Lush

LUSH - SPOOKY - 2x10 ´´ - GATEFOLD - LP LUSH - SPOOKY - 2x10 ´´ - GATEFOLD - LP

Segundo disco de la banda británica de shoegaze / dream pop, editado originalmente en 1994. El disco tiene marcas superficiales que no afectan a la reproducción, por lo demás perfecto. Precio no negociable. Entrega en mano en Madrid. Para otras provincias, preguntad sin compromiso y estimo los gastos de envío.

Dean Franconi & His Orchestra, The Lush String Sounds Of Dean Franconi & His Orchestra Dean Franconi & His Orchestra, The Lush String Sounds Of Dean Franconi & His Orchestra Dean Franconi & His Orchestra, The Lush String Sounds Of Dean Franconi & His Orchestra

MUSICA GOYO - CD SINGLE - LUSH - POP ROCK *UU99 MUSICA GOYO - CD SINGLE - LUSH - POP ROCK *UU99 EL DE LA IMAGEN. CUALQUIER DUDA PREGUNTAR.

JOE HENDERSON - LUSH LIFE, THE MUSIC OF BILLY SRTAYHORN - JAZZ - THE VERVE COLLECTION JOE HENDERSON - LUSH LIFE, THE MUSIC OF BILLY SRTAYHORN - JAZZ - THE VERVE COLLECTION

OTIS SHUGGIE - HERE COMES SHUGGIE OTIS OTIS SHUGGIE - HERE COMES SHUGGIE OTIS Discográfica:   8th Records Well before Shuggie Otis (Born Johnny Alexander Veliotes, Jr.) cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this, widespread mainstream success eluded Shuggie for much of his career, though he'd penned the Brothers Johnson hit Strawberry Letter 23, and would experience a resurgence in 2013 with the reissue of his most famous album, Inspiration/Information. His career as a session musician stretched across many years, but his solo career started in 1970, with his full-length debut Here Comes Shuggie Otis. The album was produced and contained contributions by his father Johnny Otis, plus a potent roster of session greats like Wilton Felder, Stix Hooper, Leon Haywood, and Al McKibbon, to name but a few, with Shuggie himself at the helm, performing lead vocals, guitar, and various keys instruments. Here Comes Shuggie Otis is a hybrid of lush, baroque harpsichords and strings mixed with bouncing, hard edged funk and blues, reminiscent of a combination of 60s chamber pop and the best elements of Stax Records. Gritty and wild, while also lush and sprawling, Here Comes Shuggie Otis is a solid benchmark of production flair and improvisational aptitude. A1. Oxford Gray A2. Jennie Lee A3. Bootie Cooler A4. Knowing (That You Want Him) A5. Funky Tithee B1. Shuggie's Boogie B2. Hurricane B3. Gospel Groove B4. Baby, I Need You B5. The Hawks

A prestigious legend influences about the greatest and mostly unexplored mountain range of jaén, spain, the natural park of cazorla, segura and the las villas, uninhabited by human beings, populated by vermin such as bears and wolves. it is said that an indigenous ethnic group lives within its intricate forests, many claimed to have seen it although they did not provide a truthful and forceful proof. this story is told in part by heroes themselves handpicked to fulfill a specific mission: find the indigenous in inhospitable, craggy, lush lands, crossed by numerous rivers and streams. the events are fun and full of humor, but the anguish and desperation make turns the peaceful rhythm of the history. Ver todos los anuncios de Juan

ANASTASIA (ORIGINAL BROADWAY C - ANASTASIA (ORIGINAL BROADWAY C ANASTASIA (ORIGINAL BROADWAY C - ANASTASIA (ORIGINAL BROADWAY C Discográfica:   Broadway Records Original Broadway Cast recording. Anastasia features a lush, original score from Tony Award winners Stephen Flaherty (music) and Lynn Ahrens (lyrics). The score also includes several of the most beloved songs from the 1997 animated film, adapted for the stage. The 75-minute album will include the Academy Award nominated favorite Journey to the Past alongside many new numbers from the show such as Christy Altomare's haunting In My Dreams, Ramin Karimloo's passionate Still and Derek Klena's heart-racing My Petersburg. From the Tony Award-winning creators of the Broadway musical RAGTIME, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920's, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing con man and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love and family. This double disc vinyl edition features a bonus track duet of Liz Callaway (the singing voice of the Oscar-nominated film) and Christy Altomare (the star of the Broadway production) singing Journey to the Past with composer Stephen Flaherty on piano.

ALESSANDRO ALESSANDRONI - OPEN AIR PARADE ALESSANDRO ALESSANDRONI - OPEN AIR PARADE Discográfica:   Sonor Music The Alessandro Alessandroni's definitive holy grail OPEN AIR PARADE is finally reissued through our label. We're excited to present the very best library record by the cult maestro on the dreams podium alongside SPONTANEOUS, the 2 FARFALLA's recordings and RITMO DELL'INDUSTRIA we released 2 years ago. A long-awaited masterpiece and sought-after gem by record collectors all over the world originally released in 1972 on the mythical SR Records with two tracks by the great bassist Giovanni Tommaso who surely played in this session. A dreamy album with the topnotch, strung-out Psychedelic Funk sounds ever recorded in Italy during the early 70s, laden Beat and groovy music with lush arrangements and insane vocal themes by Alessandro Alessandroni's Cantori Moderni chorus. Italian Library monster that blows your mind away, don't sleep!

NEWMAN RANDY - RANDY NEWMAN NEWMAN RANDY - RANDY NEWMAN Limited 150g vinyl. Lush & orchestral 1968 debut feat. 'Love Story (You & Me)' & 'I Think it's Gonne Rain Today'

TETE MONTOLIU TRIO CD TETE A TETE (1992) GRABADO 15/16 DE FEBRERO 1976 -COMO NUEVO - RAREZA TETE MONTOLIU TRIO CD TETE A TETE (1992) GRABADO 15/16 DE FEBRERO 1976 -COMO NUEVO - RAREZA TETE MONTOLIU TRIO   CE  TETE A TETE    (1992)  GRABADO  15 y 16 FEBRERO 1976   (EDITADO  EN  CD  1992) PERSONAL     TETE MONTOLIU  - piano -  NIELS HENNING ORSTED PEDERSEN -bajo.  ALBERT ¨TOOTIE* HEATH - bateria - TEMAS    WHAT´S  NEW  11,08  /  WE´LL BE TOGETHER AGAIN  9.08 -  SCANDIA SKIES  4,11  -  LUSH LIFE  4,22  -  CATALAN SUITE  (Montoliu)  20,00 CD  COMO NUEVO

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.