Phil tape

PHIL OCHS TAPE CALIFORNIA LP UK 1968 PEPETO TOP PHIL OCHS TAPE CALIFORNIA LP UK 1968 PEPETO TOP BUENO.LIGERO DECOLORAMIENTO ESQUINA.CASI INAPRECIABLE.ORIGINAL CARTON USA.AM.CON LA FUNDA GENERICA ORIGINAL.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

CASETE EPIC 1989 - the the Mind Bomb -ALTERNATIVE ROCK -INDIE - MATT JOHNSON - PRECINTADA CASETE EPIC 1989 - the the Mind Bomb -ALTERNATIVE ROCK -INDIE - MATT JOHNSON - PRECINTADA 1 Good Morning Beautiful Harmonica [Electric] –  Mark Feltham Keyboards –  Warne Livesey Percussion –  Pandit Dinesh Piano, Tape –  Matt Johnson Tenor Saxophone –  Chris White,  Phil Todd Voice [Child's Prayer] –  Esme Livesey 7:312 Armageddon Days Are Here (Again) Arranged By, Written-By [Strings & Choir] –  Livesey * Banjo –  Warne Livesey Choir –  Ambrosian Singers * Electric Guitar –  Matt Johnson Fiddle [Arabian], Leader [Astarti String Section] –  Gavin Wright * Leader [Choir] –  John McArthey * Strings –  The Astarti String Orchestra Voice [The Prophets] –  Palmer *,  Eller *,  Marr * Written-By [Strings & Choir] –  Johnson * 5:403 The Violence Of Truth Engineer [Mixing] –  Dave Powell Harmonica [Electric] –  Mark Feltham Organ [Hammond] –  Wix 5:414 Kingdom Of Rain Acoustic Guitar, Keyboards –  Matt Johnson,  Warne Livesey Bongos –  Pedro Haldemann Congas –  Danny Cummings Organ [Hammond] –  Wix Vocals –  Sinéad O'Connor 5:545 The Beat(en) Generation Acoustic Guitar –  Matt Johnson,  Warne Livesey Backing Vocals –  Geoff Foster,  Marr *,  Johnson *,  Livesey * Harmonica –  Mark Feltham Harmonica [Additional] –  Johnny Marr Piano, Accordion –  Wix 3:076 August & September Acoustic Bass –  Danny Thompson Arranged By [Strings], Conductor [Strings] –  Andrew Poppy Bass Clarinet –  Dai Pritchard Clarinet –  Sarah Homer Leader [String Section] –  Elizabeth Perry * Oboe –  Hilary Storer Percussion –  Danny Cummings Piano –  Wix Written-By [Strings] –  Johnson * 5:467 Gravitate To Me Electric Guitar, Keyboards, Melodica –  Matt Johnson Engineer [Mixing] –  Bruce Lampcov Percussion –  Danny Cummings Percussion [Water] –  Pedro Haldemann Trombone –  Ashley Slater 8:118 Beyond Love Flugelhorn –  John Eacott Guitar [Distorted] –  Matt Johnson Percussion –  Danny Cummings Piano, Organ [Hammond] –  Wix 4:19

CASETE EPIC 1989 - the the Mind Bomb -ALTERNATIVE ROCK -INDIE - MATT JOHNSON - PRECINTADA NUEVA CASETE EPIC 1989 - the the Mind Bomb -ALTERNATIVE ROCK -INDIE - MATT JOHNSON - PRECINTADA NUEVA   1 Good Morning Beautiful Harmonica [Electric] –  Mark Feltham Keyboards –  Warne Livesey Percussion –  Pandit Dinesh Piano, Tape –  Matt Johnson Tenor Saxophone –  Chris White,  Phil Todd Voice [Child's Prayer] –  Esme Livesey 7:312 Armageddon Days Are Here (Again) Arranged By, Written-By [Strings & Choir] –  Livesey * Banjo –  Warne Livesey Choir –  Ambrosian Singers * Electric Guitar –  Matt Johnson Fiddle [Arabian], Leader [Astarti String Section] –  Gavin Wright * Leader [Choir] –  John McArthey * Strings –  The Astarti String Orchestra Voice [The Prophets] –  Palmer *,  Eller *,  Marr * Written-By [Strings & Choir] –  Johnson * 5:403 The Violence Of Truth Engineer [Mixing] –  Dave Powell Harmonica [Electric] –  Mark Feltham Organ [Hammond] –  Wix 5:414 Kingdom Of Rain Acoustic Guitar, Keyboards –  Matt Johnson,  Warne Livesey Bongos –  Pedro Haldemann Congas –  Danny Cummings Organ [Hammond] –  Wix Vocals –  Sinéad O'Connor 5:545 The Beat(en) Generation Acoustic Guitar –  Matt Johnson,  Warne Livesey Backing Vocals –  Geoff Foster,  Marr *,  Johnson *,  Livesey * Harmonica –  Mark Feltham Harmonica [Additional] –  Johnny Marr Piano, Accordion –  Wix 3:076 August & September Acoustic Bass –  Danny Thompson Arranged By [Strings], Conductor [Strings] –  Andrew Poppy Bass Clarinet –  Dai Pritchard Clarinet –  Sarah Homer Leader [String Section] –  Elizabeth Perry * Oboe –  Hilary Storer Percussion –  Danny Cummings Piano –  Wix Written-By [Strings] –  Johnson * 5:467 Gravitate To Me Electric Guitar, Keyboards, Melodica –  Matt Johnson Engineer [Mixing] –  Bruce Lampcov Percussion –  Danny Cummings Percussion [Water] –  Pedro Haldemann Trombone –  Ashley Slater 8:118 Beyond Love Flugelhorn –  John Eacott Guitar [Distorted] –  Matt Johnson Percussion –  Danny Cummings Piano, Organ [Hammond] –  Wix 4:19