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Sevilla (Sevilla)
Sam And Dave It Feels So Nice / It Was So Nice While It Lasted SG PROMO 1967 Vinilo NM/Portada VG++ Sam And Dave It Feels So Nice / It Was So Nice While It Lasted SG PROMO 1967 Vinilo NM/Portada VG++ PROMO Español muy raro. Vinilo NM. Portada VG++.
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Madrid (Madrid)
LOU RAWLS • THE WAY IT WAS, THE WAY IT IS - Season of the Witch! LOU RAWLS • THE WAY IT WAS, THE WAY IT IS - Season of the Witch! capitol US 1969 includes the killer grooves 'Season of the With' and 'It's You' · David Axelrod produced [Estado Disco/Portada] VG+/G Todas los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue [Graduacion] EX (sin ruido, sin marcas) VG± (ruido pero no molesto, algunas marcas) G (ruido molesto y marcas profundas)  
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Madrid (Madrid)
Euripidis and his tragedies and it was good while it lasted baby Euripidis and his tragedies and it was good while it lasted baby
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Sevilla (Sevilla)
SAM AND DAVE / IT FEELS SO NICE / IT WAS SO NICE.... (SINGLE 1967) SAM AND DAVE / IT FEELS SO NICE / IT WAS SO NICE.... (SINGLE 1967)
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Córdoba (Córdoba)
a la carte - doctor, doctor(spanish version) / it was a night of wonder - single ESPAÑA-1980 a la carte - doctor, doctor(spanish version) / it was a night of wonder - single ESPAÑA-1980 a la carte - doctor, doctor(spanish version) / it was a night of wonder - single español de 1980
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Almería (Almería)
LE ROUX - NOBODY SAID IT WAS EASY - SINGLE RCA SPAIN 1982 LE ROUX - NOBODY SAID IT WAS EASY - SINGLE RCA SPAIN 1982
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Barcelona (Barcelona)
SUPERTRAMP (IT WAS THE BEST OF TIMES) 2 CD (COIB11) SUPERTRAMP (IT WAS THE BEST OF TIMES) 2 CD (COIB11)    
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Madrid (Madrid)
SUPERTRAMP - IT WAS THE BEST OF TIMES - CD SUPERTRAMP - IT WAS THE BEST OF TIMES - CD
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Madrid (Madrid)
LP. Greenberg. It Was A Lover And His Lass. Music From Shakespeare's Time LP. Greenberg. It Was A Lover And His Lass. Music From Shakespeare's Time
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Barcelona (Barcelona)
Cd Supertramp It was the best of times.Los cds están nuevos (por traslados no tengo los libritos).Incluye los dos cds.Nuevo Envio nacional 5 euros Music/música/dance/progressive/pop/rock
30 €
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España (Todas las ciudades)
CD DOBLE SUPERTRAMP IT WAS THE BEST OF TIMES. Estado usado. Se realizan envíos. Si requieren más imágenes o más detalles del lote, por favor solicitarlo, sin compromiso. Ver otros lotes relacionados con este artículo.
5 €
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Barcelona (Barcelona)
ERASURA - IT DOESN'T HAVE TO BE - MAXI VINILO ORIGINAL 1987 PRIMERA EDICION MUTE SANNI RECORDS ERASURA - IT DOESN'T HAVE TO BE - MAXI VINILO ORIGINAL 1987 PRIMERA EDICION MUTE SANNI RECORDS It Doesn't Have to Be es el quinto disco sencillo publicado del grupo inglés de música electrónica Erasure, lanzado en 1987. It Doesn't Have to Be es una canción compuesta por Vince Clarke y Andy Bell. It Doesn't Have to Be fue el segundo sencillo adelanto del álbum The Circus. Tras la explosión generada por " Sometimes ", Erasure aprovecha el envión y coloca este sencillo en el puesto 12 en el ránking británico y el número 16 en Alemania.La canción trata sobre el Apartheid In the Hall of the Mountain King fue el lado B estándar de este sencillo. Este tema es un fragmento de música incidental, opus 23, compuesto por Edvard Grieg para la obra de Henrik Ibsen Peer Gynt, que se estrenó en Oslo el 24 de febrero de 1876. Esta pieza fue finalmente incluida como final de la Peer Gynt suite n.º 1, op. 46. Los arreglos fueron hechos por Erasure. Sometimes, Oh L'Amour, Heavenly Action, Sexuality fueron escritas por Clarke/Bell. Who Needs Love Like That fue escrita por Vince Clarke. 12" Vinilo Sencillo (12MUTE56) / (INT 126.858) A1 It Doesn't Have To Be (Boop Oopa Doo Mix) 7:12 B1 Who Needs Love Like That (Betty Boop Mix) 7:31 B2 In The Hall Of The Mountain King 2:31 " It Doesn't Have to Be " is a song by British synthpop duo Erasure, released in February 1987. It was issued as a single six weeks before the release of the duo's second album, The Circus. Following the number-two UK placing of previous single "Sometimes", "It Doesn't Have to Be" became Erasure's second Top 20 hit in the UK (peaking at number twelve) and their third German Top 20 hit (number sixteen). The lyrics of the song refer to apartheid in Africa and explain the bit of the middle of the song, sung in Kiswahili that, while imperfect, still makes sense in the context of the song: Lala pamoja na mimi / Nyumbani yako, nyumbani yako / Sababu wewe hapana kaa na mimi / Nyumbani yako, nyumbani yako  The rough translation of these lyrics is "Sleep (together) with me / At your place [house], at your place / Why don't you stay with me / At your place, at your place." The single's B-side is a rendition of "In the Hall of the Mountain King", a piece taken from Grieg's Peer Gynt suite.
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Sevilla (Sevilla)
PET SHOP BOYS (MAXI) WAS IT WORTH IT? (3 TRACKS) AÑO 1991 – EDICION U.K. PET SHOP BOYS (MAXI) WAS IT WORTH IT? (3 TRACKS) AÑO 1991 – EDICION U.K. PET SHOP BOYS (MAXI) WAS IT WORTH IT? (3 TRACKS) AÑO 1991 – EDICION U.K.   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.
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Almería (Almería)
LEIF GARRET-JOHN PAUL JOHN-PLASTIC BERTRAND/I WAS MADE FOR DANCING-LOVE YO SO BAD IT HURTS-PING PONG LEIF GARRET-JOHN PAUL JOHN-PLASTIC BERTRAND/I WAS MADE FOR DANCING-LOVE YO SO BAD IT HURTS-PING PONG I WAS MADE FOR DANCING + LOVE YO SO BAD IT HURTS + PING PONG SINGLES -ALGUNAS ANOTACIONES A BOLÍ EN LAS FUNDAS (VER FOTOS). LAS DOS PRIMERAS FUNDAS ESTÁN UN POCO ABIERTAS POR LOS LATERALES.
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Alicante (Alicante)
SYLVESTER / DANCE DISCO HEAT / WAS IT SOMETHING THAT I SAID SYLVESTER / DANCE DISCO HEAT / WAS IT SOMETHING THAT I SAID FUNDA  CON USO   Y VINILO BIEN
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Almería (Almería)
SAM - IT NEVER WAS MY STYLE - 7” SINGLE TOP 1973 SAM - IT NEVER WAS MY STYLE - 7” SINGLE TOP 1973  
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Barcelona (Barcelona)
Hurricane Smith - Who Was It? Vinyl Single Hurricane Smith - Who Was It? Vinyl Single Condition Media: Very Good (VG) Sleeve: Very Good (VG) ringwear on backsleeve, promo stickers on labels.
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Barcelona (Barcelona)
YAGED SOL - IT MIGHT AS WELL BE SWING YAGED SOL - IT MIGHT AS WELL BE SWING Discográfica:   Pine Hill The debut and only studio album by NYC's world-famous clarinetist and living legend Sol Yaged. Originally released in 1956, this album is now available again for the first time in 62 years and available digitally for the first time ever. Featuring vibraphonist and fellow living legend Harry Sheppard, these tracks portray beautifully the authentic swing sound of the 40's and 50's. With Sol already playing clarinet for twenty years by the time this was recorded, his expertise and speed shines through as the band picks up tempo in tracks like After You've Gone, Yacht Club Swing, or Yaged's own (title track) It Might As Well Be Swing. Available on white vinyl. Download cards included. This album was remastered with precise quality and sounds better than ever!
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Salamanca (Salamanca)
Bobby Darin – I'll Remember April / Was There A Call For You / It Ain't Necessarily So / ep 1960. Bobby Darin – I'll Remember April / Was There A Call For You / It Ain't Necessarily So / ep 1960.
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Barcelona (Barcelona)
GOLDEN ERA OF HITS, 2 LP, ”WHISTLING” JACK SMITH - I WAS KAISE BILL´S BATMAN + 21, AÑO 1972 GOLDEN ERA OF HITS, 2 LP, ”WHISTLING” JACK SMITH - I WAS KAISE BILL´S BATMAN + 21, AÑO 1972 "WHISTLING" JACK SMITH, 2 LP, I WAS KAISER BILL´S BATMAN / ALAN PRICE SET  - I PUT A SPELL ON YOU / CHRISPIAN ST. PETERS  - THE PIED PIPER / U. K. JONES  - LET ME TELL YA / JONATHAN KING  - EVERYONE´S GONE TO THE MOON / LULÚ  - SHOUT /// CHRIS ANDREWS  - YESTERDAY MAN / PAUL & BARRY RYAN  - KEEP IT OUT OF SIGHT / VAL DOONICAN  - WHAT WOULD I BE / BRIAN POOLE & THE TREMELOES  - TWIST AND SHOUT / TWINKLE  - TERRY ///// BILLIE DAVIS  - I WANT YOUTO BE MY BABY / THE FORTUNES  - YOU´VE GOT YOUR TROUBLES / BILLY FURY  - HALFWAY TO PARADISE / ANDEE SILVER  - TE QUIERO, I LOVE YOU / THE CASUALS  - TOY / CAT STEVENS  - MATTHEW AND SON /// THE BARCHELORS  - RAMONA / JET HARRIS & TONY MEEHAN  - SCARLET O´HARA / BOBBY HANNA  - WRITTEN ON THE WIND / THE TORNADOS  - CHATTANOGA CHOO CHOO / THE CALIFORNIANS  - CONGRATULATIOS,  AÑO 1972, DECCA DCS 15.034 GOLDEN ERA OF HITS Gastos de envío por correo ordinario:  1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -      
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Girona (Girona)
STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP Steve Silk Hurley   "Work It Out Compilation"  LP (Atlantic)  1989  made in Germany cat. num.  782 003-1 #house   Steve Silk Hurley Work It Out 5:07 – Jamie Principle Cold World 5:30 – Risse Love Baby 4:39 – Jackson & Moore I Can't Let Go 5:00 – Risse Chain Of Fools 4:15 – Jackson & Moore Think! 4:35 – Jamie Principle Drive Me 4:15 – Steve Silk Hurley A Bit Of Jazz 4:35   " Work It Out " is the  Steve "Silk" Hurley 's debut single released on  Atlantic Records  in 1989. The song was the lead single taken from the producer's compilation album  Work It Out Compilation, which featured additional seven tracks recorded in collaboration with such likes as  M-Doc,  Jamie Principle, Jackson & Moore, and Rissewritten. On the  U.S.  Billboard  Hot Dancee Music/Club Play  the title peaked at number three
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Mieres-Asturias (Asturias)
Detalles de SINGLE CAMERA OBSCURA KEEP IT CLEAN VINILO 1000 COPIAS NUMERADAS Detalles de SINGLE CAMERA OBSCURA KEEP IT CLEAN VINILO 1000 COPIAS NUMERADAS CAMERA OBSCURA   Tracklist A1 KEEP IT CLEAN   A2 AMIGO MIO   B1 SUSPENDED FROM CLASS   B2 SAN FRANCISCO SONG   First time on 7" to commemorate 25 Years of Elefant Records. Expanded to four tracks. Includes download code. "Numbered Limited Edition of 1000 Copies" Sleeve is machine numbered on rear. 'Keep It Clean" was originally released in May, 2004 FORMAT / FORMATO 7"  SINGLE   CONDITION /ESTADO   MINT/MINT NUEVO/NUEVO
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Sevilla (Sevilla)
Elvis Presley ‎– It's Now Or Never / A Mess Of Blues Single español 1962 VG/VG Elvis Presley ‎– It's Now Or Never / A Mess Of Blues Single español 1962 VG/VG Vinyl plays well with some background noise. Sleeve was repaired with cello but now it hasn´t it. Beautiful copy. Ask for pics.
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Las Palmas (Las Palmas)
PAUL ANKA (HE MADE IT HAPPEN - 20 GREATEST HITS) CD 1988 PAUL ANKA (HE MADE IT HAPPEN - 20 GREATEST HITS) CD 1988 PAUL ANKA (HE MADE IT HAPPEN - 20 GREATEST HITS) CD 1988 Lista de Títulos 1   My Way 2   She's A Lady 3   Let Me Be The One 4   We Made It Happen 5   Yesterday My Life Was More Of Just The Same 6   Do I Love You 7   Jubilation 8   Something Good Is Coming 9   Love Is 10   That's What Living's About 11   Les Filles De Paris 12   There's Something I'd Like To Say To You 13   Everything's Been Changed 14   You And Me Today 15   Life Song 16   House Upon A Hill 17   Double Life 18   Some Kind Of Friend 19   Pretty Good 20   Kathum
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Pontevedra (Pontevedra)
FEIST Let it Die (2004) FEIST Let it Die (2004) Tracklist: 1 Gatekeeper 2:16 2 Mushaboom 3:43 3 Let It Die 2:55 4 One Evening 3:36 5 Leisure Suite 4:06 6 Lonely Lonely 4:10 7 When I Was A Young Girl 3:08 8 Secret Heart 3:49 9 Inside And Out 4:17 10 Tout Doucement 2:29 11 Now At Last 3:15
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España (Todas las ciudades)
Pack de 5 tomos: There was and old woman; The enormous trip; Here we go round the Mulberry Bush; What time is it Mr Wolf; Tje Pied Piper of Hamelin. Ladybird. Usa. Año. 1ª edición
2 €
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Barcelona (Barcelona)
ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR ORIGINAL MOTION PICTURE - GREAT BALLS OF FIRE - VINILO ORIGINAL 1989 PRIMERA EDICION POLYDOR Great Balls of Fire! (conocida en español como ¡Gran bola de fuego!) es una película biográfica estadounidense con Dennis Quaid interpretando al pionero del rock and roll, Jerry Lee Lewis. El filme, dirigido por Jim McBride, se basa en la biografía escrita por Myra Gale Brown. Trata de la temprana carrera musical de Jerry Lee Lewis desde su creciente fama como estrella del rock and roll, haciendo creer a muchos que reemplazaría al «rey del rock and roll», Elvis Presley en 1950 hasta el controversial matrimonio con su sobrina segunda, Myra Gale Brown (de 13 años), que hizo que su estrellato finalizara rápidamente. En 1990, Winona Ryder ganó el premio a la mejor actriz en los Premios Young Artist. En 1989, se estrenó el film Grand bola de fuego, que abarca los primeros años de la carrera musical de Jerry Lee Lewis,aproximadamente los años 1956-1959, incluyendo su frustrada gira por Inglaterra y su escándaloso matrimonio con Myra Gail Brown que opacó en gran medida el ascendente éxito que venía consechando hasta entonces. El film, fue protagonizado por Dannis Quaid en una excelente interpretación de Jerry Lee Lewis, Alec Balwin como el primo de Jerry, Jimmy Lee Swagart, su antagonista en el film, y el papel femenino de Myra Gail Brown quedó reservado para Wynona Rider. El principal mérito del film, ha sido que el propio Jerry se ocupó del audio de las canciones, lo cual permite al espectador que ve el film y no conoce su carrera, tener una precisa idea de su talento musical. Great Balls of Fire! Original Motion Picture Soundtrack Soundtrack album by Jerry Lee Lewis.Released,June 8, 1989, Recorded 1988.Label Polydor Records.Producer,T Bone Burnett 1."Great Balls of Fire" 2."High School Confidential" 3."Big Legged Woman" - Booker T. Laury 4."I'm on Fire" 5."Rocket 88" - Jackie Brenston And The Delta Cats 6."Whole Lotta Shakin' Goin' On" 7."Whole Lotta Shakin' Goin' On" - Valerie Wellington 8."Breathless" 9."Crazy Arms" - Jerry Lee Lewis/Dennis Quaid 10."Wild One" 11."That Lucky Old Sun" 12."Great Balls of Fire" (Original Version) Hubo partes pianisticas actuadas (no canciones) que sí fueron interpretadas por Dennis Quaid, los llamados "snipettes", luego editados aparte junto al Lewis Boogie, que cerró el film como fondo de los títulos. Curiosamente fue omitida I'm Throwing rice, que acompañó como fondo buena parte del film. Great Balls of Fire! is a 1989 American biographical film directed by Jim McBride and starring Dennis Quaid as rockabilly pioneer Jerry Lee Lewis. Based on a biography by Myra Lewis and Murray M. Silver, Jr., the screenplay is written by McBride and Jack Baran. The film is produced by Adam Fields, with executive producers credited as Michael Grais, Mark Victor, and Art Levinson. The early career of Jerry Lee Lewis, from his rise to rock and roll stardom to his controversial marriage to his 13-year-old cousin that led to his downfall, is depicted in the film. Until the scandal of the marriage depreciated his image, many had thought Lewis would supplant Elvis Presley as the "King of Rock and Roll" in the 1950s. The story was co-written by Myra Gail Lewis (her autobiography Great Balls of Fire!), the former wife of Jerry Lee Lewis, with Murray Silver. Despite this, co-writer Silver was upset by the lack of accuracy in the film, claiming it was "phoney". Director Jim McBride admitted that it was never his intention to tie his film to the facts, and stated "This movie does not represent itself in any way to be a historical documentary. We use the book as a jumping-off point." Lewis has openly stated that he hates the film and the book it was based on. Lewis did, however, praise Quaid's portrayal of him in the film, saying "he really pulled it off".Quaid even learned to play "Lewis-style" piano for the role. This was the final film of character actor Trey Wilson. He died at age forty from a cerebral hemorrhage in January 1989, prior to the film's release. An original motion picture soundtrack was released by the producers on the Polydor Records label on June 8, 1989. Lewis re-recorded his music from the 1950s for the soundtrack with the title track " Great Balls of Fire," "Whole Lotta Shakin' Goin' On" and "That Lucky Old Sun." The soundtrack contains 12 tracks. A music video of the song "Great Balls of Fire", with Quaid and Lewis playing the piano and containing snippets of scenes from the film, was featured on the original VHS video release preceding the film. "Lewis Boogie" is also in the film during the closing credits but does not appear on the soundtrack album.  
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Girona (Girona)
CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).
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Barcelona (Barcelona)
DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 DAVID BOWIE - LET'S DANCE - VINILO ORIGINAL PRIMERA EDICION EMI AMERICA ESPAÑA 1983 Let's Dance es el decimoquinto álbum de David Bowie, publicado en 1983. En su llamado período comercial, Bowie cambia de discográfica (hasta la fecha había sido RCA), firmando un contrato multimillonario con EMI y graba el que será su disco más vendido: Let's Dance, producido por Nile Rodgers de la banda Chic. La canción homónima del álbum se convirtió en uno de los más grandiosos sencillos con éxito, llegando al número 1 en el Reino Unido, los EE. UU. y varios otros países. Los sencillos posteriores " Modern Love" y " China Girl ", llegaron al número 2 en el Reino Unido, y se convirtieron en grandes éxitos a ambos lados de Atlántico. El álbum obtuvo ventas millonarias convirtiéndose en el segundo disco más vendido de 1983, tan sólo por detrás de Thriller de Michael Jackson. " China Girl " fue en realidad una nueva versión de una canción la cual Bowie había coescrito con Iggy Pop para el álbum del posterior The Idiot. Respaldado por canciones de ritmos bailables y con llamativos vídeos musicales, Let's Dance se convertiría en el disco más vendido de la carrera de Bowie y le colocaría en el nº1 de los países de todo el mundo y en la portada de todas las revistas de moda. David Bowie había planeado originalmente trabajar con Tony Visconti en el álbum, ya que los dos habían trabajado juntos en anteriores cinco álbumes de estudio de Bowie. Sin embargo, cambió de idea y eligió a Nile Rodgers como su productor, una medida que fue una sorpresa para Visconti, que ya había ajustado fechas para trabajar en el disco. Visconti llamó a Coco [la asistena de Bowie] y ella dijo: "Bueno, mejor que lo sepas - Ha estado en el estudio durante las últimas dos semanas con alguien más y está funcionando bien y no va a necesitar de ti.. Lo sentimos mucho ". Esto daño la relación de ambos y Visconti no volvería a trabajar con Bowie nuevamente por otros 20 años (hasta el 2002 en Heathen). Rodgers recordaría más tarde cómo Bowie se acercó a él para producir su álbum de modo que Bowie pudiera conseguir sencillos de éxito. Bowie, que acaba de firmar con EMI Records un contrato de 17,5 millones de dólares, trabajó con Rodgers para lanzar un nuevo álbum "comercial" que fue descrito como "un original funk festivo más grande que la suma de sus influencias." Las influencias del álbum fueron artistas como Louis Jordan, la sección de instrumentos de viento del Jukes Asbury, Bill Doggett, Earl Bostic y James Brown. Lista de canciones: Todas las canciones escritas por David Bowie excepto las indicadas: LADO A 1.- "Modern Love" – 4:46 2.- "China Girl" (Bowie, Iggy Pop) – 5:32 3.- "Let's Dance" – 7:38 4.- "Without You" – 3:08 LADO B 1.- "Ricochet" – 5:14 2.- "Criminal World" (Peter Godwin, Duncan Browne, Sean Lyons) – 4:25 3.- "Cat People (Putting Out Fire)" (Bowie, Giorgio Moroder) – 5:09 4.- "Shake It" – 3:49 " Let's Dance " is the title song from English singer David Bowie's 1983 album of the same name. It was also released as the first single from that album in 1983, and went on to become one of his biggest-selling tracks. Stevie Ray Vaughan played the guitar solo at the end of the song. The single was one of Bowie's fastest selling to date, entering the UK Singles Chart at number five on its first week of release, staying at the top of the charts for three weeks. Soon afterwards, the single topped the Billboard Hot 100, becoming Bowie's second and last single to reach number 1 in the U.S. In Oceania, it narrowly missed topping the Australian charts, peaking at number two, but peaked at number one for 4 consecutive weeks in New Zealand. The single became one of the best selling of the year across North America, Central Europe and Oceania. " Let's Dance " was described by Ed Power in the Irish Examiner as "a decent chunk of funk-rock". Writing for the BBC, David Quantick said "the combination of Bowie and Rodgers on the title track was perfect – Bowie’s epic lyric about dancing under 'serious moonlight' and the brilliant filching of the crescendo 'ahh!'s from the Beatles' version of the Isley Brothers' 'Twist and Shout' were masterstrokes, each welded to a loud, stadium-ised drum and bass sound". The song introduced Bowie to a new, younger audience oblivious to his former career in the 1970s. Although the track was his most popular to date, its very success had the incongruous effect of distancing Bowie from his new fans, with Bowie saying he did not know who they were or what they wanted.His next two albums, made as an attempt to cater to his new-found audience, suffered creatively as a result and Bowie cited them as the albums he was least satisfied with in his career. In 2007, Bowie gave R&B singer Craig David permission to sample the song for his single "Hot Stuff (Let's Dance)".
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Barcelona (Barcelona)
THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.
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