drum programming); Jim Gilstrap, Phil Perry, Roy Galloway, Sounds of Blackness, Raymond Davis, Gayle Mayes (background vocals). Audio Mixers: Chris Flam; David Pack; Erik Zobler; Lisa Keller; Jess Sutcliffe; John Jaszcz; Mike McCarthy; Mick Guzauski; Ray Bardani; Steve Hodge; Axel Niehaus; Track listing #    Title    Length    Arranger(s)    Producer(s)    Performer(s) 1    "Overture: A Partial History of Black Music"    5:13    Mervyn Warren, Shelton Kilby, Dwayne Adell, Cedric Dent, Joe Hogue    Mervyn Warren    Mervyn Warren, Janice Chandler Eteme, Dwayne Adell, Cedric Dent, Joe Hogue 2    "Comfort Ye My People"    5:44    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Vanessa Bell Armstrong and Daryl Coley 3    "Every Valley Shall Be Exalted"    3:42    Mervyn Warren and Mark Kibble    Mervyn Warren    Lizz Lee and Chris Willis (with Mike E.) 4    "And the Glory of the Lord"    3:57    Charles Mims    George Duke    Dianne Reeves 5    "But Who May Abide the Day of His Coming"    6:38    David Pack, Greg Phillinganes and Patti Austin    David Pack and Patti Austin    Patti Austin 6    "And He Shall Purify"    4:36    Michael O. Jackson and Mervyn Warren    Mervyn Warren    Tramaine Hawkins 7    "Behold, A Virgin Shall Conceive"    3:56    George Duke    George Duke    Howard Hewett 8    "O Thou That Tellest Good Tidings to Zion"    3:52    Cedric Dent    Take 6    Stevie Wonder and Take 6 9    "For Unto Us a Child is Born"    3:53    Gary Hines    Gary Hines    Sounds of Blackness 10    "Glory to God"    4:51    Robert Sadin    Robert Sadin    The Boys Choir of Harlem and Leaders of the New School 11    "Rejoice Greatly, O Daughter of Zion"    5:07    Richard Smallwood    Richard Smallwood    Richard Smallwood Singers 12    "Behold the Lamb of God"    4:32    The Yellowjackets    The Yellowjackets    The Yellowjackets 13    "Lift Up Your Heads, O Ye Gates"    5:12    Fred Hammond    Fred Hammond    Commissioned and The Clark Sisters 14    "Why Do the Nations So Furiously Rage?"    2:36    Mervyn Warren    Mervyn Warren    Al Jarreau 15    "I Know That My Redeemer Liveth"    6:00    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Tevin Campbell 16    "Hallelujah!"    5:53    Mervyn Warren, Michael O. Jackson, and Mark Kibble    Mervyn Warren    Vanessa Bell Armstrong, Patti Austin, Bernie K., Daryl Coley (soloist), Commissioned, Andrae Crouch, Sandra Crouch, Clifton Davis, Charles S. Dutton, Kim Fields, Larnelle Harris, Edwin Hawkins, Tramaine Hawkins, Linda Hopkins, Al Jarreau, Quincy Jones (conductor), Chaka Khan, Gladys Knight, Lizz Lee, Dawnn Lewis, Babbie Mason, Johnny Mathis, Marilyn McCoo, Mike E., Stephanie Mills, Jeffrey Osborne, David Pack, Phylicia Rashad, Joe Sample, Richard Smallwood, Sounds of Blackness, Take 6, Darryl Tookes, Mervyn Warren, Thomas Whitfield, Vanessa Williams, Chris Willis

PINNELL JEREMY - TIES OF BLOOD & AFFECTION PINNELL JEREMY - TIES OF BLOOD & AFFECTION Discográfica:   SofaBurn When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. This unassuming northern Kentucky singer-songwriter sauntered and ripped through ten instant country classics that tracked as so confident and comfortable that it could have been mistaken for a seasoned musician's creative peak. The songs themselves, reverent of Americana's most enduring traditions, presented the man's scope - his misadventures, loves, failures, and contradictions. Hailed as ''Hard-scrabble Honky Tonk at its finest'' -Rolling Stone Country and a '';mind-blowingly good'' (Greg Vandy, KEXP) ''tutorial on classic country music'' (Popmatters), Pinnell's debut immediately differentiated as authentic and unflinching. Dogged touring through Europe and the states and celebrated radio sessions followed, cementing Pinnell's position as a no-fuss master of his craft, an expansive storyteller with a steady gaze and calloused fingers - and that one impossible-to-top album. If OH/KY was the self-assured introduction of an unconventional new talent, his 2017 album Ties of Blood and Affection presents a canny lateral move. Instead of doubling down on the stark themes and values of his debut, this sophomore album finds Pinnell finding comfort in his own skin and achieving the redemption only hinted at in his previous batch of haunted songs. Here Pinnell embraces the working life, family obligations, and openly evaluates his relationship to faith. His new stories delve into acceptance and survival, all the while investigating his most challenging chapter yet: adulthood. While ''If life don't get any better / I'm alright with this'' isn't an out-right triumph, it's an honest revelation. Musically, Ties of Blood and Affection also maintains a comfortable and confident stride. Pinnell's songs are shot through with honest and classic elements; rooted in his steady acoustic guitar, the tunes chug along in a spring-reverb dream fro

EVERLY BROTHERS - SINGLES (BLUE VINYL) EVERLY BROTHERS - SINGLES (BLUE VINYL) Discográfica:   Demon Records Limited 180gm white vinyl LP pressing. The blending of Don and Phil Everly's voices is truly one of the great sounds of post-war American popular music. Derived from folk and traditional styles brought to the USA via immigrant communities, their seamless vocal harmonies had it's precursors in mid-twentieth century duo/family country music acts such as the Louvin Brothers, Delmore Brothers and many others. The Everlys, however, were able to bring the fraternal harmony approach into the mainstream pop market of the late 1950s by dint of their youth, good looks, and that other, far more elusive quality - timing. This LP rounds up the Cadence singles A- and B-sides that didn't feature on their debut album, and is thus home to these perennially-popular worldwide hits, most of which went Top 10 in the US and UK: 'All I Have To Do Is Dream', 'Claudette', 'Bird Dog', 'Problems', 'Devoted To You', 'Take A Message To Mary', '('Til) I Kissed You', 'Let It Be Me', 'Poor Jenny' and 'When Will I Be Loved'. The inner sleeve features annotation by Alan Robinson.

CD X 3 CDS(THE GOLDEN YEARS OF DUKE ELLINGTON) 2003 Soho - Jazz (3 CD DELUXE FEATURING 60 TRACKS CD X 3 CDS(THE GOLDEN YEARS OF DUKE ELLINGTON) 2003 Soho - Jazz (3 CD DELUXE FEATURING 60 TRACKS 1-1 Mood Indigo   1-2 Perdido   1-3 Creole Rhapsody   1-4 It Don't Mean A Thing (If It Ain't Got That Swing)   1-5 Exposition Swing   1-6 Showboat Shuffle   1-7 Clarinet Lament (Barney's Concerto)   1-8 Solitude   1-9 Happy As The Day Is Long   1-10 In A Jam   1-11 Yearning For Love (Lawrence's Concerto)   1-12 Limehouse Blues   1-13 Double Check Stomp   1-14 Main Stem   1-15 I Ain't Got Nothing But The Blues   1-16 Me And You   1-17 What Am I Here For?   1-18 Someone   1-19 Esquire Swank   1-20 Happy Go Lucky Local   2-1 I Don't Mind   2-2 Suddenly It Jumped   2-3 Dancers In Love   2-4 New York City Blues   2-5 Air Conditioned Jungle   2-6 Things Ain't What They Used To Be   2-7 Chelsea Bridge   2-8 Concerto For Cootie   2-9 Dusk   2-10 Harlem Air Shaft   2-11 Swing Low   2-12 Creole Love Call   2-13 Rose Room   2-14 Rockin' In Rhythm   2-15 Love Is Like A Cigarette   2-16 Uptown Downbeat   2-17 Echoes Of Harlem (Cootie's Concerto)   2-18 Shoe Shine Boy   2-19 Trumpet In Spades (Rex's Concerto)   2-20 It Was A Sad Night In Harlem   3-1 Black And Tan Fantasy   3-2 Stevedore Stomp   3-3 Hot And Bothered   3-4 East St Louis Toodle-Oo   3-5 The Mooche   3-6 Old Man Blues   3-7 Jungle Nights In Harlem   3-8 Tiger Rag Part 1   3-9 Sweet Jazz O' Mine   3-10 Sing You Sinners   3-11 Jazz Cocktail   3-12 Ko-Ko   3-13 Jack The Bear   3-14 A Gathering In A Clearing   3-15 Hy'a Sue   3-16 Stomp, Look & Listen   3-17 On A Turquoise Cloud   3-18 The Clothed Woman   3-19 I'm Cheking Out, Goo'm Bye   3-20 I Got It Bad (And That Ain't Good)

NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS 22 TEMAS 71' 40'' 1 MY BABY JUST CARES FOR ME 2 I LOVE YOU, PORGY 3 LOVE ME OR LEAVE ME 4 HE NEEDS ME 5 I GOT IT BAD AND THAT AIN'T GOOD 6 MOOD INDIGO 7 DON'T SMOKE IN BED 8 SOLITUDE 9 DO NOTHIN' TILL YOU HEAR FROM ME 10 SPRING IS HERE 11 HEY, BUDDY BOLDEN 12 THE GAL FROM JOE'S 13 SOMETHING TO LIVE FOR 14 I LIKE THE SUNRISE 15 YOU BETTER KNOW IT 16 LITTLE GIRL BLUE 17 SINCE MY LOVE IS GONE 18 IT DON'T MEAN A THING 8IF IT AIN'T GOT THAT SWING) 19 BLACK IS THE COLOR 20 WORK SONG 21 ANGEL OF THE MORNING 22 MY BABY JUST CARE FOR ME