Grease is word

GREASE BANDA SONORA ORIGINAL DOBLE LP GREASE BANDA SONORA ORIGINAL DOBLE LP GREASE  BANDA SONORA ORIGINAL LP DISCO VINILO DOBLE CON JOHN TRAVOLTA Y OLIVIA NEWTON-JOHN, TODO UN CLÁSICO. COMO CURIOSIDAD DECIR QUE EL PRIMER DISCO ES EDICIÓN MADE IN GERMANY PISTAS – Frankie Valli Grease 3:24 – John Travolta  &  Olivia Newton-John Summer Nights 3:36 – Olivia Newton-John Hopelessly Devoted To You 3:00 – John Travolta  &  Olivia Newton-John You're The One That I Want 2:47 – John Travolta Sandy 2:30 – Frankie Avalon Beauty School Drop-Out 4:02 – Stockard Channing Look At Me, I'm Sandra Dee 1:38 – John Travolta Greased Lightnin' 3:12 – Cindy Bullens It's Raining On Prom Night 2:57 – Unknown Artist Alone At A Drive-In Movie (Instrumental) 2:22 – Sha-Na-Na Blue Moon 2:18 – Sha-Na-Na Rock 'N' Roll Is Here To Stay 2:00 – Sha-Na-Na Those Magic Changes 2:15 – Sha-Na-Na Hound Dog 1:23 – Sha-Na-Na Born To Hand-Jive 4:39 – Sha-Na-Na Tears On My Pillow 2:06 – Louis St. Louis  &  Cindy Bullens Mooning 2:12 – Cindy Bullens Freddy, My Love 2:40 – Louis St. Louis Rock 'N' Roll Party Queen 2:08 – Stockard Channing There Are Worse Things I Could Do 2:18 – Olivia Newton-John Look At Me, I'm Sandra Dee (Reprise) 1:20 – John Travolta  &  Olivia Newton-John We Go Together 3:14 – Unknown Artist Love Is A Many Splendored Thing (Instrumental) 1:23 – Frankie Valli Grease (Reprise) 3:24   Los discos de vinilo pueden presentar defectos, imperfecciones o ralladuras propias del material, que no impiden su locución.   Vinyl records may have defects, imperfections or scratches of the material, which do not prevent his speech. VER FOTOS REALES.

GREASE / ORIGINAL SOUNDTRACK / BANDA SONORA / BSO / JOHN TRAVOLTA & OLIVIA NEWTON-JOHN / CD GREASE / ORIGINAL SOUNDTRACK / BANDA SONORA / BSO / JOHN TRAVOLTA & OLIVIA NEWTON-JOHN / CD CONTENIDO: 1 –Frankie Valli Grease Written-By, Producer – Barry Gibb 3:25 2 –John Travolta / Olivia Newton-John & Unknown Artist Summer Nights 3:36 3 –Olivia Newton-John Hopelessly Devoted To You 3:05 4 –John Travolta / Olivia Newton-John You're The One That I Want 2:49 5 –John Travolta Sandy 2:35 6 –Frankie Avalon Beauty School Dropout 3:59 7 –Stockard Channing Look At Me, I'm Sandra Dee 1:40 8 –John Travolta Greased Lightning 3:14 9 –Cindy Bullens It's Raining On Prom Night 2:52 10 –Unknown Artist Alone At The Drive-In-Movie 2:25 11 –Sha-Na-Na Blue Moon 2:23 12 –Sha-Na-Na Rock 'N' Roll Is Here To Stay 2:02 13 –Sha-Na-Na Those Magic Changes 2:18 14 –Sha-Na-Na Hound Dog 1:25 15 –Sha-Na-Na Born To Hand Jive 4:39 16 –Sha-Na-Na Tears On My Pillow 2:03 17 –Louis St. Louis & Cindy Bullens Mooning 2:15 18 –Cindy Bullens Freddy My Love 2:48 19 –Louis St. Louis Rock 'N' Roll Party Queen 2:11 20 –Stockard Channing There Are Worse Things I Could Do 2:23 21 –Olivia Newton-John Look At Me, I'm Sandra Dee (Reprise) 1:30 22 –John Travolta / Olivia Newton-John & Unknown Artist We Go Together 2:59 23 –Unknown Artist Love Is A Many Splendored Thing 1:23 24 –Frankie Valli Grease (Reprise) Written-By, Producer – Barry Gibb 3:24   NO SE ADMITEN OFERTAS SOBRE EL ARTÍCULO

GREASE / O.S.T. - GREASE / O.S.T. GREASE / O.S.T. - GREASE / O.S.T. Discográfica:   Polydor In 1978 the Grease soundtrack became a phenomenon. Its good-natured combination of doo wop and early rock & roll is infectious and charming, due in no small part to John Travolta and Olivia Newton-John's charismatic, engaging performances. They sing the majority of the tracks including Summer Nights, Hopelessly Devoted To You, You're the One That I Want, Greased Lightnin' and more. Available on standard weight vinyl in a gatefold package.

CHICAGO. LONELINESS IS JUST A WORD. LOWDOWN. CBS 1971 CHICAGO. LONELINESS IS JUST A WORD. LOWDOWN. CBS 1971 CHICAGO. LONELINESS IS JUST A WORD. LOWDOWN. CBS 1971 ENVIO ORDINARIO 2,50 € ENVIO CERTIFICADO 4 €

BLANCMANGE - I've seen the word / God's kitchen (Single 45 rpm) BLANCMANGE - I've seen the word / God's kitchen (Single 45 rpm) 1 - I've seen the word                                                                         2 - God's kitchen La portada está excelente, el vinilo está excelente. Editado en UK, año 1982, LONDON BLANC 1. Sleeve is excellent, vinyl is excellent. Year 1 982, LONDON BLANC 1. UK pressing.

Eurythmics: Peace is just a word + 3, CD CD-ROM promo BMG / The Sunday Times. UK, 2000 Eurythmics: Peace is just a word + 3, CD CD-ROM promo BMG / The Sunday Times. UK, 2000

SKYHOOKS - EGO IS NOT A DIRTY WORD - MERCURY - 1975 SKYHOOKS - EGO IS NOT A DIRTY WORD - MERCURY - 1975 AÑO: 1975 MERCURY

The Beatles Spread The Word An Intimate Radiophonic Experience CD The Beatles Spread The Word An Intimate Radiophonic Experience CD THE BEATLES Spread The Word - An Intimate Radiophonic Experience " CD  del sello "The Golden Eggs".   A sister release to the famous WCBN bootleg, this release has the best available version of the WKBW acetate broadcast and is filled with some of the best ‘Get Back’ stereo recordings that we could find. WKBW exclusive: One After 909 Link Track Don’t Let Me Down Dig A Pony Across The Universe Get Back For You Blue Teddy Boy Two Of Us - Maggie Mae Dig It Let It Be The Long And Winding Road Twickenham rehearsals in stereo: Dig A Pony (7.106) Suzy Parker (9.39) I’ve Got A Feeling (7.44,45,46) Mean Mr. Mustard (14.32) Watching Rainbows (14.33,34,35) Improvisation (7.74) For You Blue (9.21,22) Me Mine (8.108,109) Don’t Let Me Down (7.122) Dig It (9.91,93,94,83) ‘Goodnight’ (6.xx) DDSI numbers as above En caja de cartrón y libreto interior con 4 paginas, funda de PVC. EGG 155

Pop Will Eat Itself ‎– This Is The Day...This Is The Hour...This Is This!, UK & Europe 1989 RCA Pop Will Eat Itself ‎– This Is The Day...This Is The Hour...This Is This!, UK & Europe 1989 RCA Lista de pistas A1 PWEI Is A Four Letter Word 1:12 A2 Preaching To The Perverted 4:16 A3 Wise Up Sucker 3:17 A4 Sixteen Different Flavours Of Hell 2:03 A5 Inject Me 4:31 A6 Can U Dig It 4:32 A7 The Fuses Have Been Lit 4:02 B1 Poison To The Mind 0:58 B2 Def Con One 4:00 B3 Radio P.W.E.I. 4:17 B4 Shortwave Transmission On "Up To The Minuteman Nine" 1:02 B5 Satellite Ecstatica 4:37 B6 Not Now James, We're Busy 3:08 B7 Wake Up, Time To Die 7:21

Sello: Don Disco DDP 009 MX, Don Disco DDP-009-MX Formato: Vinyl, 12", 45 RPM País: Spain Publicado: 1987 Género: Electronic Estilo: Synth-pop, Disco 5-3

T.S.O.L.: MAN AND MACHINE / WEATHERED STATUES / THOUGHTS OF YESTERDAY / WORD IS. TREMENDO PUNK U.S.A T.S.O.L.: MAN AND MACHINE / WEATHERED STATUES / THOUGHTS OF YESTERDAY / WORD IS. TREMENDO PUNK U.S.A T.S.O.L.: Man and machine / Weathered statues / Thoughts of yesterday / Word is. Tremendo Punk U.S.A.  Originalmente publicado en 1982 1.982 Original U.S.A. ALTERNATIVE TENTACLES VIRUS 10 Portada MINT- / Vinilo MINT- / Etiquetas MINT-. Muy buen estado, absolutamente nuevo. Es el artículo de las fotos

Black Sabbath Picture Disc Single Turn Up The Night/ Lonely is the Word UK Dio Black Sabbath Picture Disc Single Turn Up The Night/ Lonely is the Word UK Dio Picture Disc Single en edición inglesa con referencia SAB P6.contiene dos temas Turn Up The Night y Lonely is the Word,en funda de pvc.muy buen estado. Se envía bien protegido según tarifas de Correos.

CHICAGO /INFORMACION SECRETA / SOLEDAD ES SOLO UNA PALABRA / LAWDOWN / LONELINESS IS JUST A WORD CHICAGO /INFORMACION SECRETA / SOLEDAD ES SOLO UNA PALABRA / LAWDOWN / LONELINESS IS JUST A WORD FUNDA     Y VINILO BIEN

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA EBERHARD SCHOENER (STING / ANDY SUMMERS) - VIDEO MAGIC - VINILO ORIGINAL 1978 HARVEST ALEMANIA A raíz de su colaboración con Jon Lord, más conocido por ser el teclista de los Deep Purple, Andy Summers entró en contacto con Eberhard – quien se encargaba por aquel entonces de orquestar algunos temas del álbum de Lord “Sarabande” (1976) – quien le ofreció la oportunidad de grabar en Munich varias pistas de guitarra para el proyecto que preparaba, “The book” (1977). Schoener quedó tan contento con el resultado que contrató a Andy para “Trance-formation” (1977), en donde tuvo absoluta libertad para grabar en los huecos que le dejaba la banda a la que acababa de vincularse, The Police.El numeroso y bien remunerado trabajo que ofrece Schoener pronto alcanza a los tres miembros de la banda – el conductor alemán no necesitaba un bajista pero cambió de opinión cuando escuchó cantar a Sting, decidiendo incluir también su voz en sus recargados espectáculos -, quienes aprovechan la estancia en Munich – en noviembre del 77 – para grabar un álbum, “Flashback” (1978) y dar alguna comparecencia en vivo. Después de que Police completara la grabación de su disco de debut, “ Outlandos d’amour ” (1978) y probara sus nuevas canciones aún como teloneros de grupos como Spirit o Steel Pulse, son requeridos nuevamente por Schoener para una gira que durante la segunda mitad de mayo del 78 les llevará por Munich, Ofenbach, Köln o Düsseldorf.  La actividad del grupo vuelve a ser interrumpida por los requerimientos de Schoener – quien en esta ocasión ya no cuenta con Stewart debido a que su hermano Miles le convence de que estas escapadas no son lo más adecuado para The Police – que les tiene preparado una gira por toda Alemania en enero del 79 en la que visitaran Berlín, Hamburgo, Bremen, Frankfurt o Hannover. Entre la maratoniana gira se saca tiempo para grabar un nuevo álbum, “ Video magic ” (1978) en la que se incluyen temas tan destacables como “ Speech behind speech ”, “ Natural high ” o “ Codeword Elvis ”. Sería la última vez que Eberhard contara con Sting y Andy como parte de su “Rock group” porque a su vuelta a Londres comprobaron que las reediciones de “ Can’t stand losing you ” y “ So lonely ” les había puesto en boca de todos. Su ascenso a partir de ahí fue imparable y meteórico. STING SOBRE EBERHARD SCHOENER “Él es un hombre con melena gris y con un rostro interesantemente lúgubre. Su rostro parece el de un aristócrata del siglo XVIII que de algún modo ha sido desplazado al siglo XX. Fue Andy Summers, el guitarrista de The Police quien nos presentó a todos hace muchos años. Andy nos llevó a Stewart y a mí a Munich en 1977 para trabajar con este director tan inusual. Eberhard Schoener necesitaba una banda de músicos versátiles para formar parte del show que estaba creando.Nosotros acabábamos de formar The Police y necesitábamos desesperadamente fondos para mantener con vida nuestros sueños de estrellato. tracks: •octogon •speech behind speech •natural high •code-word elvis •video-magic •night bound city •san francisco waitress •koan Featuring Sting (Police), Andy Summers (Police), Evert Fraterman and Olaf Kubler.  Eberhard Schoener is a German composer, conductor, arranger, and keyboard player.   Now let it be known that I am reviewing the original German print of Eberhard Schoener's Video Magic on the Harvest label, rather than a compilation called Video Magic released in 1979 that consisted of material from both Video Magic and Flashback (1978) (often called Video Flashback, especially later on to avoid confusion). Now this has got to be the most unusual thing on the face of the planet: to hear The Police do prog rock. On Schoener's previous album, Flashback, he had all three members, Sting, Andy Summers play on that album. I have to say I hadn't heard that one. With Video Magic, Stewart Copeland sat this one out, with Evert Fraterman in his place. I have to let you know that Schoener had Andy Summers play on many of his albums even way before The Police ever existed. The album opens with " Octagon ", which is an instrumental piece, dominated by Andy Summers guitar playing. Here, I get reminded so much more of Pink Floyd than anything The Police would ever do. Sting here is sticking to bass duty. " Speech Behind Speech " is a real trip: totally drenched with Mellotron, and Sting here is doing the singing. You know right away that Sting's voice is perfect for the usual music you expect the Police to do, but in a prog setting, it sounds really peculiar. " Natural High ", again has Sting doing vocals, it's about as close to The Police sound you're gonna get here, but it's still packed with Mellotron, and is actually an excellent song. All this Mellotron work came from Schoener himself. " Code Word Elvis " is largely an orchestral piece, no surprise, given that Eberhard Schoener had spent his time conducting orchestras. " Night Bound City " is a purely electronic piece that you know none of the dudes from The Police participated in, while " San Francisco Waitress " brings to mind Sting's post-Police solo albums like Dream of the Blue Turtles, especially because of the jazzy feel and sax (although sax here is by Olaf Kübler, who used a tenor sax, unlike Branford Marsalis who tended to soprano sax). The last piece, "Koan" is an instrumental piece that tends to be rather minimalist. Now this isn't going to be the greatest thing you'll ever hear. Police fans might find it a bit unsettling to see their heroes doing prog rock, and neither is it the most cohesive album out there (Schoener couldn't decide whether to do prog rock, electronic, or orchestral music), but if you're a proghead and you wonder what would happen if the Police were a prog rock band, give this album a try (you can also see that The Police would never be anywhere as popular as they were if they were a prog rock band, beside they came during the punk/new wave era and capitalized on that instead, which was to their benefit). But get this album if you can find it for cheap, which is what I did. Don't overspend. File this under: curiosity.