Fender classic player 60s

Cuerpo de aliso Acabado de poliéster brillante Enrutamiento SSS Sin orificios de montaje para batidores Montaje de puente trémolo sincronizado de estilo vintage de seis tornillos (2-7 / 32

Cuerpo de aliso Acabado de poliéster brillante Enrutamiento SS Sin orificios de montaje para batidores Montaje de puente estilo vintage de cuatro tornillos Soporte de bolsillo con cuello de cuatro pernos Clip de retención Jack instalado

Conjunto de 12 resortes de entonación larga Construcción de acero niquelado Utilizado en muchos ensambles de puente de guitarra Strat® de estilo vintage Para montajes de puente de guitarra American Vintage, Road Worn®, Classic Player y Classic Series Strat (1986-Presente)

Conjunto de 12 resortes de entonación de trémolo de reemplazo corto Acero niquelado Utilizado en muchos ensambles de puente de guitarra Strat® de estilo vintage Para montajes de puente de guitarra American Strat, American Standard (2008-Present), Road Worn®, Classic Player y Classic Series Strat (1998-Presente)

Vendo esta funda original de Fender. esta impecable como se puede ver en las fotos y tiene algún detalle chulo como la pua en la cremallera y el forro interior con el logo. Ni cambios ni regateos. Tags: Fender Gibson Gretsch marshall vox estuche rígido Case funda gig bag stratocaster telecaster jaguar Jazzmaster Mustang Deluxe thinline custom México baja classic player vintage original

Fender Squier Classic Vive 60S Stratocaster 3TS en buen estado, con su funda.

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

BOOKER T. & THE MGS - COMPLETE STAX SINGLES VOL.1 BOOKER T. & THE MGS - COMPLETE STAX SINGLES VOL.1 Discográfica:   Real Gone Music With apologies to groups like The Meters, Bar-Kays, and Average White Band, when it comes to all-time great instrumental R&B bands, for most folks Booker T. & the MG's represent the gold standard. And with good reason'or, actually reasons! First of all, as the house band of the hallowed Stax label, The MG's pretty much invented the sound of Southern soul, playing on records by everybody from Otis Redding to Wilson Pickett to Carla Thomas. Second, on their own as Booker T & the MG's, they came up with some of the most indelible instrumental jams of all time, including'but by no means limited to!''Green Onions.' And, third, each member of the band was an absolute monster on their instrument, to this day revered and copied by untold numbers of musicians. Indeed, by the time the mid '60s rolled around, bands on both sides of the Atlantic wanted to sound like Booker T. Jones, Steve Cropper, Al Jackson, Jr, and Lewie Steinberg (replaced about halfway through this collection by the great Donald 'Duck' Dunn). And what was that sound? Well, a typical MG's tune started from the bottom-up, resting on the rock-solid drumbeat of Jackson and the in-the-pocket bass work of Steinberg and, later, Dunn, over which keyboardist Jones and guitarist Cropper traded slinky and/or stinging licks. But these cats weren't just riff-happy groove masters; Jones basically codified the classic Hammond organ sound and Cropper's guitar tone remains the Holy Grail of anyone who's ever picked up a Fender Telecaster. Together, they recorded 49 single sides for Stax under the name of Booker T. & the MG's, and you'll find the first 29 (yes, 29!) of 'em right here, released on a single CD or double-LP pressed in blue vinyl and limited to 1000 copies. As with all of our singles collections, we have very carefully vetted these songs to make sure they are the correct mono single versions, with mastering by Dan Hersch at d2 Mastering, and tape research and sourcing by Mike Johnson and Aaron Kannowski with hel