And i never was

WAYLON JENNINGS AND JESSI-STORMS NEVER LASTS + I AIN´T THE ONE - SINGLE RCA 1981 WAYLON JENNINGS AND JESSI-STORMS NEVER LASTS + I AIN´T THE ONE - SINGLE RCA 1981   WAYLON JENNINGS AND JESSI-STORMS NEVER LASTS  + I AIN´T THE ONE - SINGLE RCA 1981 

I KNOW WHAT YOU DID LAST SUMME - I KNOW WHAT YOU DID LAST SUMME I KNOW WHAT YOU DID LAST SUMME - I KNOW WHAT YOU DID LAST SUMME Discográfica:   Varese Sarabande The soundtrack for the 1997 film, I Know What You Did Last Summer, is making its debut on vinyl. The film was written by Scream scribe Kevin Williamson. It went on to be a huge hit to the tune of $125 million at the domestic box office. The soundtrack features music by The Offspring, L7, Soul Asylum, Toad The Wet Sprocket, Korn, and many more huge bands of the 90's. The album will be released as a 2-LP set with new original animated artwork by acclaimed LP cover artist, Ghoulish Gary Pullin. Original CD art appears within the gatefold jacket.

KING CURTIS & THE KING PINS ´I was made to love her` 1968 KING CURTIS & THE KING PINS ´I was made to love her` 1968 KING CURTIS & THE KING PINS ´I was made to love her` 1968 VG++/VG++ A:´ I was made to love her` B:´ I never loved a man´ Los gastos del envio corren de cuenta del comprador. Envio una vez recibido el pago por transferencia bancaria. Los gastos salen más económicos cuando se piden varios discos. Para cualquier tipo de duda no dudes en contactar conmigo. Envios por correo certificado 1 LP                                   6€                                             Hasta 8 LP´s                   8€ 1 SINGLE                        4,50€ Envios por correo ordinario 1 LP                               3,80€                                 Hasta 8   LP´s             5,85 1 Single                         3€ Hasta   2KG                 5,50€

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

DEMENTED ARE GO! - IN SICKNESS AND IN HEALTH DEMENTED ARE GO! - IN SICKNESS AND IN HEALTH One of the undisputed classics of the psychobilly wave, up there with the Meteors' In Heaven and Held Down At Last by Guana Batz, Demented Are Go's 1986 debut album combines absolutely smokin' hot rockabilly with the fury of British Punk and song lyrics that can only be described as, um, demented. Glorious rock and roll hymns like Pervy in the Park, Transvestite Blues, and (I Was Born on a) Busted Hymen (not to mention the craziest version of Gene Vincent's classic Be Bop A Lula ever made!) speak for themselves. A must!

simon & garfunkel / parsley,sage,rosemary and thyme 66, Scarborough FaiR, RARA ORIG. EDIT. USA !! EX simon & garfunkel / parsley,sage,rosemary and thyme 66, Scarborough FaiR, RARA ORIG. EDIT. USA !! EX ES UNO DE MIS ALBUNES PREFERIDOS DE TODOS LOS TIEMPOS..  ES COMPLICADO QUEDARSE CON UN SOLO TEMA DEL DUO QUE PLASMARON EN ESTE ALBUN DE 1966, TOCADOS POR ALGO SOBRENATURAL A LA HORA DE COMPONER Y DE UTILIZAR SUS VOCES. Y ARMONIAS EN AQUELLA MITAD DE LOS GLORIOSOS AÑOS 60. LA PRODUCION DE SUS DISCOS REALIZADAS EN SU MAYORIA POR EL GRAN BOB JOHNSON, UN ABSOLUTO GENIO QUE CONSIGUIO QUE ESTOS DISCOS SEAN ETERNOS Y QUE ESCUCGADOS 50 AÑOS DESPUES SIGAN EMOCIONANDO Y DESLUMBRANDONOS A TODOS POR SUS ARREGLOS Y SONIDO LIMPIO.. Parsley, Sage, Rosemary and Thyme es el tercer álbum de Simon & Garfunkel, que significa Perejil, salvia, romero, y tomillo, haciendo referencia a la segunda línea de la canción Scarborough Fair. Publicado el 10 de octubre de 1966, se convirtió en disco de oro y alcanzó el cuarto puesto en los listados de éxitos. El disco está compuesto en su mayoría por algunas temas grabados anteriormente por Simon.  UNA ABSOLUTA OBRA MAESTRA DE TODOS LOS TIEMPOS. sin duda uno de los albunes que mas he disfrutado, temas que ponen los pelos de punta y donde el duo es perfecto, sus voces son de terciopelo art y simon hacen que se les escuchen cada matiz y detalle de sus tonos, temas emblematicos como escarborough fair hoy en dia me sigue emocionando o el The 59th Street Bridge Song que maravilla casi cantado a pelo solo con sus voces y una acustica, el tema Flowers Never Bend With the Rainfall..autentico folk pero como ese algo diferente que ellos tenian...siempre delicados,sensibles..y asi es todo el albun una verdadera obra maestra que no tienes que perderte. Hermoso disco, como así son las apacibles melodías y la bella combinación de voces de sus autores e intérpretes, líricos declarantes de una generación reivindicativa en un escenario de decisivos cambios, como fue la incorporación de la protesta y demanda juvenil en el ámbito sociocultural y político, fruto, entre otros muchos factores, de la madurez aportada al rock y el pop por los músicos procedentes del folk, avezados poetas de cariz social. Este es un álbum con sonoridades acústicas de folk pop barroco con apoyos de clavicordios y alegóricas historias de matiz antibélico, exposiciones de angustia existencial en cálidas tonalidades, refugio interno en el hogar conocido, rítmicas piezas satíricas que se burlan del consumismo desaforado, delicados cánticos de apariencia optimista, simpáticos ejercicios dylanianos, entonaciones líricas con comentario social, recuerdos para la gran poetisa Emily Dickinson o el tradicional "Noche de Paz" arrullando apuntes sobre la guerra del Vietnam y la protección de los derechos civiles. El disco, producido por el gran Bruce Johnston, presenta unos fenomenales arreglos vocales de Art Garfunkel, siempre a la sombra compositiva del maestro Paul Simon, quien nos regala joyas, al margen de los grandes clásicos del álbum (entre ellos "Scarborough Fair" o "Homeward Bound"), como "The Dangling Conversation" o la maravillosa "Flowers never bend with the rainfall", todo un prodigio de sensibilidad y talento melódico. Flowers Never Bend With the RainfallThe 59th Street Bridge Song "Parsley, Sage, Rosemary and Thyme" (Columbia). Simon y Garfunkel habían dejado atrás su imagen de dúo adolescente fabricante de éxitos pegadizos para dar paso a personas más interesadas en buscar nuevas sonoridades para sus canciones cada vez más relacionadas con la sociedad convulsa que les tocó vivir. Esto ocurría con mayor vehemencia cuando grabaron su tercer elepé, un disco que llevaba en el título las palabras de una vieja canción de Inglaterra, arreglada por Simon y Garfunkel. Esta pieza, que abre el álbum, y la última, "O' Clock News/Silent Night", son las únicas de procedencia foránea, aunque el dúo superpusiera algunos versos propios de claro contenido social y antibelicista. El repertorio se completa en este disco con grandes composiciones de Paul Simon: "Patterns", "Cloudy", "Flowers Never Bend with the Rainfall" o "For Emily, Whenever I May Find Her", que convierten a "Parsley, Sage, Rosemary and Thyme" en uno de los mejores elepés de la década, en pleno reinado del folk-rock y del Dylan electrizado. La larga sombra de la influencia de este último se aprecia en "A Simple Desultory Philippic", pero el dúo ya adulto se convirtió en una referencia para muchos grupos y solistas que supieron apreciar sus cualidades melódicas y vigorosas composiciones, las cuales abundaban en su tercer elepé. La portada se realizó con una fotografía de Bob Cato con el título en letras góticas. En España se hizo una carátula diferente en la que se incluía un dibujo de los rostros de Simon y Garfunkel.   Músicos: Paul Simon (guitarra y voz), Art Garfunkel (teclado y voz), Bob Johnson (producción).   Side One: 1. Scarborough Fair / Canticle 2. Patterns 3. Cloudy 4. Homeward Bound 5. The Big Bright Green Pleasure Machine 6. The 59th Street Bridge Song (Feelin' Groovy) Side Two: 1. The Dangling Conversation 2. Flowers Never Bend With The Rainfall 3. A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission) 4. For Emily, Whenever I May Find Her 5. A Poem On The Underground Wall 6. 7 O'Clock News / Silent Night

COPELAND RUTH - I AM WHAT I AM COPELAND RUTH - I AM WHAT I AM Discográfica:   Demon Records Limited 180gm vinyl LP pressing with printed inner sleeve. Durham born Ruth Copeland was an unusual signing to the Invictus label but her folk-funk albums have become cult items in recent years. Collaborations with her husband Jeffrey Bowen, George Clinton and members of Funkadelic, this is her highly acclaimed second album and is hard to find on original pressing. Funk/Rock classic, 'I am What I Am' has never been available on vinyl since it's 1972 initial release and features the club classis 'Gimme Shelter'.

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

Bright Orange Spectacle ‎– She Could Get Better / I Was Never Right For You UK,2019 Bright Orange Spectacle ‎– She Could Get Better / I Was Never Right For You UK,2019

KISS ROCK AND ROLL ALL NIGHT/ I WAS MADE FOR LOVIN' YOU ORIGINAL USA 1979 RARO VG++ KISS ROCK AND ROLL ALL NIGHT/ I WAS MADE FOR LOVIN' YOU ORIGINAL USA 1979 RARO VG++ KISS ROCK AND ROLL ALL NIGHT/ I WAS MADE FOR LOVIN' YOU ORIGINAL USA 1979  ESTADO VG++ ESCUCHAR (TEMAS NO SACADOS DEL DISCO OFERTADO) https://www.youtube.com/watch?v=B_oFiNdp8UQ https://www.youtube.com/watch?v=zlSFmotba2I

GOLDEN ERA OF HITS, 2 LP, ”WHISTLING” JACK SMITH - I WAS KAISE BILL´S BATMAN + 21, AÑO 1972 GOLDEN ERA OF HITS, 2 LP, ”WHISTLING” JACK SMITH - I WAS KAISE BILL´S BATMAN + 21, AÑO 1972 "WHISTLING" JACK SMITH, 2 LP, I WAS KAISER BILL´S BATMAN / ALAN PRICE SET  - I PUT A SPELL ON YOU / CHRISPIAN ST. PETERS  - THE PIED PIPER / U. K. JONES  - LET ME TELL YA / JONATHAN KING  - EVERYONE´S GONE TO THE MOON / LULÚ  - SHOUT /// CHRIS ANDREWS  - YESTERDAY MAN / PAUL & BARRY RYAN  - KEEP IT OUT OF SIGHT / VAL DOONICAN  - WHAT WOULD I BE / BRIAN POOLE & THE TREMELOES  - TWIST AND SHOUT / TWINKLE  - TERRY ///// BILLIE DAVIS  - I WANT YOUTO BE MY BABY / THE FORTUNES  - YOU´VE GOT YOUR TROUBLES / BILLY FURY  - HALFWAY TO PARADISE / ANDEE SILVER  - TE QUIERO, I LOVE YOU / THE CASUALS  - TOY / CAT STEVENS  - MATTHEW AND SON /// THE BARCHELORS  - RAMONA / JET HARRIS & TONY MEEHAN  - SCARLET O´HARA / BOBBY HANNA  - WRITTEN ON THE WIND / THE TORNADOS  - CHATTANOGA CHOO CHOO / THE CALIFORNIANS  - CONGRATULATIOS,  AÑO 1972, DECCA DCS 15.034 GOLDEN ERA OF HITS Gastos de envío por correo ordinario:  1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -      

Billy Fury. Halfway to paradise/ Last night was made for love/ Once upon a dream. Decca, UK 1962 ep Billy Fury. Halfway to paradise/ Last night was made for love/ Once upon a dream. Decca, UK 1962 ep Billy Fury. Halfway to paradise/ I'd never find another you/ Last night was made for love/ Once upon a dream. Decca, UK 1962 ep + cubierta genérica usado pero sin problemas

TOM JONES (SN) I’LL NEVER FALL IN LOVE AGAIN AÑO – 1967 TOM JONES (SN) I’LL NEVER FALL IN LOVE AGAIN AÑO – 1967   TOM JONES (SN) I’LL NEVER FALL IN LOVE AGAIN AÑO – 1967   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.  ".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

PRINCE (MAXI) IF I WAS YOUR GIRLFRIEND (2 TRACKS) AÑO 1987 PRINCE (MAXI) IF I WAS YOUR GIRLFRIEND (2 TRACKS) AÑO 1987 PRINCE (MAXI) IF I WAS YOUR GIRLFRIEND (2 TRACKS) AÑO 1987   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL Discográfica:   Omnivore Recordings There are few names woven more tightly into the fabric of American music, politics, and history than Woody Guthrie. In 1952, Guthrie wrote and recorded a song at home titled ''I Don't Like The Way This World's A-Treatin' Me.'' The track appears on vinyl for the first time on a limited edition 10'' of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco's Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy in 2000. If those two tracks weren't enough, I Don't Like The Way This World's Treatin' Me includes two versions of ''Beech Haven Ain't My Home'' (aka ''Old Man Trump''), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician's Collective's Ryan Harvey combined them, with music composed by Johnny Irion (husband and musical partner of Woody's granddaughter Sarah Lee Guthrie). This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against The Machine/Auidoslave), and another from Irion's band U.S. Elevator. Available exclusively for Record Store Day as a 10'' EP, I Don't Like The Way This World's A-Treatin' Me is not only an historic, but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album's notes: ''These songs were mostly written well over half a century ago, but they are songs for our times to be sure.'' It is truly time for this music to be heard. KEY SELLING POINTS * Limited edition vinyl pressing for Record Store Day. * Features the first official release of Guthrie's 1952 demo on vinyl, plus a version with new accompaniment from Jeff Tweedy (Wilco)