Lead with conviction

Detroit With Mitch Ryder ‎– Detroit -LP- Detroit With Mitch Ryder ‎– Detroit -LP-   More images Detroit (2)  With  Mitch Ryder  – Detroit Label: MCA Records  – 254 949 - 1,  MCA Records  – 254 949-1 (MCA 25970) Format: Vinyl, LP, Album, Reissue Country: Europe Released: 1987 Genre: Rock,  Pop Style: Rock & Roll Tracklist A1   Long Neck Goose 3:22 A2   Is It You (Or Is It Me) 4:06 A3   Box Of Old Roses 2:45 A4   It Ain't Easy 3:49 A5   Rock'N Roll 6:17 B1   Let It Rock 3:24 B2   Drink 5:38 B3   Gimme Shelter 4:58 B4   I Found A Love 6:31   Companies, etc. Manufactured By  –  Record Service GmbH Recorded At  –  Manta Sound Remixed At  –  RCA's Mid-America Recording Center, Chicago, Illinois Pressed By  –  Record Service Alsdorf Credits Bass  –  John Sauter Bass, Vocals  –  W. R. Cooke Congas, Tambourine  –  Dirty Ed Drums, Vocals  –  John (The Bee) Badanjak * Guitar  –  Brett Tuggle,  Mark Manko  (tracks: A1, A3, B1, B4) Keyboards  –  Harry Phillips (2) Keyboards, Harmonica  –  Boot Hill (3) Lead Guitar  –  Steve (Decator Gator) Hunter * Lead Vocals  –  Mitch Ryder Liner Notes  –  Dave Marsh   Barcode and Other Identifiers Barcode: 0 2292-54949-1 7 Label Code: LC 1056 Matrix / Runout (Runout stamped A side): R/S Alsdorf 254949-1-A Matrix / Runout (Runout stamped B side): R/S Alsdorf 254949-1-B Rights Society: GEMA / BIEM Price Code: Ⓤ Price Code (France): WE 381  

Aerosmith ‎– Done With Mirrors -LP- Aerosmith ‎– Done With Mirrors -LP-   More images Aerosmith  – Done With Mirrors Label: Geffen Records  – GEF 26695 Format: Vinyl, LP, Album, Stereo Country: Europe Released: 1985 Genre: Rock Style: Classic Rock,  AOR Tracklist A1   Let The Music Do The Talking 3:44 A2   My Fist Your Face 4:21 A3   Shame On You 3:38 A4   The Reason A Dog 4:11 B1   Shela 4:32 B2   Gypsy Boots 4:13 B3   She's On Fire 3:44 B4   The Hop 3:39   Companies, etc. Phonographic Copyright ℗  –  The David Geffen Company Copyright ©  –  The David Geffen Company Recorded At  –  Fantasy Studios Recorded At  –  Power Station Mastered At  –  Masterdisk Distributed By  –  CBS Records Credits Art Direction, Design  –  Norman Moore Bass  –  Tom Hamilton (2) Coordinator [Production]  –  Joan Parker Design Concept, Cover  –  Jeffrey Kent Ayeroff Drums  –  Joey Kramer Engineer [2nd]  –  Garry Rindfuss,  Stan Katayama,  Tom Size Engineer, Mixed By  –  Jeff Hendrickson Guitar  –  Brad Whitford Guitar, Backing Vocals  –  Joe Perry Lead Vocals, Piano, Harmonica  –  Steven Tyler Photography By  –  Jim Shea Producer  –  Ted Templeman Written-By, Performer  –  Aerosmith Notes Recorded at Fantasy Recording, Berkeley, California Additional Recording and Mixing at The Power Station, New York and Can-Am Recorders, Tarzana, California Includes custom inner sleeve. Barcode and Other Identifiers Label Code: LC 7266 Price Code (Boxed, sleeve rear): CB 291 Price Code (Circled, sleeve rear): 57 Other (Sleeve rear and inner sleeve): 01-026695-20 Rights Society: BIEM/STEMRA Matrix / Runout (Runout side A): SP-CBS 01-26695AM/A MASTERDISK GHS-24091.A REI SR-2 1-5 Matrix / Runout (Runout side B): 01-26695-B SP-CBS GHS.2. 4091-B SRI MASTERDISK 1-1SMI-2

Duke Ellington ‎– Plays With The Original Motion Picture Score Mary Poppins, UK 1970 Duke Ellington ‎– Plays With The Original Motion Picture Score Mary Poppins, UK 1970 Lista de pistas A1 A Spoonful Of Sugar 3:09 A2 Chim Chim Cheree 2:47 A3 Feed The Birds (Tuppence A Bag) 3:36 A4 Let's Go Fly A Kite 2:29 A5 Stay Awake 2:23 A6 I Love To Laugh 2:26 B1 Jolly 'Oliday 2:58 B2 Sister Suffragette 3:03 B3 The Perfect Nanny 4:06 B4 Step In Time (The Chimney Sweet Dance) 2:43 B5 The Life I Lead 3:39 B6 SupercalifragilIsticexpialidocious 2:24

Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander's face appears on-screen at her Matching ceremony, Cassia knows with complete certainty that he is her ideal mate... until she sees Ky Markham's face flash for an instant before the screen fades to black. The Society tells her it's a glitch, a rare malfunction, and that she should focus on the happy life she's destined to lead with Xander. But Cassia can't stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society's infallibilit

BEATLES / love songs 77 !! COMPLETA 1ª EDIC ORIG USA 2LP / 25 TEMAS + ENCARTES + LIBRETO 28 PAG, EXC BEATLES / love songs 77 !! COMPLETA 1ª EDIC ORIG USA 2LP / 25 TEMAS + ENCARTES + LIBRETO 28 PAG, EXC ** PODEMOS ENVIAR TU COMPRA HASTA TU DOMICILIO DEL MODO MAS ECONOMICO* DOBLE LP !!! !! 25 AÑOS VENDIENDO MATERIAL IMPORTADO ORIGINAL PARA COLECCIONISTAS DE TODO EL MUNDO !!!! ESTUPENDA Y COMPLETA 1ª EDIC. ORIG. USA CAPITOL, DOBLE LP CON LA PRECIOSA GRUESA CARPETA TEXTURADA SIN CODIGOS DE BARRA, GRAN FOTO CENTRAL DEL GRUPO CON LOS DORADOS Y TAMBIEN CONTIENE EL GRAN LIBRETO INTERIOR CON 28 PAGINAS..LIBRETO CON LUJOSA TEXTURA EN SUS PAGINAS gruesa carpeta en gran estado, presenta ligero desgaste, el vinilo esta practicamente eb impecable estado. LA DOBLE CARPETA EN SU INTERIOR PRESENTA GRAN FOTOGRAFIA DE THE BEATLES POSANDO, ES UNA  DE SUS MAS CLASICA FOTOGRAFIAS ESTA ALBUN PERTENECE A SU DISCOGRAFIA OFICIAL   Yesterday (2:08) Recorded: June 14, 1965 at Abbey Road, London, England Paul McCartney - lead vocal, Epiphone acoustic guitar Session musicians - string quartet I'll Follow the Sun (1:51) Recorded: October 18, 1964 at Abbey Road, London, England John Lennon - acoustic guitar, harmony vocal Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - lead guitar Ringo Starr - bongos I Need You (2:32) Recorded: February 15, 1965 at Abbey Road, London, England with overdubs added February 16, 1965 John Lennon - acoustic guitar, background vocal Paul McCartney - bass guitar, background vocal George Harrison - double-tracked lead vocal, lead guitar Ringo Starr - drums Girl (2:34) Recorded: November 11, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, background vocal George Harrison - sitar, background vocal Ringo Starr - drums In My Life (2:28) Recorded: October 18, 1965 at Abbey Road, London, England with the instrumental break overdubbed October 22, 1965 John Lennon - double-tracked lead vocal Paul McCartney - bass guitar, harmony vocal George Harrison - lead guitar Ringo Starr - drums George Martin - piano Words of Love (2:14) Recorded: October 18, 1964 at Abbey Road, London, England John Lennon - lead vocal, rhythm guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead guitar Ringo Starr - drums, packing case Here, There and Everywhere (2:26) Recorded: June 14, 1966 at Abbey Road, London, England with overdubs added June 16-17, 1966 John Lennon - background vocal Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - lead guitar, background vocal Ringo Starr - drums Something (3:03) Recorded: April 16, 1969 at Abbey Road, London, England and remade May 2, 1969 with overdubs added May 5, 1969, July 11, 1969, July 16, 1969 and August 15, 1969 John Lennon - lead guitar Paul McCartney - bass guitar, handclaps, background vocal George Harrison - double-tracked lead vocal, lead guitar, organ Ringo Starr - drums, handclaps, background vocal Session musicians - strings And I Love Her (2:31) Recorded: February 25-27, 1964 at Abbey Road, London, England John Lennon - acoustic guitar Paul McCartney - double-tracked lead vocal, acoustic guitar George Harrison - acoustic guitar solo, claves Ringo Starr - bongos If I Fell (2:22) Recorded: February 27, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead guitar Ringo Starr - drums I'll Be Back (2:21) Recorded: June 1, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, acoustic guitar, harmony vocal George Harrison - acoustic guitar Ringo Starr - drums Tell Me What You See (2:40) Recorded: February 18, 1965 at Abbey Road, London, England John Lennon - lead vocal, washboard guitar Paul McCartney - lead vocal, bass guitar, electric piano George Harrison - lead guitar, tambourine Ringo Starr - drums, claves Yes It is (2:42) Recorded: February 16, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums Michelle (2:42) Recorded: November 3, 1965 at Abbey Road, London, England John Lennon - acoustic guitar, background vocal Paul McCartney - lead vocal, bass guitar George Harrison - acoustic guitar, background vocal Ringo Starr - drums It's Only Love (1:59) Recorded: June 15, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar, tambourine Paul McCartney - bass guitar George Harrison - lead guitar Ringo Starr - drums You're Going to Lose That Girl (2:20) Recorded: February 19, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, piano, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums, bongos Every Little Thing (2:05) Recorded: September 29-30, 1964 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - lead vocal, bass guitar, piano George Harrison - lead guitar Ringo Starr - drums, timpani For No One (2:02) Recorded: May 9, 1966 at Abbey Road, London, England with the vocal overdubbed May 16, 1966 and the French horn solo overdubbed May 19, 1966 Paul McCartney - lead vocal, bass guitar, piano Ringo Starr - drums, tambourine Alan Civil - French horn She's Leaving Home (3:35) Recorded: March 17, 1967 at Abbey Road, London, England with vocals overdubbed March 20, 1967 John Lennon - lead vocal, background vocal Paul McCartney - lead vocal, background vocal Session musicians - strings, harp The Long and Winding Road (3:38) Recorded: January 31, 1969 at Apple Studios, London, England. Re-produced and remixed by Phil Spector on April 1, 1970 John Lennon - bass guitar Paul McCartney - lead vocal, piano Session musicians - choir, strings, harp, drums (overdubbed by Phil Spector) This Boy (2:16) Recorded: October 17, 1963 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, harmony vocal George Harrison - lead guitar, harmony vocal Ringo Starr - drums Norwegian Wood (This Bird Has Flown) (2:06) Recorded: October 12, 1965 at Abbey Road, London, England but remade October 21, 1965 John Lennon - lead vocal, capoed acoustic guitar Paul McCartney - bass guitar, harmony vocal George Harrison - sitar Ringo Starr - tambourine You're Going to Lose That Girl (2:20) Recorded: February 19, 1965 at Abbey Road, London, England John Lennon - lead vocal, acoustic guitar Paul McCartney - bass guitar, piano, background vocal George Harrison - lead guitar, background vocal Ringo Starr - drums, bongos I Will (1:47) Recorded: September 16, 1968 at Abbey Road, London, England with overdubs added September 17, 1968 Paul McCartney - double-tracked lead vocal, bass guitar, acoustic guitar Ringo Starr - drums, bongos, maracas P.S. I Love You (2:06) Recorded: September 11, 1962 at Abbey Road, London, England John Lennon - lead vocal, electrified acoustic guitar Paul McCartney - lead vocal, bass guitar George Harrison - lead electrified acoustic guitar Ringo Starr - maracas Andy White - drums Credits Producers: George Martin, Phil Spector Cover based on a photo by: Richard Avedon Releases 1977, October 21 Capitol SKBL-11711 (US)  

Rossington Collins Band ‎– Anytime, Anyplace, Anywhere -LP- Rossington Collins Band ‎– Anytime, Anyplace, Anywhere -LP-   More images Rossington Collins Band  – Anytime, Anyplace, Anywhere Label: MCA Records  – 202 559-320,  MCA Records  – 202 559 Format: Vinyl, LP, Album, Country: Germany Released: 1980 Genre: Rock Style: Southern Rock,  Classic Rock Tracklist Hide Credits A1   Prime Time Written-By –  A. Collins *,  D. Krantz *,  G. Rossington * Written-By –  A. Collins *,  D. Krantz *,  G. Rossington * 4:03 A2   Three Times As Bad Written-By –  A. Collins *,  D. Krantz * Written-By –  A. Collins *,  D. Krantz * 6:01 A3   Don't Misunderstand Me Written-By –  A. Collins *,  B. Harwood *,  D. Krantz * Written-By –  A. Collins *,  B. Harwood *,  D. Krantz * 3:51 A4   One Good Man Written-By –  A. Collins *,  D. Krantz *,  G. Rossington * Written-By –  A. Collins *,  D. Krantz *,  G. Rossington * 4:37 A5   Opportunity Written-By –  B. Harwood *,  B. Powell *,  D. Krantz * Written-By –  B. Harwood *,  B. Powell *,  D. Krantz * 4:30 B1   Getaway Written-By –  B. Harwood *,  B. Powell *,  D. Krantz * Written-By –  B. Harwood *,  B. Powell *,  D. Krantz * 7:26 B2   Winners And Losers Written-By –  A. Collins *,  G. Rossington * Written-By –  A. Collins *,  G. Rossington * 5:04 B3   Misery Loves Company Written-By –  D. Krantz *,  G. Rossington * Written-By –  D. Krantz *,  G. Rossington * 4:48 B4   Sometimes You Can Put It Out Written-By –  B. Harwood *,  D. Krantz *,  G. Rossington * Written-By –  B. Harwood *,  D. Krantz *,  G. Rossington * 5:39   Companies, etc. Record Company  –  Ariola Eurodisc GmbH Phonographic Copyright ℗  –  MCA Records, Inc. Copyright ©  –  Universal City Studios, Inc. Pressed By  –  Sonopress Printed By  –  Mohndruck Graphische Betriebe GmbH Published By  –  Moonpie Music Company Recorded At  –  El Adobe Mixed At  –  Criteria Recording Studios Mastered At  –  Criteria Recording Studios Credits Art Direction  –  George Osaki Art Direction, Design, Illustration  –  Mike McCarty Bass Guitar  –  Leon Wilkeson Drums, Percussion  –  Derek Hess Engineer  –  Dave Evans (16) Engineer, Mixed By  –  Howard Steele Keyboards  –  Billy Powell Lead Guitar, Rhythm Guitar  –  Allen Collins Lead Guitar, Rhythm Guitar, Slide Guitar  –  Gary Rossington Lead Guitar, Rhythm Guitar, Slide Guitar, Vocals  –  Barry Harwood Lead Vocals  –  Dale Krantz Photography By  –  Frank Lafitte * Producer  –  Allen Collins,  Barry Harwood,  Gary Rossington Notes Recorded at El Adobe Studios (El Paso, Texas) Im Ariola-Vertrieb Printed in Western Germany by Mohndruck Graphische Betriebe GmbH, Gütersloh © 1980 by Universal City Studios, Inc. ℗ 1980 MCA Records, Inc. Issued in a single sleeve with a printed inner sleeve with lyrics and credits Similar entry is a  Dutch release  issued in a gatefold sleeve Barcode and Other Identifiers Matrix / Runout (Side A runout, stamped): 202559 A - 1/80S Made in Germany Matrix / Runout (Side B runout, stamped): 202559 B - 1/80S Made in Germany Matrix / Runout (Side A label): S 202 559 A Matrix / Runout (Side B label): S 202 559 B Rights Society: GEMA Label Code: LC 1056

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

Carole King - Tapestry. Album Playbacks MP3 Pendrive. Para Cantantes. Escucha Demos Carole King - Tapestry. Album Playbacks MP3 Pendrive. Para Cantantes. Escucha Demos Info > 12 Playbacks Al Estilo De Carole King. Tono Mujer. Pistas Para Cantar. Escucha las Demos. Lee Español +Info. Pendrive USB. Este Pendrive contiene 12 Playbacks en MP3 / 320 kbps, para reproducir con cualquier reproductor MP3. NO SON Karaokes. Incluye también en el Pendrive todas las canciones originales y las Letras Individuales en Formato *.txt. 12 Backing Tracks In The Style Of Carole King. Female Key. Listen Demos. Read English +Info. Stick Pendrive USB. This Stick contains 12 Backing Tracks MP3 / 320 kbps, to play with any MP3 player. They are not Karaoke. Also, included in the stick the original tracks and all individual lyrics in *.txt. Demos: Escucha / Listen.  +Info: Leer / Read. DEMOS > 1   I Feel The Earth Move (Tono Mujer / Female Key) 2   So Far Away (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 3   It's Too Late (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 4   Home Again (Tono Mujer / Female Key) 5   Beautiful (Tono Mujer / Female Key) 6   Way Over Yonder (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 7   You've Got A Friend (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 8   Where You Lead (Gilmore Girls) (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 9   Will You Still Love Me Tomorrow (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 10   Smackwater Jack (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) 11   Tapestry (Tono Mujer / Female Key) 12   You Make Me Feel Like A Natural Woman (Tono Mujer / Female Key) (Con Coros / With Backing Vocals) Español +Info > ¡ATENCION! Estas Canciones Son PLAYBACKS (Pistas Para Cantar), en Formato MP3, para CANTANTES. PLAYBACK ó Pista Para Cantar: Música orquestada de acompañamiento, suena de fondo y nos permite cantar sobre ella. NO SON Karaokes. Si no sabes lo que es un  PLAYBACK, tal vez no sea esto lo que estás buscando... Arreglos Musicales Profesionales. Formato mp3 / 320 kbps. Con Nuestros Playbacks Te Sentirás SEGUR@ en el ESCENARIO. IM Digital. Al Servicio de los CANTANTES desde 1993. Incluye también en el Pendrive todas las canciones originales y las Letras Individuales en Formato *.txt. ¿Eres CANTANTE? Entonces ya sabes de lo que hablamos En IM Digital os conocemos. Llevamos desde 1993 sirviendo Playbacks a los CANTANTES. Nuestros clientes cantan en hoteles, restaurantes, salas de fiesta, en las verbenas de los pueblos y allá donde necesiten a un CANTANTE. Por eso, en IM Digital seguimos y seguimos haciendo Playbacks. Porque, muchas veces, triunfar no significa ser famoso. Triunfar también es vivir de lo que a uno le gusta. Muchos clientes de IM Digital viven de CANTAR. Son NUESTROS CANTANTES... CONSEJOS de IM Digital Por favor, haznos caso. Utiliza buenos Playbacks. En esto tenemos que insistir. No te la juegues. Sabemos que por la red hay miles de Playbacks, Midi Karaokes y Midi Files que son gratis. No arriesgues tus ilusiones. Nuestros precios son muy, muy asequibles. Con nuestros Playbacks te sentirás ARROPAD@ y SEGUR@ en el ESCENARIO. En una actuación te ven muchísimas personas. Te puede estar viendo alguien que te lleve a lo más alto. Nosotros somos músicos y sabemos lo que hacemos. Arreglos Musicales Profesionales. ¡No te la juegues! ¡Mucho ánimo para tod@s! Juan Carlos Irigoyen. "Decano" y co-fundador, en 1993, de IM Digital. English +Info > WARNING! These songs are BACKING TRACKS, in MP3 format, for SINGERS. BACKING TRACKS: Orchestrated accompaniment music, plays in the background and allows us to sing with it. They are NOT Karaokes. If you don't know what a BACKING TRACK is, maybe this isn't what you're looking for... Professional Musical Arrangements. Mp3 format / 320 kbps. With Our Backing Tracks, You'll Feel SAFE at the STAGE. IM Digital. With the SINGERS since 1993. Also, included in the pendrive the original tracks and all individual lyrics in *.txt. Are you a singer? Then you know what we are talking about In IM Digital we know you. We have been serving the SINGERS since 1993. Our clients sing in hotels, restaurants, nightclubs, festivals and wherever they need a SINGER. Therefore, in IM Digital we keep on doing Backing Tracks. Because, many times, success does not mean being famous. To succeed is also to live on what one likes. Many IM Digital customers make a living with their shows. They are OUR SINGERS... IM Digital TIPS Please pay attention to us. Use good Backing Tracks. In this we have to insist. Do not risk it. We know that there are thousands of Backing Tracks, Midi Karaoke and Midi Files that are free online. Do not risk your illusions. Our prices are very, very affordable. With Our Backing Tracks, You'll Feel SAFE at the STAGE. In a show, many people are watching you. Some of the people watching you, could take you to the top. We are musicians and we know our business. Professional Musical Arrangements. Do not risk it! Good luck for everyone! Juan Carlos Irigoyen. "Dean" and co-founder, in 1993, of IM Digital. Backing Tracks / Playbacks Links > Soy Cantante (PC y Móvil) IM Digital - La Web De Los Cantantes (Solo para PC) Playbacks Club (PC y Móvil. En Español, English, Deutsch, Italiano, Français y Português) Backing Tracks 4U (PC and Mobile. English)

SAN FERMIN - LIVE AT THE FILLMORE SAN FERMIN - LIVE AT THE FILLMORE Discográfica:   Votiv San Fermin Live At The Fillmore was recorded at The Fillmore in San Francisco, CA on February 23, 2018. Magik*Magik Orchestra, who have toured with Death Cab For Cutie, Nick Cave, Weezer, etc., joined San Fermin during the performance. Also, the performance occurred during the filming of a currently unreleased documentary entitled San Fermin: No Promises, which provides a glimpse into the five-year history of critically-acclaimed indie rock band San Fermin. The piece details the band's rise from its classical music underpinnings to a touring enterprise and perennial festival performer. Shown through the lens of sold-out shows on the east and west coast, everyday life in New York City, and studio recording and rehearsal, the film unwraps the relationships that have transformed a grandiose, logistically impractical endeavor from bandleader Ellis Ludwig-Leone into a unique community of musicians and friends. As the journey unfolds, this community is tested by the departure of its lead singer as they begin work on a new album. The show at The Fillmore was the last for the band's lead singer. The documentary will be released in conjunction with the live album and a digital or physical copy of the documentary will be included in the vinyl package. -

WILCO - A.M. (DELUXE EDITION) WILCO - A.M. (DELUXE EDITION) The new DELUXE EDITION offers up eight unreleased bonus tracks that feature an early version of “Outtasite (Outta Mind)” and “When You Find Trouble,” which is the last studio recording made by Uncle Tupelo. In the album’s liner note, Stirratt writes “Listening back to records 15 to 20 years later, I’m always taken with the confident but guileless quality of bands in their 20s, that strange mixture of innocence and conviction, and this is one of those records—we were barely a band at that point, just trying to make some noise.”

OTIS SHUGGIE - HERE COMES SHUGGIE OTIS OTIS SHUGGIE - HERE COMES SHUGGIE OTIS Discográfica:   8th Records Well before Shuggie Otis (Born Johnny Alexander Veliotes, Jr.) cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this, widespread mainstream success eluded Shuggie for much of his career, though he'd penned the Brothers Johnson hit Strawberry Letter 23, and would experience a resurgence in 2013 with the reissue of his most famous album, Inspiration/Information. His career as a session musician stretched across many years, but his solo career started in 1970, with his full-length debut Here Comes Shuggie Otis. The album was produced and contained contributions by his father Johnny Otis, plus a potent roster of session greats like Wilton Felder, Stix Hooper, Leon Haywood, and Al McKibbon, to name but a few, with Shuggie himself at the helm, performing lead vocals, guitar, and various keys instruments. Here Comes Shuggie Otis is a hybrid of lush, baroque harpsichords and strings mixed with bouncing, hard edged funk and blues, reminiscent of a combination of 60s chamber pop and the best elements of Stax Records. Gritty and wild, while also lush and sprawling, Here Comes Shuggie Otis is a solid benchmark of production flair and improvisational aptitude. A1. Oxford Gray A2. Jennie Lee A3. Bootie Cooler A4. Knowing (That You Want Him) A5. Funky Tithee B1. Shuggie's Boogie B2. Hurricane B3. Gospel Groove B4. Baby, I Need You B5. The Hawks

Amplificador de guitarra en formato combo 20w de potencia Ideal como amplificador de practica y para tocar en en conciertos de pequeño formato 2 canales (Clean/Overdrive) Reverb de muelles con control independiente Tecnología VTC (Virtual Tube Circuit) que reproduce la dinámica y la sensación de un amplificador a válvulas real. Ecualizador a 3 bandas Canal limpio con control independiente de volumen Canal Overdrive con control de ganancia Altavoz custom Bugera de 8” Salida de auriculares con salida emulada de pantalla para practica en silencio Entrada auxiliar para la conexión de fuentes externas como Mp3 o cajas de ritmo.   HA-20R Whether you’re just getting started on electric guitar, or you’ve been playing for years, the compact HA-20R is the ideal choice for the discerning, tone conscious guitarist, looking for a portable 20-Watt guitar combo – with an equally-small price. Although small in size, the HA-20R delivers huge performance and represents excellent value for money, offering a powerful 20-Watt solid state solution for home use, recording and live gigs. Ultimate Tone Shaping The HA-20R features two independent channels that provide all the gain you need from sparkling cleans to super-fat high gain overdrives and everything in-between. Dial-in your clean tone with the extremely powerful 3-band EQ and dedicated volume control to shape lows, mids and highs for recapturing vintage edge, pristine cleans or use as the perfect pedal platform solution. Engage the overdrive channel with independent gain and volume controls to fire up a high-gain drive circuit, with a wide scope, capable of vintage crunch, fat riffs, soaring lead tones and heavy metal. Secret Weapon Big Tone, that’s what it all comes down to – and the HA-20R really delivers! Under the hood of this compact beast, is our revolutionary VTC (Virtual Tube Circuit) technology. Designed to reproduce the saturation and compression of those larger-than-life classic tube rigs, delivering truly tube-like tone, touch and feel from this meticulously crafted solid state amplifier.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

BENT KNEE - YOU KNOW WHAT THEY MEAN (GATE) BENT KNEE - YOU KNOW WHAT THEY MEAN (GATE) A band occupying sonic territory entirely their own, BENT KNEE continues to break ground with each successive album, a record maintained with 2019's extraordinary You Know What They Mean. The Boston outfit's myriad influences are distilled into a deeply moving art-form that defies categorization, merging texture and style into music that's thrilling, addictive, and unapologetically original. Lead singer and keyboardist Courtney Swain's soaring vocals again prove to be instantly arresting whereas guitarist Ben Levin, bassist Jessica Kion, drummer Gavin Wallace-Ailsworth, violinist Chris Baum and sound designer Vince Welch shine with an expert performance that brilliantly fuses a myriad of moods and dynamics. You Know What They Mean, the fifth full-length by BENT KNEE is a prime example how to unite rock, pop, minimalist, and avant-garde spectrums in a seamless and captivating experience. Available as Black LP Gatefold 180 gram vinyl

SUICIDAL TENDENCIES - GET YOUR FIGHT ON SUICIDAL TENDENCIES - GET YOUR FIGHT ON Discográfica:   Suicidal Records Legendary punk-rockers, Suicidal Tendencies are back with this 10 track release that includes `Get Your Fight On' from the 2016 album World Gone Mad. This release has 3 new versions of the song; an acoustic version with Travis Barker on drums, an instrumental lead guitar version, and an instrumental bass version. The remaining 6 tracks are new recordings that has Dave Lombardo (Slayer) returning as drummer. Translucent yellow vinyl with download card.