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FEARGAL SHARKEY (ex THE UNDERTONES) - Loving you / Is this an explanation? (Single 45 rpm) FEARGAL SHARKEY (ex THE UNDERTONES) - Loving you / Is this an explanation? (Single 45 rpm) FEARGAL SHARKEY                                                           1 - Loving you                                                                         2 - Is this an explanation? La portada está muy buena, el vinilo está excelente. Editado en España, año 1985, VIRGIN VS 770. Sleeve is very good, vinyl is excellent. Year 1985, VIRGIN VS 770. Spanish pressing.

GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL GUTHRIE WOODY - I DONT LIKE THE WAY THIS WORL Discográfica:   Omnivore Recordings There are few names woven more tightly into the fabric of American music, politics, and history than Woody Guthrie. In 1952, Guthrie wrote and recorded a song at home titled ''I Don't Like The Way This World's A-Treatin' Me.'' The track appears on vinyl for the first time on a limited edition 10'' of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco's Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy in 2000. If those two tracks weren't enough, I Don't Like The Way This World's Treatin' Me includes two versions of ''Beech Haven Ain't My Home'' (aka ''Old Man Trump''), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician's Collective's Ryan Harvey combined them, with music composed by Johnny Irion (husband and musical partner of Woody's granddaughter Sarah Lee Guthrie). This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against The Machine/Auidoslave), and another from Irion's band U.S. Elevator. Available exclusively for Record Store Day as a 10'' EP, I Don't Like The Way This World's A-Treatin' Me is not only an historic, but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album's notes: ''These songs were mostly written well over half a century ago, but they are songs for our times to be sure.'' It is truly time for this music to be heard. KEY SELLING POINTS * Limited edition vinyl pressing for Record Store Day. * Features the first official release of Guthrie's 1952 demo on vinyl, plus a version with new accompaniment from Jeff Tweedy (Wilco)

David Gilmour: On an Island (digibook) David Gilmour: On an Island (digibook) David Gilmour: On an Island. EMI, 2006. El CD viene insertado en la cubierta interior trasera de un digibook de tapas duras de 20 páginas, que incluye las letras de las canciones (en inglés). Estado del disco y digibook: todo como nuevo. El conjunto presenta el aspecto de haber sido recién desprecintado y escuchado una o muy pocas veces. El disco no presenta el menor desperfecto bajo cualquier ángulo de luz. Gastos de envío: 1 €. Si se adquieran cinco o más títulos, los gastos de envío corren a cargo del vendedor. Consulta los demás artículos que tengo a la venta. Track listing: 1. Castellorizon 2. On An Island 3. The Blue 4. Take A Breath 5. Red Sky At Night 6. This Heaven 7. Then I Close My Eyes 8. Smile 9. A Pocketful Of Stones 10. Where We Start

C IS FOR CURIOUS: AN ABC OF FEELINGS C IS FOR CURIOUS: AN ABC OF FEELINGS DE Hubbard, Woodleigh. Chronicle Books, 1990. Texto en inglés. Infantil y juvenil. Profusamente ilustrado con dibujos color. 34 pp. 25 x 26. Tapa dura con sobrecubierta de editorial ilustrada. Sin subrayados. Buen estado de conservación. ISBN: 9780877016793. Raging dragons, leaping cows, and baseball playing dogs all come together in this zany collection that explores a host of feelings from A(ngry) to Z(ealous). Brilliantly colored and brimming with endearing creatures, Woodleigh Hubbard's exuberant illustrations will charm even the youngest reader. The bold graphic composition, the humorous detail, and the universality of the emotions will appeal to readers of every age. Perfect for discussion time or playtime,  C ls for Curious  is an animated, colorful, and altogether unique look at feelings.

The Beatles Spread The Word An Intimate Radiophonic Experience CD The Beatles Spread The Word An Intimate Radiophonic Experience CD THE BEATLES Spread The Word - An Intimate Radiophonic Experience " CD  del sello "The Golden Eggs".   A sister release to the famous WCBN bootleg, this release has the best available version of the WKBW acetate broadcast and is filled with some of the best ‘Get Back’ stereo recordings that we could find. WKBW exclusive: One After 909 Link Track Don’t Let Me Down Dig A Pony Across The Universe Get Back For You Blue Teddy Boy Two Of Us - Maggie Mae Dig It Let It Be The Long And Winding Road Twickenham rehearsals in stereo: Dig A Pony (7.106) Suzy Parker (9.39) I’ve Got A Feeling (7.44,45,46) Mean Mr. Mustard (14.32) Watching Rainbows (14.33,34,35) Improvisation (7.74) For You Blue (9.21,22) Me Mine (8.108,109) Don’t Let Me Down (7.122) Dig It (9.91,93,94,83) ‘Goodnight’ (6.xx) DDSI numbers as above En caja de cartrón y libreto interior con 4 paginas, funda de PVC. EGG 155

This text celebrates the diverse, innovative nature of Hellenic culture. It provides an introduction to this fascinating civilisation and its art, ranging from magnificent buildings and sculptures of gods, goddesses and heroes, to exquisite ceramics and jewellery.. Duncan Baird.. Año 2004.

This beautifully illustrated book clearly documents the many and often bizarre ways in which insects have responded to the great evolutionary imperative of "adapt or perish." With over 250 color photographs and an easy-to-read text, this book presents many observations that will both startle and inform.. Oxford University Press. España. Año 1985. 1ª edición

This Canon EOS 7D Mark II DSLR camera features a 20.2-megapixel CMOS sensor and comes with an EF-S 18-135mm IS STM lens, so you can capture clear images and videos. Built-in GPS allows you to add location information. What's Included Canon EOS 7D Mark II DSLR Camera EF-S 18-135mm IS STM lens Battery pack Battery charger, interface cable Wide strap, EOS DIGITAL solution disc Eyecup, camera cover Battery cover, lens cap, lens dust cap Owner's manual Condition: ( New )sealed in the original box Warranty: 1 year international warranty Delivery: takes 1 to 2 days to arrive at your door step

This is an Elementary Level title in a series of ELT readers comprising a wide range of stories - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures.. Heinemann. Barcelona. Año 1992.

This is an Upper Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures. The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.. Heinemann.. Año 1992. 1ª edición

An Historical Survey. At first glance, the scope of this work may seem over-ambitius, to say the least.... Her majesty's Stationery Office. London. Año 1960. 1ª edición

This is an Intermediate Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures.. Heinemann.. Año 1992. 1ª edición

This is an Upper Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures.. Heinemann.. Año 1992. 1ª edición

This fully illustrated guide to the world's most-visited aviation and space museum is both an indispensable companion for visitors and a detailed history in itself of humanity's quest for flight.. Smithsonian Institution. Usa. Año 2010. 3ª edición

An incredible new pop-up treehouse from the creators of MY FAIRY WINTER WONDERLAND!Jump aboard the Cherryblossom Balloon and float over meadows to Blossom Orchard. This is where the Cherrytree Fairies live.. Macmillan Children's. España. Año 2006. 1ª edición

This book provides a general history of Latin America in the period between the European conquest and the gaining of independence by the Spanish American countries and Brazil (approximately 1492–1825). It is both an introduction for the student at the college. Cambridge. UK. Año 1983.

An exciting addition to the hugely successful Mr Men and Little Miss ranges. The four best-selling Mr Men and Little Miss characters can now be enjoyed in a big picture book format. This enlarged size is perfect for use in schools, especially during class reading. Parents will also love the increased size of the text as they read these well-loved stories along with their child.. Egmont Books, Limited. UK. Año 2004.

An introduction to the Earth, this text contains nine spreads, each focusing on a different aspect of the subject. There is a true-or-false quiz on every spread, with answers at the back of the book.. Walker Books.. Año 1999. 1ª edición

This is the most comprehensive paperback edition available and includes an introduction and extensive notes... UK. Año 1976.

This deluxe, entertaining dream guide showcases the experience and savoir-faire of such luminaries as Prince Charles on architecture, Arnold Palmer on favorite golf courses, Luciano Pavarotti on opera houses, and Baron Philip de Rothschild on the best vintages. Scores of experts name the 10 best islands, poshest pubs and polo clubs, best things to do on Sundays afternoons in the world's best cities, and a treasure trove of musts for the high-end traveler or anyone who aspires to be. The 2008 edition is expanded with much new material--latest discoveries of jet-set authors Nathaniel Lande an

This sturdy, shaped board book is an ideal first counting book -- perfect for small hands!. Count from 1 to 10 with Elmer, everyone's favourite patchwork elephant!. Andersen Press.. Año 2007. 1ª edición

This is an Intermediate Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures.. Heinemann. UK. Año 1993.

This exploration of world history takes an interdisciplinary, global (rather than a regional or national) approach. Prentice Hall.. Año 1995. 7ª edición

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.  

PINNELL JEREMY - TIES OF BLOOD & AFFECTION PINNELL JEREMY - TIES OF BLOOD & AFFECTION Discográfica:   SofaBurn When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. This unassuming northern Kentucky singer-songwriter sauntered and ripped through ten instant country classics that tracked as so confident and comfortable that it could have been mistaken for a seasoned musician's creative peak. The songs themselves, reverent of Americana's most enduring traditions, presented the man's scope - his misadventures, loves, failures, and contradictions. Hailed as ''Hard-scrabble Honky Tonk at its finest'' -Rolling Stone Country and a '';mind-blowingly good'' (Greg Vandy, KEXP) ''tutorial on classic country music'' (Popmatters), Pinnell's debut immediately differentiated as authentic and unflinching. Dogged touring through Europe and the states and celebrated radio sessions followed, cementing Pinnell's position as a no-fuss master of his craft, an expansive storyteller with a steady gaze and calloused fingers - and that one impossible-to-top album. If OH/KY was the self-assured introduction of an unconventional new talent, his 2017 album Ties of Blood and Affection presents a canny lateral move. Instead of doubling down on the stark themes and values of his debut, this sophomore album finds Pinnell finding comfort in his own skin and achieving the redemption only hinted at in his previous batch of haunted songs. Here Pinnell embraces the working life, family obligations, and openly evaluates his relationship to faith. His new stories delve into acceptance and survival, all the while investigating his most challenging chapter yet: adulthood. While ''If life don't get any better / I'm alright with this'' isn't an out-right triumph, it's an honest revelation. Musically, Ties of Blood and Affection also maintains a comfortable and confident stride. Pinnell's songs are shot through with honest and classic elements; rooted in his steady acoustic guitar, the tunes chug along in a spring-reverb dream fro

DYLAN BOB - JOHN WESLEY HARDING DYLAN BOB - JOHN WESLEY HARDING Discográfica:   Mobile Fidelity Sound Lab Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation - but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness. The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fi

HALEY BILL & HIS COMETS - SEE YOU LATER ALLIGATOR HALEY BILL & HIS COMETS - SEE YOU LATER ALLIGATOR Discográfica:   Bear Family It's quite astonishing that Rock'n'Roll music was as popular in Brazil's blazing heat of the year 1956 as elsewhere. This is proved through this 10inch album, a reissue of an original Brazilian 1956 Bill Haley & His Comets platter,which is one of the rarest amongst hard-to-find albums, today. Bill Haley & His Comets already started to rock around the world with Rock Around The Clock in 1955 which was also the title song in the movie 'Blackboard Jungle'. He became the first boss of Rock and he eventually also reached the country of Brazil in 1956. Haley got millions of fans in Brazil and therefore he went on several tours throughout the country of Brazil during the following years. It started with two movies starring Bill Haley & His Comets, 'Rock Around The Clock', and 'Don't Knock The Rock', which found their ways into Brazilian movie theaters resulting into decisions by the record company Decca to issue Haley's records in slightly different forms in Brazil as well. Those platters are some of today's most sought-after collector's items because of their limited ordinance. Besides the title track on 'See You Later, Alligator - Rock'n'Roll com Bill Haley e seus Cometas', there are more hit-songs such as The Saints Rock'n'Roll, an adaption of the late standard When The Saints Go Marching In, Teenager's Mother (Are You Right?), plus some songs from the above mentioned movies, including the breath-taking instrumental Rudy's Rock, which features Haley's saxophone-man, Rudy Pompilli. All these songs are not only music history but dancefloor fillers! This music gets you in the mood to dance, to rock around the clock!We added two bonus tracks to the song lineup of the original album for your extra pleasure. Both bonus tracks were recorded in 1956. Two Hound Dogs could've been meant as an answer song to Presley's Hound Dog. The second bonus song, Hide And Seek, is sung by Billy Williamson of the Comets.

SUICIDAL TENDENCIES - GET YOUR FIGHT ON SUICIDAL TENDENCIES - GET YOUR FIGHT ON Discográfica:   Suicidal Records Legendary punk-rockers, Suicidal Tendencies are back with this 10 track release that includes `Get Your Fight On' from the 2016 album World Gone Mad. This release has 3 new versions of the song; an acoustic version with Travis Barker on drums, an instrumental lead guitar version, and an instrumental bass version. The remaining 6 tracks are new recordings that has Dave Lombardo (Slayer) returning as drummer. Translucent yellow vinyl with download card.

FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC ULTRA RARO albun..!!!.. SOLIDA EDICION ORIGINAL CON VINILO EN EXC ESTADO.. GRUESA CARPETA QUE CONTIENE EL ORG ENCARTE DEL SELLO REPRISE-BIZARRE EN GRAN ESTADO Y SIN CODIGOS DE BARRA, VINILO EN EXC CONDICION !! GRAN COPIA   A1 Alice Cooper - Titanic Overture Producer, Written-By - Alice Cooper 1:09   A2 Captain Beefheart And His Magic Band - The Blimp (Mousetrapreplica) Producer - Frank Zappa Written-By - Don Van Vliet 2:04   A3 Judy Henske And Jerry Yester - Horses On A Stick Producer - Jerry Yester, Zal Yanovsky 2:10   A4 Tim Buckley - I Must Have Been Blind Producer, Written-By - Tim Buckley 3:40   A5 Wild Man Fischer - Merry-Go-Round Producer - Frank Zappa Written-By - Larry Fischer* 1:56   A6 Alice Cooper - Reflected Producer - Alice Cooper 3:10   A7 Tim Dawe - Little Boy Blue Arranged By, Producer - Jerry Yester 2:15   A8 Lord Buckley - The Train Engineer, Producer - Lyle Griffin 2:24   B1 Jeff Simmons - Lucille Has Messed My Mind Up Engineer - Chris Huston Guitar, Written-By - Frank Zappa Producer - La Marr Bruister 3:14   B2 Captain Beefheart And His Magic Band - Old Fart At Play Producer - Frank Zappa Written-By - Don Van Vliet 1:54   B3 Mothers Of Invention, The* - Valarie Producer, Written-By - Frank Zappa 2:15   B4 GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) Composed By, Producer - Lowell George Lyrics By, Vocals - Miss Pamela* 2:19   B5 Frank Zappa - Willie The Pimp Producer - Frank Zappa Vocals - Captain Beefheart Written-By - Frank Zappa     Notes From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. This Frank Zappa-oriented release is part of the series, although this particular compilation is also geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. These two labels were manufactured and distributed by Reprise Records. This Frank Zappa-oriented 'Zapped' release is the 6th issue in the series, a compilation geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. (These two labels were manufactured and distributed for Reprise Records by Warner Bros. Records from mid 1969 [Previously 7Arts]). The black & white cover of this PRO 368 release has a portrait of Zappa and the title is "Zapped" without an accent over the 'e' (as on a subsequent/similar PRO 368 release with a 'collage' cover & Reprise label). This vinyl's label is pale blue with a dark blue 'Bizarre' text. Issues did occasionally appear later in retail outlets, particularly in Australia.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]