After hours

AFTER HOURS MIX - 2 CD'S -1995 - ARCADE-3200672 - RECOPILATORIO K.U. MINERVA+DJ. RIVES+ETC ORIGINAL. AFTER HOURS MIX - 2 CD'S -1995 - ARCADE-3200672 - RECOPILATORIO K.U. MINERVA+DJ. RIVES+ETC ORIGINAL. HISTORIAS PARA NO DORMIR - SOLO VERSIONES MAX 1 - 2 CD'S - ARTISTAS: K.U. MINERVA+DJ. RIVES+N-TRANCE+DIRTY HARRY+COMMITTE+TWENTY.4.SEVEN+2 BROTHERS ON+GIRL +FRICTION+ETC... ARCADE ESPAÑA S.A. 1995 - DISTRIBUIDO POR SONY MUSIC.  - COMPLETO, TODO ORIGINAL, EN MUY BUEN ESTADO, PERFECTA AUDICIÓN.

After Hours - The Weeknd - Vinilo LP Nuevo After Hours - The Weeknd - Vinilo LP Nuevo 2LP. 2020

AFTER HOURS MIX - CD SINGLE PROMO CARTÓN AFTER HOURS MIX - CD SINGLE PROMO CARTÓN

GARY MOORE - Blues for Greeny + After hours - CD GARY MOORE - Blues for Greeny + After hours - CD GARY MOORE - Blues for Greeny + After hours - CD

SARAH VAUGHAN - AFTER HOURS - GATEFOLD - 2 LP 1982 ECHOES OF ERA LABEL ROULETTE SARAH VAUGHAN - AFTER HOURS - GATEFOLD - 2 LP 1982 ECHOES OF ERA LABEL ROULETTE SARAH VAUGHAN - AFTER HOURS - GATEFOLD - 2 LP 1982 ECHOES OF ERA LABEL ROULETTE  Portada mirar fotos LP con señales normales de uso.

IRA SULLIVAN - AFTER HOURS - -CD -N IRA SULLIVAN - AFTER HOURS - -CD -N CAJA EN BUEN ESTADO,CON SEÑALES DE USO NORMAL. CD   COMO NUEVO

A1 In After Hours (Original Mix) A2 La Noche (Original Mix) B1 In After Hours (Hard Trance Mix) B2 La Noche (Remix ITB) Vinilos, Remember, Poky, Trance, Techno, Bases, Hardhouse, Melodias, Discos de Vinilo, Vinyl, Progresivo, Dance, Cantaditas, Overdrive, Attica, Bachatta, Radical,

CASSETE GARY MOORE. AFTER HOURS. USADO CASSETE GARY MOORE. AFTER HOURS. USADO LAS FOTO ES REAL DEL LOTE EN VENTA. CON LIGEROS DETERIORO Y SUCIEDAD.

Gary Moore – After Hours LP, Spain 1992 Gary Moore – After Hours LP, Spain 1992 Condition Media: Very Good (VG) disco ceerca VG+ con algunos clicks Sleeve: Very Good (VG) pequeñas arrugas y desgaste en portada. sin encarte original.  

ESTADO DEL VINILO PERFECTO NM A1In After Hours (Original Mix) A2La Noche (Original Mix) B1In After Hours (Hard Trance Mix) B2La Noche (Remix ITB)

LP SARAH VAUGHAN AFTER HOURS MFP 1130 UK 1962 LP SARAH VAUGHAN AFTER HOURS MFP 1130 UK 1962

Gary Moore - After Hours - CD Gary Moore - After Hours - CD Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda.

Pr-3. Gary Moore - After Hours, Rock, Blues, 1992. Pr-3. Gary Moore - After Hours, Rock, Blues, 1992.

Sarah vaughan after hours 2 lp disco vinilo jazz Sarah vaughan after hours 2 lp disco vinilo jazz edición española 1982 buen estado envio cert. 5€  

THE WEEKND - AFTER HOURS - LP DOBLE XO 2020 NUEVO THE WEEKND - AFTER HOURS - LP DOBLE XO 2020 NUEVO

Vinilo 12 " Vicente One More Time - After Hours Asako Records MA0016 Spain 2004 Hardstyle

Descripción: Al finalizar su jornada laboral, un solitario empleado de una compañía de informática (Griffin Dunne) se ve envuelto en una serie de extrañas circunstancias que le llevan a uno de los peores barrios de Nueva York. Allí, vivirá una interminable y alocada noche...

BLUETONES - SINGLES BLUETONES - SINGLES Discográfica:   Demon Records Double 180gm blue colored vinyl LP pressing in gatefold sleeve. Released originally on CD in 2002, includes all of their singles from the period 1995 - 2002, from their debut 'Are You Blue or Are You Bind?' through to 'The Bluetones Big Score'. This collection pulls together the bands incredible run of hit singles during the period, including 'Bluetonic' (#19), 'Slight Return' (#2), 'Cut Some Rug' (#7), 'Marblehead Johnson' (#7), 'Solomon Bites the Worm' (#10), 'If...' (#13), 'Keep The Home Fires Burning' (#13), 'Autophilia' (#18) and 'After Hours' (#26).

CD Single Desree You Gotta Be. 1994. Caja fina de plástico. Desree EP. Incluye 4 temas: 1 You Gotta Be 2 Sun Of '79 3 You Gotta Be (Frankie Foncett Mix) 4 You Gotta Be (After Hours Mix)

STACEY Q (HARD MACHINE) CD 1988 STACEY Q (HARD MACHINE) CD 1988 STACEY Q (HARD MACHINE) CD 1988 Pistas Good Girl Favorite Things Kiss It All Goodbye Don't Make A Fool Of Yourself The River I Love You Temptation Hard Machine After Hours Another Chance

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DISILLUSION - THE LIBERATION (BLUE) (GATE) ( DISILLUSION - THE LIBERATION (BLUE) (GATE) (Gatefold 2LP (180g vinyl, transparent blue) incl. Etching, printed inner sleeves and protection sleeve. While Disillusion's Back To Times Of Splendor was an instant classic of progressive melodic death upon it's release in 2004, the group from Leipzig, Germany, pushed the envelope even more two years later on the rigorously innovative Gloria - yet it is fair to say that the most glorious years for one of the best kept secrets to come from the metal underground (Blabbermouth) are yet to come. In 2016, when the single Alea, their first new recording in a decade, came out to test the waters in the wake of successful concerts with a refurbished line-up, Disillusion found themselves graced with an incredibly loyal fan base that made the band give in to the urge of approaching their first full-length in ten years. In the course of a crowdfunding campaign, intiated with the hope to support the creation of that album, the dream of every niche artist became true: It's overwhelming success enabled main man Andy Schmidt to invest almost two years full-time into writing and recording a new Disillusion record without having to take on a day job for sustenance. That fan-finance actually laid the foundation for this work cannot be valued highly enough. The Liberation is the result of the Herculean creative task Andy Schmidt applied himself to, spending countless hours of songwriting and recording. It comes 13 years after Gloria but stands as the logical stylistic successor to Back To Times Of Splendor, offering genuinely enthusiastic, passionate and driven prog metal with a corresponding lyrical outlook yet one and a half decade of additional life experience on the part of it's creator. As an expression of clearance in the literal sense of it's title, it is testament to human development, an interplay of fierce metal with moments of both pure euphoria and introspection, The songs take you on the proverbial roller coaster of emotions that you missed maybe since Opeth'

TRAVIS - LIVE AT GLASTONBURY 1999 TRAVIS - LIVE AT GLASTONBURY 1999 This is the first ever release of this pivotal performance by British alt-rock band Travis, timed around the 20th anniversary of the show and their breakthrough album, The Man Who. When The Man Who appeared in 1999, it eclipsed Travis’ previous successes, going platinum six times in the UK, and going on to sell 3.5M copies worldwide, spawning more hit singles such as “Why Does It Always Rain On Me?” and “Writing To Reach You.” This Glastonbury performance became legendary, when, as Travis began to perform their song “Why Does It Always Rain On Me?” (after several hours of sunny weather), it began to rain exactly as the first line of the song was sung.

DISILLUSION - THE LIBERATION (BLK) (GATE) (L DISILLUSION - THE LIBERATION (BLK) (GATE) (L Gatefold 2LP (180g vinyl, black) incl. Etching, printed inner sleeves and protection sleeve. While Disillusion's Back To Times Of Splendor was an instant classic of progressive melodic death upon it's release in 2004, the group from Leipzig, Germany, pushed the envelope even more two years later on the rigorously innovative Gloria - yet it is fair to say that the most glorious years for one of the best kept secrets to come from the metal underground (Blabbermouth) are yet to come. In 2016, when the single Alea, their first new recording in a decade, came out to test the waters in the wake of successful concerts with a refurbished line-up, Disillusion found themselves graced with an incredibly loyal fan base that made the band give in to the urge of approaching their first full-length in ten years. In the course of a crowdfunding campaign, intiated with the hope to support the creation of that album, the dream of every niche artist became true: It's overwhelming success enabled main man Andy Schmidt to invest almost two years full-time into writing and recording a new Disillusion record without having to take on a day job for sustenance. That fan-finance actually laid the foundation for this work cannot be valued highly enough. The Liberation is the result of the Herculean creative task Andy Schmidt applied himself to, spending countless hours of songwriting and recording. It comes 13 years after Gloria but stands as the logical stylistic successor to Back To Times Of Splendor, offering genuinely enthusiastic, passionate and driven prog metal with a corresponding lyrical outlook yet one and a half decade of additional life experience on the part of it's creator. As an expression of clearance in the literal sense of it's title, it is testament to human development, an interplay of fierce metal with moments of both pure euphoria and introspection, The songs take you on the proverbial roller coaster of emotions that you missed maybe since Opeth's Watershe

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.